Eugenia > Eugenia's Quotes

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  • #1
    Karl Lagerfeld
    “What i like about photographs is that they capture a moment that’s gone forever, impossible to reproduce.”
    Karl Lagerfeld

  • #2
    Dean F. Wilson
    “Some criminals said fighting Nox was like fighting ghosts. He seemed to come from everywhere. Most criminals who fought Nox never said anything at all.”
    Dean F. Wilson, Rustkiller

  • #3
    Oscar Wilde
    “Society often forgives the criminal; it never forgives the dreamer.”
    Oscar Wilde

  • #4
    Ally Carter
    “I for one like chaos. Chaos looks good on me.”
    Ally Carter, Uncommon Criminals

  • #7
    Stephanie Perkins
    “We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever.
    He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the
    tourists with their laminated maps and I don’t care, I don’t care about any of that.
    All I want is Étienne.
    The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and
    that extra scent that’s just . . . him. The most delicious smell I could ever imagine.
    I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I
    don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer
    closer.”
    Stephanie Perkins, Anna and the French Kiss

  • #15
    Martha Gellhorn
    “I know enough to know that no woman should ever marry a man who hated his mother.”
    Martha Gellhorn, Selected Letters

  • #16
    George Burns
    “Happiness is having a large, loving, caring, close-knit family in another city.”
    George Burns

  • #18
    Ansel Adams
    “You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.”
    Ansel Adams

  • #26
    Gabrielle Zevin
    “There will be other lives.
    There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands.
    And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions.
    And there will be other lives for fathers walking daughters down aisles.
    And there will be other lives for sweet babies with skin like milk.
    And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything.
    Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.”
    Gabrielle Zevin, Elsewhere

  • #28
    Ted  Grant
    “When you photograph people in color, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!”
    Ted Grant

  • #30
    Johnny Depp
    “If someone were to harm my family or a friend or somebody I love, I would eat them. I might end up in jail for 500 years, but I would eat them.”
    Johnny Depp

  • #34
    Roman Payne
    “She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city”
    Roman Payne, The Wanderess

  • #35
    Ansel Adams
    “You don't take a photograph, you make it.”
    Ansel Adams

  • #39
    Milan Kundera
    “The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return.”
    Milan Kundera, Ignorance

  • #41
    “Advice is a form of Nostalgia”
    Mary Schmich, Wear Sunscreen: A Primer for Real Life

  • #43
    Kim Edwards
    “Photography is all about secrets. The secrets we all have and will never tell.”
    Kim Edwards, The Memory Keeper's Daughter

  • #44
    Mikhail Bulgakov
    “To struggle against censorship, whatever its nature, and whatever the power under which it exists, is my duty as a writer, as are calls for freedom of the press. I am a passionate supporter of that freedom, and I consider that if any writer were to imagine that he could prove he didn't need that freedom, then he would be like a fish affirming in public that it didn't need water.”
    Mikhail Bulgakov, Manuscripts Don't Burn: Mikhail Bulgakov A Life in Letters and Diaries

  • #45
    Laini Taylor
    “The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.”
    Laini Taylor, Daughter of Smoke & Bone

  • #46
    Milan Kundera
    “But when the strong were too weak to hurt the weak, the weak had to be strong enough to leave.”
    Milan Kundera, The Unbearable Lightness of Being

  • #47
    “Always seeing something, never seeing nothing, being photographer”
    Walter De Mulder

  • #48
    Milan Kundera
    “When she is older she will see in these resemblances a regrettable uniformity among individuals (they all stop at the same spots to kiss, have the same tastes in clothing, flatter a woman with the same metaphor) and a tedious monotony among events (they are all just an endless repetition of the same one); but in her adolescence she welcomes these coincidences as miraculous and she is avid to decipher their meanings.”
    Milan Kundera, Ignorance

  • #49
    Christopher Hitchens
    What is it you most dislike? Stupidity, especially in its nastiest forms of racism and superstition.”
    Christopher Hitchens, Hitch 22: A Memoir

  • #50
    Haruki Murakami
    “Listen up - there's no war that will end all wars.”
    Haruki Murakami, Kafka on the Shore

  • #51
    David K. Shipler
    “The day I arrived in Yakutsk with my colleague Peter Osnos of The Washington Post, it was 46 below. When our plane landed, the door was frozen solidly shut, and it took about half an hour for a powerful hot-air blower- standard equipment at Siberian airports- to break the icy seal. Stepping outside was like stepping onto another planet, for at those low temperatures nothing seems quite normal. The air burns. Sounds are brittle. Every breath hovers in a strangle slow-motion cloud, adding to the mist of ice that pervades the city and blurs the sun. When the breath freezes into ice dust and falls almost silently to the ground, Siberians call it the whisper of stars.”
    David K. Shipler, Russia: Broken Idols, Solemn Dreams

  • #52
    Dana Newman
    “It's easy to fall in love among the winding cobblestone streets and snow-covered castles of Prague, but is it a good idea?”
    Dana Newman, Found in Prague

  • #53
    Kytka Hilmar-Jezek
    “As I sit here on a snowy morning watching the flakes gently fall outside my window, I look at the 300-year-old building across the street and the beautifully carved angels on its facade. There was a time people would create, just to give something beautiful to the world which we are so blessed to live in and a time when people understood the work of all of the arts.”
    Kytka Hilmar-Jezek, CELLOGIRLS: Identity and Transformation in 2CELLOS Fan Culture

  • #54
  • #55
    Michelle Richmond
    “We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.”
    Michelle Richmond, The Year of Fog

  • #56
    Joseph Heller
    “He was going to live forever, or die in the attempt.”
    Joseph Heller, Catch-22

  • #57
    Joseph Heller
    “Some men are born mediocre, some men achieve mediocrity, and some men have mediocrity thrust upon them.”
    Joseph Heller



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