Frankie > Frankie's Quotes

“There is nothing to writing. All you do is sit down at a typewriter and bleed.”
― Ernest Hemingway

“I love sleep. My life has the tendency to fall apart when I'm awake, you know?”
― Ernest Hemingway

“All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.”
― Ernest Hemingway

“Courage is grace under pressure.”
― ernest hemingway

“The first draft of anything is shit.”
― Ernest Hemingway

“All you have to do is write one true sentence. Write the truest sentence that you know.”
― Ernest Hemingway

“Sometimes I write drunk and revise sober, and sometimes I write sober and revise drunk. But you have to have both elements in creation — the Apollonian and the Dionysian, or spontaneity and restraint, emotion and discipline.”
― Peter De Vries, Reuben, Reuben

“Every man's life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.”
― Ernest Hemingway

“Maybe...you'll fall in love with me all over again."
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.”
― Ernest Hemingway, A Farewell to Arms

“Forget your personal tragedy. We are all bitched from the start and you especially have to be hurt like hell before you can write seriously. But when you get the damned hurt, use it-don't cheat with it.”
― Ernest Hemingway

“It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.”
― Ernest Hemingway, The Sun Also Rises

“An intelligent man is sometimes forced to be drunk to spend time with his fools.”
― Ernest Hemingway

“The most essential gift for a good writer is a built-in, shockproof, shit detector.”
― Hemingway, Ernest

“It's none of their business that you have to learn how to write. Let them think you were born that way.”
― Ernest Hemingway

“When you start to live outside yourself, it's all dangerous.”
― Ernest Hemingway, The Garden of Eden

“I’m not brave any more darling. I’m all broken. They’ve broken me.”
― Ernest Hemingway, A Farewell to Arms

“Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
― Ernest Hemingway

“All my life I've looked at words as though I were seeing them for the first time.”
― Ernest Hemingway

“There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.”
― Ernest Hemingway

“But life isn't hard to manage when you've nothing to lose.”
― Ernest Hemingway, A Farewell to Arms

“Listen," I told him. "Don't be so tough so early in the morning. I'm sure you've cut plenty of people's throats. I haven't even had my coffee yet.”
― ernest hemingway, To Have and Have Not

“Do you suffer when you write? I don't at all. Suffer like a bastard when don't write, or just before, and feel empty and fucked out afterwards. But never feel as good as while writing.”
― Ernest Hemingway

“Never to go on trips with anyone you do not love.”
― Ernest Hemingway, A Moveable Feast

“No, that is the great fallacy: the wisdom of old men. They do not grow wise. They grow careful.”
― Ernest Hemingway, A Farewell to Arms

“The thing is to become a master and in your old age to acquire the courage to do what children did when they knew nothing. ”
― Ernest Hemingway

“What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed in there, regardless. It wasn't just about blood relations or shared chromosomes, but something wider, bigger. We had many families over time. Our family of origin, the family we created, and the groups you moved through while all of this was happening: friends, lovers, sometimes even strangers. None of them perfect, and we couldn't expect them to be. You can't make any one person your world. The trick was to take what each could give you and build your world from it.”
― Sarah Dessen, Lock and Key

“And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.”
― Cassandra Clare, City of Glass

“I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
― Anais Nin

“The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.”
― Jim MORRISON

“Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
― Mark Z. Danielewski, House of Leaves