Alyssa Denman > Alyssa's Quotes

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  • #1
    “You should date a girl who reads.
    Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.

    Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.

    She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.

    Buy her another cup of coffee.

    Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.

    It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.

    She has to give it a shot somehow.

    Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.

    Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.

    Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.

    If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

    You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.

    You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.

    Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

    Or better yet, date a girl who writes.”
    Rosemarie Urquico

  • #2
    Nicole Krauss
    “Franz Kafka is Dead

    He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.

    That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.

    They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.”
    Nicole Krauss, The History of Love

  • #3
    Zoë Heller
    “Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.

    People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.”
    Zoë Heller, What Was She Thinking? [Notes on a Scandal]

  • #4
    David Nicholls
    “It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.”
    David Nicholls, One Day

  • #5
    “Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.

    Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.

    Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?

    It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.”
    J. Ruth Gendler, The Book of Qualities: An Evocative Work of Poetic Psychology―Magical Personifications of Human Emotions

  • #6
    Shinji Moon
    “I almost miss the sound of your voice but know that the rain
    outside my window will suffice for tonight.
    I’m not drunk yet, but we haven’t spoken in months now
    and I wanted to tell you that someone threw a bouquet of roses
    in the trash bin on the corner of my street, and I wanted to cry
    because, because —
    well,
    you know exactly why.

    And, I guess I’m calling because only you understand
    how that would break my heart.

    I’m running out of things to say. My gas is running on empty.
    I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus
    and looked for synonyms for you but could only find rain and more rain
    and a thunderstorm that sounded like glass, like crystal, like an orchestra.

    I wanted to tell you that I’m not afraid of being moved anymore;
    Not afraid of this heart packing up its things and flying transcontinental
    with only a wool coat and a pocket with a folded-up address inside.

    I’ve saved up enough money to disappear.
    I know you never thought the day would come.

    Do you remember when we said goodbye and promised that
    it was only for then? It’s been years since I last saw you, years
    since we last have spoken.

    Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs
    against each other’s.

    I’ve forgotten almost everything about you already, except that
    your skin was soft, like the belly of a peach, and
    how you would laugh,
    making fun of me for the way I pronounced almonds
    like I was falling in love
    with language.”
    Shinji Moon

  • #7
    Paulo Coelho
    “We love men because they can never fake orgasms, even if they wanted to.

    Because they write poems, songs, and books in our honor.

    Because they never understand us, but they never give up.

    Because they can see beauty in women when women have long ceased to see any beauty in themselves.

    Because they come from little boys.

    Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.

    Because they are incredible lovers and never rest until we’re happy.

    Because they elevate sports to religion.

    Because they’re never afraid of the dark.

    Because they don’t care how they look or if they age.

    Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.

    Because they never wear or dream of wearing high heels.

    Because they’re always ready for sex.

    Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.

    Because they’re afraid to go bald.

    Because you always know what they think and they always mean what they say.

    Because they love machines, tools, and implements with the same ferocity women love jewelry.

    Because they go to great lengths to hide, unsuccessfully, that they are frail and human.

    Because they either speak too much or not at all to that end.

    Because they always finish the food on their plate.

    Because they are brave in front of insects and mice.

    Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.

    Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.

    Because for them there’s no such thing as too much adrenaline.

    Because when all is said and done, they can’t live without us, no matter how hard they try.

    Because they’re truly as simple as they claim to be.

    Because they love extremes and when they go to extremes, we’re there to catch them.

    Because they are tender they when they cry, and how seldom they do it.

    Because what they lack in talk, they tend to make up for in action.

    Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.

    Because they really love their moms, and they remind us of our dads.

    Because they never care what their horoscope, their mother-in-law, nor the neighbors say.

    Because they don’t lie about their age, their weight, or their clothing size.

    Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to.

