Prabha Neupane > Prabha's Quotes

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  • #1
    George Orwell
    “In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four.”
    George Orwell, 1984

  • #2
    Matsuo Bashō
    “Come, butterfly
    It's late-
    We've miles to go together.”
    Basho, On Love and Barley: Haiku of Basho

  • #3
    Matsuo Bashō
    “Come, see the true
    flowers
    of this pained world.”
    Basho, On Love and Barley: Haiku of Basho

  • #4
    Matsuo Bashō
    “If I had the knack
    I'd sing like
    Cherry flakes falling”
    Basho, On Love and Barley: Haiku of Basho

  • #5
    Jomny Sun
    “Hmm... Well I guess everybody tells me i am too small and too slow to make a diference in this world but i am makimg a diference in my own world and i hope that is enough”
    Jomny Sun, Everyone's a Aliebn When Ur a Aliebn Too

  • #6
    Leo Tolstoy
    “If everyone fought for their own convictions there would be no war.”
    Leo Tolstoy, War and Peace
    tags: war

  • #7
    Leo Tolstoy
    “There is no greatness where there is not simplicity, goodness, and truth.”
    Leo Tolstoy, War and Peace

  • #8
    Matsuo Bashō
    “Sadly, I part from you;
    Like a clam torn from its shell,
    I go, and autumn too.”
    Matsuo Basho, Narrow Road to the Interior

  • #9
    Matsuo Bashō
    “Between our two lives
    there is also the life of
    the cherry blossom.”
    Matsuo Basho

  • #10
    Haruki Murakami
    “And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.”
    Haruki Murakami, Kafka on the Shore

  • #11
    Haruki Murakami
    “What happens when people open their hearts?"
    "They get better.”
    Haruki Murakami, Norwegian Wood

  • #12
    Haruki Murakami
    “Sometimes when I look at you, I feel I'm gazing at a distant star.
    It's dazzling, but the light is from tens of thousands of years ago.
    Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.”
    Haruki Murakami, South of the Border, West of the Sun

  • #13
    Haruki Murakami
    “Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
    Haruki Murakami, Kafka on the Shore

  • #14
    Haruki Murakami
    “I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”
    Haruki Murakami, Norwegian Wood

  • #15
    Haruki Murakami
    “In everybody’s life there’s a point of no return. And in a very few cases, a point where you can’t go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That’s how we survive.”
    Haruki Murakami, Kafka on the Shore

  • #16
    Haruki Murakami
    “In this world, there are things you can only do alone, and things you can only do with somebody else. It's important to combine the two in just the right amount.”
    Haruki Murakami, After Dark

  • #17
    Haruki Murakami
    “Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons--something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.”
    Haruki Murakami, Sputnik Sweetheart

  • #18
    Haruki Murakami
    “The most important thing we learn at school is the fact that the most important things can't be learned at school.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #19
    Haruki Murakami
    “Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.”
    Haruki Murakami, Kafka on the Shore

  • #20
    Haruki Murakami
    “Chance encounters are what keep us going.”
    Haruki Murakami, Kafka on the Shore

  • #21
    Haruki Murakami
    “I really like you, Midori. A lot.”
    “How much is a lot?”
    “Like a spring bear,” I said.
    “A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
    “You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
    “Yeah. Really nice.”
    “That’s how much I like you.”
    Haruki Murakami, Norwegian Wood

  • #22
    Haruki Murakami
    “You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.”
    Haruki Murakami, After Dark

  • #23
    Haruki Murakami
    “It's hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.”
    Haruki Murakami, Kafka on the Shore

  • #24
    Haruki Murakami
    “Find me now. Before someone else does.”
    Haruki Murakami, 1Q84

  • #25
    Haruki Murakami
    “In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality.”
    Haruki Murakami, Sputnik Sweetheart

  • #26
    Haruki Murakami
    “If you think God’s there, He is. If you don’t, He isn’t. And if that’s what God’s like, I wouldn’t worry about it.”
    Haruki Murakami, Kafka on the Shore

  • #27
    Haruki Murakami
    “One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds. Pain linked to pain, fragility to fragility. There is no silence without a cry of grief, no forgiveness without bloodshed, no acceptance without a passage through acute loss. That is what lies at the root of true harmony.”
    Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

  • #28
    Haruki Murakami
    “Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.”
    Haruki Murakami, Norwegian Wood

  • #29
    Haruki Murakami
    “According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people.
    In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.”
    Haruki Murakami, Kafka on the Shore

  • #30
    Haruki Murakami
    “We're both looking at the same moon, in the same world. We're connected to reality by the same line. All I have to do is quietly draw it towards me.”
    Haruki Murakami, Sputnik Sweetheart



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