Ron L > Ron's Quotes

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  • #1
    Jonathan Haidt
    “The social psychologist Tom Gilovich studies the cognitive mechanisms of strange beliefs. His simple formulation is that when we want to believe something, we ask ourselves, “Can I believe it?”28 Then (as Kuhn and Perkins found), we search for supporting evidence, and if we find even a single piece of pseudo-evidence, we can stop thinking. We now have permission to believe. We have a justification, in case anyone asks. In contrast, when we don’t want to believe something, we ask ourselves, “Must I believe it?” Then we search for contrary evidence, and if we find a single reason to doubt the claim, we can dismiss it.”
    Jonathan Haidt, The Righteous Mind: Why Good People are Divided by Politics and Religion

  • #2
    Nikos Kazantzakis
    “Happy the youth who believes that his duty is to remake the world and bring it more in accord with virtue and justice, more in accord with his own heart. Woe to whoever commences his life without lunacy.”
    Nikos Kazantzakis, Report to Greco

  • #3
    Nan Shepherd
    “Yet often the mountain gives itself most completely when I have no destination, when I reach nowhere in particular, but have gone out merely to be with the mountain as one visits a friend with no intention but to be with him.”
    Nan Shepherd, The Living Mountain: A Celebration of the Cairngorm Mountains of Scotland

  • #4
    Rebecca Solnit
    “The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.”
    Rebecca Solnit, The Faraway Nearby

  • #5
    Frédéric Gros
    “But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”
    Frédéric Gros, A Philosophy of Walking

  • #6
    Dean Koontz
    “No matter how close we are to another person, few human relationships are as free from strife, disagreement, and frustration as is the relationship you have with a good dog. Few human beings give of themselves to another as a dog gives of itself. I also suspect that we cherish dogs because their unblemished souls make us wish - consciously or unconsciously - that we were as innocent as they are, and make us yearn for a place where innocence is universal and where the meanness, the betrayals, and the cruelties of this world are unknown.”
    Dean Koontz, A Big Little Life: A Memoir of a Joyful Dog

  • #7
    Willa Cather
    “Let your fiction grow out of the land beneath your feet.”
    Willa Cather

  • #8
    Barry Lopez
    “Remember on this one thing, said Badger. The stories people tell have a way of taking care of them. If stories come to you, care for them. And learn to give them away where they are needed. Sometimes a person needs a story more than food to stay alive. That is why we put these stories in each other's memories. This is how people care for themselves. ”
    Barry Lopez, Crow and Weasel

  • #9
    Barry Lopez
    “To inquire into the intricacies of a distant landscape, then, is to provoke thoughts about one’s own interior landscape, and the familiar landscapes of memory. The land urges us to come around to an understanding of ourselves.”
    Barry López

  • #10
    Rebecca Solnit
    “Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #11
    Rebecca Solnit
    “Every walker is a guard on patrol to protect the ineffable.”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #12
    Rebecca Solnit
    “The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an allegory about [the perpetual paradox that when one is closest to a destination one is also the farthest).”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #13
    Rebecca Solnit
    “Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #14
    Rebecca Solnit
    “I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #15
    Rebecca Solnit
    “Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord. Walking allows us to be in our bodies and in the world without being made busy by them. It leaves us free to think without being wholly lost in our thoughts.”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #16
    Rebecca Solnit
    “Fire, brimstone and impending apocalypse have always had great success in the pulpit, and the apocalypse is always easier to imagine than the strange circuitous routes to what actually comes next.”
    Rebecca Solnit, Hope in the Dark: Untold Histories, Wild Possibilities

  • #17
    Rebecca Solnit
    “Ideas at first considered outrageous or ridiculous or extreme gradually become what people think they've always believed. How the transformation happened is rarely remembered, in part because it's compromising: it recalls the mainstream when the mainstream was, say, rabidly homophobic or racist in a way it no longer is; and it recalls that power comes from the shadows and the margins, that our hope is in the dark around the edges, not the limelight of center stage. Our hope and often our power.”
    Rebecca Solnit, Hope in the Dark: The Untold History of People Power