    Because when we say “I love you” they ask for an explanation.”
    Paulo Coelho

  • #8
    Roald Dahl
    “The most important thing we've learned,
    So far as children are concerned,
    Is never, NEVER, NEVER let
    Them near your television set --
    Or better still, just don't install
    The idiotic thing at all.
    In almost every house we've been,
    We've watched them gaping at the screen.
    They loll and slop and lounge about,
    And stare until their eyes pop out.
    (Last week in someone's place we saw
    A dozen eyeballs on the floor.)
    They sit and stare and stare and sit
    Until they're hypnotised by it,
    Until they're absolutely drunk
    With all that shocking ghastly junk.
    Oh yes, we know it keeps them still,
    They don't climb out the window sill,
    They never fight or kick or punch,
    They leave you free to cook the lunch
    And wash the dishes in the sink --
    But did you ever stop to think,
    To wonder just exactly what
    This does to your beloved tot?
    IT ROTS THE SENSE IN THE HEAD!
    IT KILLS IMAGINATION DEAD!
    IT CLOGS AND CLUTTERS UP THE MIND!
    IT MAKES A CHILD SO DULL AND BLIND
    HE CAN NO LONGER UNDERSTAND
    A FANTASY, A FAIRYLAND!
    HIS BRAIN BECOMES AS SOFT AS CHEESE!
    HIS POWERS OF THINKING RUST AND FREEZE!
    HE CANNOT THINK -- HE ONLY SEES!
    'All right!' you'll cry. 'All right!' you'll say,
    'But if we take the set away,
    What shall we do to entertain
    Our darling children? Please explain!'
    We'll answer this by asking you,
    'What used the darling ones to do?
    'How used they keep themselves contented
    Before this monster was invented?'
    Have you forgotten? Don't you know?
    We'll say it very loud and slow:
    THEY ... USED ... TO ... READ! They'd READ and READ,
    AND READ and READ, and then proceed
    To READ some more. Great Scott! Gadzooks!
    One half their lives was reading books!
    The nursery shelves held books galore!
    Books cluttered up the nursery floor!
    And in the bedroom, by the bed,
    More books were waiting to be read!
    Such wondrous, fine, fantastic tales
    Of dragons, gypsies, queens, and whales
    And treasure isles, and distant shores
    Where smugglers rowed with muffled oars,
    And pirates wearing purple pants,
    And sailing ships and elephants,
    And cannibals crouching 'round the pot,
    Stirring away at something hot.
    (It smells so good, what can it be?
    Good gracious, it's Penelope.)
    The younger ones had Beatrix Potter
    With Mr. Tod, the dirty rotter,
    And Squirrel Nutkin, Pigling Bland,
    And Mrs. Tiggy-Winkle and-
    Just How The Camel Got His Hump,
    And How the Monkey Lost His Rump,
    And Mr. Toad, and bless my soul,
    There's Mr. Rat and Mr. Mole-
    Oh, books, what books they used to know,
    Those children living long ago!
    So please, oh please, we beg, we pray,
    Go throw your TV set away,
    And in its place you can install
    A lovely bookshelf on the wall.
    Then fill the shelves with lots of books,
    Ignoring all the dirty looks,
    The screams and yells, the bites and kicks,
    And children hitting you with sticks-
    Fear not, because we promise you
    That, in about a week or two
    Of having nothing else to do,
    They'll now begin to feel the need
    Of having something to read.
    And once they start -- oh boy, oh boy!
    You watch the slowly growing joy
    That fills their hearts. They'll grow so keen
    They'll wonder what they'd ever seen
    In that ridiculous machine,
    That nauseating, foul, unclean,
    Repulsive television screen!
    And later, each and every kid
    Will love you more for what you did.”
    Roald Dahl, Charlie and the Chocolate Factory

  • #9
    David Nicholls
    “No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy.
    Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:
    ‘We grew up together.”
    David Nicholls, One Day

  • #10
    Rebecca Woolf
    “Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud.

    Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.”
    Rebecca Woolf

  • #11
    Chris Wooding
    “The books were legends and tales, stories from all over the Realm. These she had devoured voraciously – so voraciously, in fact, that she started to become fatigued by them. It was possible to have too much of a good thing, she reflected.
    “They’re all the same,” she complained to Fleet one night. “The soldier rescues the maiden and they fall in love. The fool outwits the wicked king. There are always three brothers or sisters, and it’s always the youngest who succeeds after the first two fail. Always be kind to beggars, for they always have a secret; never trust a unicorn. If you answer somebody’s riddle they always either kill themselves or have to do what you say. They’re all the same, and they’re all ridiculous! That isn’t what life is like!”
    Fleet had nodded sagely and puffed on his hookah. “Well, of course that’s not what life is like. Except the bit about unicorns – they’ll eat your guts as soon as look at you. those things in there” – he tapped the book she was carrying – “they’re simple stories. Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.”
    Chris Wooding, Poison

  • #12
    Christopher Paolini
    “Books are my friends, my companions. They make me laugh and cry and find meaning in life."

    The most importnant truth in my life,if you ask me,and he got it all right”
    Christopher Paolini, Eragon

  • #13
    Christopher Paolini
    “You'll enjoy it. There is much you can learn from books and scrolls," said Jeod. He gestured at the walls. "These books are my friends, my companions. They make me laugh and cry and find meaning in life."

    "It sounds intriguing," admitted Eragon.

    "Always the scholar, aren't you?" asked Brom.

    Jeod shrugged. "Not anymore. I'm afraid I've degenerated into a bibliophile.”
    Christopher Paolini, Eragon

  • #14
    Emilie Autumn
    “Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is.

    I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.”
    Emilie Autumn

  • #15
    Anne Rice
    “On writing, my advice is the same to all. If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less. --- Ignore
    critics. Critics are a dime a dozen. Anybody can be a critic. Writers are priceless. ---- Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn't help you. Do it your own way.
    --- Every writer knows fear and discouragement. Just write. --- The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won't write the classics of tomorrow, well, we will not have any. Good luck.”
    Anne Rice

  • #16
    Jaclyn Dolamore
    “Sometimes, before you make any plans or resolutions, before you declare your heroic intent to persevere, you just have to cry.”
    Jaclyn Dolamore, Magic Under Glass

  • #17
    Brittainy C. Cherry
    “Everyone has a golden. It could be anything-a song, a book, a pet, a person. Anything that makes you so happy your insides cry of pure joy. It feels like you're on drugs but better because it's a natural high. Shakespeare is my golden.”
    Brittainy C. Cherry, Loving Mr. Daniels

  • #18
    Christopher Paolini
    “There is much you can learn from books and scrolls. These books are my friends, my companions. They make me laugh and cry and find meaning in life.”
    Christopher Paolini, Eragon

  • #19
    Sherrilyn Kenyon
    “My mother wasn’t a psychotic criminal. (Kiara)
    No. I’m sure she was a wonderful lady who loved you dearly. That she held you when you cried, probably even baked you cookies and gave you hugs and kisses before she sent you off to bed at night, and it’s a damn shame a decent woman like her died so tragically. My mother, whore that she was, abandoned me and my sister to our father so that she could return to her cushy life and pretend we didn’t exist while she left us in that house with a man whose name, even though he’d been dead for decades, can still make an assassin wet his pants. And if you think his cruelty was reserved for strangers, think again. My sister and I were target practice for him. So don’t you dare talk to me about pain. My father wrote the book on it and he rammed it down my throat every day of my childhood until they killed him. And the real kicker is, my life under his demented fist was a lot better than Nykyrian’s. At least I was able to hide sometimes from the ones trying to kill me. You want me to call your daddy, baby? Go right ahead. I’ll be more than happy to take you to him. But know that Aksel will have his hands on you in a matter of hours. Then you’ll be able to talk to me about pain and you’ll finally have an idea of what we’ve endured. You won’t live long enough to apologize, but true clarity will be yours before you die. (Syn)”
    Sherrilyn Kenyon, Born of the Night



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