Riley Mason > Riley's Quotes

“[T]he unnamed soldier is a gift. The named soldier--dead, melted wax--demands a response among the living...a response no-one can make. Names are no comfort, they're a call to answer the unanswerable. Why did she die, not him? Why do the survivors remain anonymous--as if cursed--while the dead are revered? Why do we cling to what we lose while we ignore what we still hold?

Name none of the fallen, for they stood in our place, and stand there still in each moment of our lives. Let my death hold no glory, and let me die forgotten and unknown. Let it not be said that I was one among the dead to accuse the living.”
― Steven Erikson, Deadhouse Gates

“We humans do not understand compassion. In each moment of our lives, we betray it. Aye, we know of its worth, yet in knowing we then attach to it a value, we guard the giving of it, believing it must be earned, T’lan Imass. Compassion is priceless in the truest sense of the word. It must be given freely. In abundance.”
― Steven Erikson, Memories of Ice

“There is something profoundly cynical, my friends, in the notion of paradise after death. The lure is evasion. The promise is excusative. One need not accept responsibility for the world as it is, and by extension, one need do nothing about it. To strive for change, for true goodness in this mortal world, one must acknowledge and accept, within one's own soul, that this mortal reality has purpose in itself, that its greatest value is not for us, but for our children and their children. To view life as but a quick passage alone a foul, tortured path – made foul and tortured by our own indifference – is to excuse all manner of misery and depravity, and to exact cruel punishment upon the innocent lives to come.

I defy this notion of paradise beyond the gates of bone. If the soul truly survives the passage, then it behooves us – each of us, my friends – to nurture a faith in similitude: what awaits us is a reflection of what we leave behind, and in the squandering of our mortal existence, we surrender the opportunity to learn the ways of goodness, the practice of sympathy, empathy, compassion and healing – all passed by in our rush to arrive at a place of glory and beauty, a place we did not earn, and most certainly do not deserve.”
― Steven Erikson, The Bonehunters

“There is no struggle too vast, no odds too overwhelming, for even should we fail - should we fall - we will know that we have lived.”
― Steven Erikson, Toll the Hounds

“The soul knows no greater anguish than to take a breath that begins with love and ends with grief.”
― Steven Erikson, Toll the Hounds

“He was not a modest man. Contemplating suicide, he summoned a dragon.'
Gothos' Folly”
― Steven Erikson, The Crippled God

“Open to them your hand to the shore, watch them walk
into the sea.
Press upon them all they need, see them yearn for all they
want.
Gift to them the calm pool of words, watch them draw
the sword.
Bless upon them the satiation of peace, see them starve for
war.
Grant them darkness and they will lust for light.
Deliver to them death and hear them beg for life.
Beget life and they will murder your kin.
Be as they are and they see you different.
Show wisdom and you are a fool.
The shore gives way to the sea.
And the sea, my friends,
Does not dream of you.”
― Steven Erikson, Reaper's Gale

“Do not seek to find hope among your leaders. They are the repositories of poison. Their interest in you extends only so far as their ability to control you. From you, they seek duty and obedience, and they will ply you with the language of stirring faith. They seek followers, and woe to those who question, or voice challenge. ‘Civilization after civilization, it is the same. The world falls to tyranny with a whisper. The frightened are ever keen to bow to a perceived necessity, in the belief that necessity forces conformity, and conformity a certain stability. In a world shaped into conformity, dissidents stand out, are easily branded and dealt with. There is no multitude of perspectives, no dialogue. The victim assumes the face of the tyrant, self-righteous and intransigent, and wars breed like vermin. And people die.”
― Steven Erikson, Midnight Tides

“Courting is the art of growing like mould on the one you want.”
― Steven Erikson, The Crippled God

“When one loves all things of the world, when one has that gift of joy, it is not the armour against grief that you might think it to be. Such a person stands balanced on the edge of sadness – there is no other way for it, because to love as he does is to see clearly.”
― Steven Erikson, Forge of Darkness

“Discipline is the greatest weapon against the self-righteous. We must measure the virtue of our own controlled response when answering the atrocities of fanatics. And yet, let it not be claimed, in our own oratory of piety, that we are without our own fanatics; for the self-righteous breed wherever tradition holds, and most often when there exists the perception that tradition is under assault. Fanatics can be created as easily in an environment of moral decay (whether real or imagined) as in an environment of legitimate inequity or under the banner of a common cause.

