Emperor > Emperor's Quotes

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  • #1
    Alan             Moore
    “My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.”
    Alan Moore

  • #2
    Grant Morrison
    “From now on, I'm opting for ontological terrorism.”
    Grant Morrison, The Invisibles, Vol. 6: Kissing Mister Quimper

  • #3
    Grant Morrison
    “I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #4
    Warren Ellis
    “Be authentic to your dreams. Be authentic to your own idea about yourself. Grind away at your own minds and bodies until you become your own invention. Be Mad Scientists.”
    Warren Ellis, Doktor Sleepless, Volume 1: Engines of Desire

  • #5
    China Miéville
    “Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd.”
    China Miéville

  • #6
    China Miéville
    “The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.”
    China Mieville

  • #7
    William S. Burroughs
    “Language is a virus from outer space”
    William S. Burroughs

  • #8
    Terry Pratchett
    “Stories of imagination tend to upset those without one.”
    Terry Pratchett

  • #9
    Terry Pratchett
    “It's not worth doing something unless someone, somewhere, would much rather you weren't doing it.”
    Terry Pratchett

  • #10
    Grant Morrison
    “If this book has made any point clear, I hope it's that things don't have to be real to be true. Or vice versa.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #11
    Warren Ellis
    “If contemporary literary fiction doesn't read a bit like science fiction then it's probably not all that contemporary, is it”
    Warren Ellis

  • #12
    Grant Morrison
    “Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we’ll ever need.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #13
    China Miéville
    “When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

    Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

    That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

    Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

    Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

    The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
    China Miéville

  • #15
    Terry Pratchett
    “There is a rumour going around that I have found God. I think this is unlikely because I have enough difficulty finding my keys, and there is empirical evidence that they exist.”
    Terry Pratchett

  • #16
    Grant Morrison
    “Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.”
    Grant Morrison, The Invisibles, Volume 1: Say You Want a Revolution

  • #17
    China Miéville
    “Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.”
    China Miéville

  • #18
    Warren Ellis
    “Writing comics? Still the best job in the world. I sit around all day making shit up and see it illustrated, in 99% of cases, exactly as I imagined it -- if not better. I've been doing this a long time now, and I'm going to do it until I die. Which probably won't be long, given the constant insane deadline pressure.”
    Warren Ellis

  • #19
    Terry Pratchett
    “If you have enough book space, I don't want to talk to you.”
    Terry Pratchett

  • #20
    Warren Ellis
    “If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?”
    Warren Ellis

  • #21
    Grant Morrison
    “We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn't we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in - and we made Superman, after all. All it takes is that one magic word.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #22
    China Miéville
    “The best way to write a novel is to do it behind your own back.”
    China Miéville

  • #24
    Grant Morrison
    “Hell is only the Cringe Eternal and the Place of our Self's Undoing. When Nietzsche proclaimed "God is Dead!" he forgot to add that Satan is also dead and we are free from all that antique tat.”
    Grant Morrison

  • #24
    Grant Morrison
    “Sometimes you wonder, in an interconnected universe, who's dreaming who?”
    Grant Morrison, Animal Man, Vol. 2: Origin of the Species

  • #25
    Grant Morrison
    “The 'medium' is unaware of its attractiveness, that's all. Everyone loves comics. I've proven this to my own satisfaction by handing them out to acountants, insurance brokers, hairdressers, mothers of children, black belts, pop stars, taxi drivers, painters, lesbians, doctors etc. etc. The X-Files, Buffy, the Matrix, X-Men - mainstream culture is not what it once was when science fiction and comics fans huddled in cellars like Gnostic Christians dodging the Romans. We should come up into the light soon before we suffocate.”
    Grant Morrison

  • #25
    Douglas Adams
    “For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much—the wheel, New York, wars and so on—whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man—for precisely the same reasons.”
    Douglas Adams, The Hitchhiker’s Guide to the Galaxy

  • #26
    Terry Pratchett
    “The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it.”
    Terry Pratchett, Diggers

  • #27
    China Miéville
    “...where's the skill in being a hero if you were always destined to do it?”
    China Miéville, Un Lun Dun

  • #28
    Grant Morrison
    “Actually, it's as if [Superman is] more real than we are. We writers come and go, generations of artists leave their interpretations, and yet something persists, something that is always Superman.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #29
    Grant Morrison
    “We tell our children they're trapped like rats on a doomed, bankrupt, gangster-haunted planet with dwindling resources, with nothing to look forward to but rising sea levels and imminent mass extinctions, then raise a disapproving eyebrow when, in response, they dress in black, cut themselves with razors, starve themselves, gorge themselves, or kill one another.”
    Grant Morrison, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

  • #30
    Douglas Adams
    “The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.”
    Douglas Adams, The Salmon of Doubt: Hitchhiking the Galaxy One Last Time



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