  • #18
    Christian Wiman
    “What we call doubt is often simply dullness of mind and spirit, not the absence of faith at all, but faith latent with the lives we are not quite living, God dormant in the world to which we are not quite giving our best selves.”
    Christian Wiman, My Bright Abyss: Meditation of a Modern Believer

  • #19
    Christian Wiman
    “I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.”
    Christian Wiman, Ambition and Survival: Becoming a Poet

  • #20
    Christian Wiman
    “If quantum entanglement is true, if related particles react in similar or opposite ways even when separated by tremendous distances, then it is obvious that the whole world is alive and communicating in ways we do not fully understand.”
    Christian Wiman, My Bright Abyss: Meditation of a Modern Believer

  • #21
    Rebecca Solnit
    “A labyrinth is a symbolic journey . . . but it is a map we can really walk on, blurring the difference between map and world.”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #22
    Barry Lopez
    “Conversations are efforts toward good relations. They are an elementary form of reciprocity. They are the exercise of our love for each other. They are the enemies of our loneliness, our doubt, our anxiety, our tendencies to abdicate. To continue to be in good conversation over our enormous and terrifying problems is to be calling out to each other in the night. If we attend with imagination and devotion to our conversations, we will find what we need; and someone among us will act—it does not matter whom—and we will survive.”
    Barry Lopez

  • #23
    Barry Lopez
    “How is one to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in life, when one finds darkness not only in one’s culture but within oneself? If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox. One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse. There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light.”
    Barry Lopez

  • #24
    Barry Lopez
    “The range of the human mind, the scale and depth of the metaphors the mind is capable of manufacturing as it grapples with the universe, stand in stunning contrast to the belief that there is only one reality, which is man's, or worse, that only one culture among the many on earth possesses the truth.
    To allow mystery, which is to say to yourself, "There could be more, there could be things we don't understand," is not to damn knowledge. It is to take a wider view. It is to permit yourself an extraordinary freedom: someone else does not have to be wrong in order that you may be right.”
    Barry Holstun Lopez

  • #25
    Barry Lopez
    “real beauty is so deep you have to move into darkness to understand it.”
    barry lopez

  • #26
    Rebecca Solnit
    “In the words of an interpreter, he states that the social and imaginative function of cities “is under threat from the tyranny of bad architecture, soulless planning and indifference to the basic unit of urban language, the street, and the ‘ruissellement de paroles’ (stream of words), the endless stories, which animate it. Keeping the street and the city alive depends on understanding their grammar and generating the new utterances on which they thrive. And for Bailly, the principal agency of this process is walking, what he calls the ‘grammaire generative de jambes’ (generative grammar of the legs).”
    Rebecca Solnit, Wanderlust: A History of Walking

  • #27
    Rebecca Solnit
    “There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.”
    Rebecca Solnit, A Field Guide to Getting Lost

  • #28
    Rebecca Solnit
    “But ignorance is one form of tolerance, whether it's pretending we live in a colorblind society or one in which misogyny is some quaint old thing we've gotten over.”
    Rebecca Solnit, Whose Story Is This? Old Conflicts, New Chapters

  • #29
    Rebecca Solnit
    “Either we have hope within us or we don’t; it is a dimension of the soul; it’s not essentially dependent on some particular observation of the world or estimate of the situation. Hope is not prognostication. It is an orientation of the spirit, an orientation of the heart; it transcends the world that is immediately experienced, and is anchored somewhere beyond its horizons. Hope, in this deep and powerful sense, is not the same as joy that things are going well, or willingness to invest in enterprises that are obviously headed for early success, but, rather, an ability to work for something because it is good, not just because it stands a chance to succeed.”
    Rebecca Solnit, Hope in the Dark: Untold Histories, Wild Possibilities

  • #30
    Richard Rohr
    “I have prayed for years for one good humiliation a day, and then, I must watch my reaction to it. I have no other way of spotting both my denied shadow self and my idealized persona.”
    Richard Rohr, Falling Upward: A Spirituality for the Two Halves of Life



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