Discipline is as much facing the enemy within as the enemy before you; for without critical judgment, the weapon you wield delivers- and let us not be coy here- naught but murder.

And its first victim is the moral probity of your cause.”
― Steven Erikson, The Bonehunters

“Innocence is only a virtue, lass, when it is temporary. You must pass from it to look back and recognize its unsullied purity. To remain innocent is to twist beneath invisible and unfathomable forces all your life, until one day you realize that you no longer recognize yourself, and it comes to you that innocence was a curse that had shackled you, stunted you, defeated your every expression of living.”
― Steven Erikson, House of Chains

“She lifted her hands and closed them around his head... and it seemed to Catriana in that moment as if that newborn trialla in her soul began to sing. Of trials endured and trials to come, of doubt and dark and all the deep uncertainties that defined the outer boundaries of mortal life, but with love now present at the base of it all, like light, like the first stone of a rising tower. ”
― Guy Gavriel Kay, Tigana

“Memory was talisman and ward for him, gateway and hearth. It was pride and love, shelter from loss: for if something could remembered, it was not wholly lost. Not dead and gone forever.”
― Guy Gavriel Kay, Tigana

“He could guess, analyze, play out scenarios in his mind, but he would never know. It was a night-time truth that became a queer, private sorrow for him amid all that came after. A symbol, a displacement of regret. A reminder of what it was to be mortal and so doomed to tread one road only and that one only once, until Morian called the soul away and Eanna’s lights were lost. We can never truly know the path we have not walked.”
― Guy Gavriel Kay, Tigana

“The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.

The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“They were watching, out there past men's knowing, where stars are drowning and whales ferry their vast souls through the black and seamless sea.”
― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West

“The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“This is the nature of war, whose stake is at once the game and the authority and the justification. Seen so, war is the truest form of divination. It is the testing of one's will and the will of another within that larger will which because it binds them is therefore forced to select. War is the ultimate game because war is at last a forcing of the unity of existence.War is god.”
― Cormac McCarthy, Blood Meridian, or the Evening Redness in the West

“The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“The flames sawed in the wind and the embers paled and deepened and paled and deepened like the bloodbeat of some living thing eviscerate upon the ground before them and they watched the fire which does contain within it something of men themselves inasmuch as they are less without it and are divided from their origins and are exiles. For each fire is all fires, and the first fire and the last ever to be.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“Only now is the child finally divested of all that he has been. His origins are become remote as is his destiny and not again in all the world's turning will there be terrains so wild and barbarous to try whether the stuff of creation may be shaped to man's will or whether his own heart is not another kind of clay.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“They crossed before the sun and vanished one by one and reappeared again and they were black in the sun and they rode out of that vanished sea like burnt phantoms with the legs of the animals kicking up the spume that was not real and they were lost in the sun and lost in the lake and they shimmered and slurred together and separated again and they were augmented by planes in lurid avatars and began to coalesce and there began to appear above them in the dawn-broached sky a hellish likeness of their ranks riding huge and inverted and the horses' legs incredibly elongate trampling down the high thin cirrus and the howling antiwarriors pendant from their mounts immense and chimeric and the high wild cries carrying that flat and barren pan like the cries of souls broke through some misweave in the weft of things into the world below.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and- leaving in the moonlight a vaporous dust like the palest stain of their passing.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“Stars were falling across the sky myriad and random, speeding along brief vectors from their origins in night to their destinies in dust and nothingness.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“It is easy, of course, to fear happiness. There is often complacency in the acceptance of misery. We fear parting from our familiar roles. We fear the consequences of such a parting. We fear happiness because we fear failure. But we must overcome these fears. We must be brave. It is one thing to speculate about what might be. It is quite another to act in behalf of our dreams, to treat them as objectives that are achievable and worth achieving. It is one thing to run from unhappiness; it is another to take action to realize those qualities of dignity and well-being that are the true standards of the human spirit.”
― Tim O'Brien, Going After Cacciato

“Peace of mind is not a simple matter of pursuing one’s own pleasure; rather, it is inextricably linked to the attitudes of other human beings, to what they want, to what they expect.”
― Tim O'Brien, Going After Cacciato

“Imagination, like reality, has its limits.”
― Tim O'Brien, Going After Cacciato