Nellie K. > Nellie K.'s Quotes

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  • #1
    Wolfgang Amadeus Mozart
    “The music is not in the notes,
    but in the silence between.”
    Wolfgang Amadeus Mozart

  • #2
    Maya Angelou
    “Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.”
    Maya Angelou

  • #3
    Carl Sagan
    “It is of interest to note that while some dolphins are reported to have learned English - up to fifty words used in correct context - no human being has been reported to have learned dolphinese.”
    Carl Sagan

  • #4
    Johann Sebastian Bach
    “I play the notes as they are written, but it is God who makes the music.”
    Johann Sebastian Bach

  • #5
    Walt Whitman
    “Out of the cradle endlessly rocking,
    Out of the mocking-bird’s throat, the musical shuttle,
    Out of the Ninth-month midnight,
    Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d
    alone, bare-headed, barefoot,
    Down from the shower’d halo,
    Up from the mystic play of shadows, twining and twisting as if they were alive,
    Out from the patches of briers and blackberries,
    From the memories of the bird that chanted to me,
    From your memories, sad brother—from the fitful risings and fallings I heard,
    From under that yellow half-moon, late-risen, and swollen as if with tears,
    From those beginning notes of sickness and love, there in the transparent mist,
    From the thousand responses of my heart, never to cease,
    From the myriad thence-arous’d words,
    From the word stronger and more delicious than any,
    From such, as now they start, the scene revisiting,
    As a flock, twittering, rising, or overhead passing,
    Borne hither—ere all eludes me, hurriedly,
    A man—yet by these tears a little boy again,
    Throwing myself on the sand, confronting the waves,
    I, chanter of pains and joys, uniter of here and hereafter,
    Taking all hints to use them—but swiftly leaping beyond them,
    A reminiscence sing. ”
    Walt Whitman, Song of Myself

  • #6
    Derek Walcott
    Love After Love

    The time will come
    when, with elation
    you will greet yourself arriving
    at your own door, in your own mirror
    and each will smile at the other's welcome,

    and say, sit here. Eat.
    You will love again the stranger who was your self.
    Give wine. Give bread. Give back your heart
    to itself, to the stranger who has loved you

    all your life, whom you ignored
    for another, who knows you by heart.
    Take down the love letters from the bookshelf,

    the photographs, the desperate notes,
    peel your own image from the mirror.
    Sit. Feast on your life.”
    Derek Walcott, Collected Poems, 1948-1984

  • #7
    Edgar Allan Poe
    “If you wish to forget anything on the spot, make a note that this thing is to be remembered.”
    Edgar Allan Poe

  • #8
    Jeffrey Eugenides
    “Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets."

    And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.”
    Jeffrey Eugenides, The Virgin Suicides

  • #9
    Isaac Asimov
    “Author's Note: This story starts with section 6. This is not a mistake. I have my own subtle reasoning. So, just read, and enjoy.”
    Isaac Asimov, The Gods Themselves

  • #10
    John Irving
    “Among adults – and among orphans – Wilbur Larch noted that delirious happiness was rare.”
    John Irving, The Cider House Rules

  • #11
    John Irving
    “It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.”
    John Irving, The World According to Garp

  • #12
    Fyodor Dostoevsky
    “Man is tormented by no greater anxiety than to find someone quickly to whom he can hand over that great gift of freedom with which the ill-fated creature is born.”
    Fyodor Dostoevsky, The Grand Inquisitor

  • #13
    Fyodor Dostoevsky
    “Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.”
    Fyodor Dostoevsky, The Adolescent

  • #14
    Jane Austen
    “Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow."

    My journal!"

    Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense."

    Indeed I shall say no such thing."

    Shall I tell you what you ought to say?"

    If you please."

    I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say."

    But, perhaps, I keep no journal."

    Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.”
    Jane Austen, Northanger Abbey

  • #15
    Richard M. Nixon
    “If you want to make beautiful music, you must play the black and the white notes together.”
    Richard Nixon

  • #16
    Jean Cocteau
    “In two weeks, despite these notes, I shall no longer believe in what I am experiencing now. One must leave behind a trace of this journey which memory forgets. One must, when this is impossible, write or draw without responding to the romantic solicitations of pain, without enjoying suffering like music, tieing a pen to one's foot if need be, helping the doctors who can learn nothing from laziness.”
    Jean Cocteau, Opium: The Illustrated Diary of His Cure

  • #17
    Ambrose Bierce
    “GEOLOGY, n. The science of the earth's crust --to which, doubtless, will be added that of its interior whenever a man shall come up garrulous out of a well. The geological formations of the globe already noted are catalogued thus: The Primary, or lower one, consists of rocks, bones or mired mules, gas-pipes, miners' tools, antique statues minus the nose, Spanish doubloons and ancestors. The Secondary is largely made up of red worms and moles. The Tertiary comprises railway tracks, patent pavements, grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated citizens, garbage, anarchists, snap-dogs and fools.”
    Ambrose Bierce

  • #18
    Italo Calvino
    “...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.”
    Italo Calvino

  • #19
    José Ortega y Gasset
    “The characteristic note of our time is the dire truth that, the mediocre soul, the commonplace mind, knowing itself to be mediocre, has the gall to assert its right to mediocrity, and goes on to impose itself where it can.”
    Jose Ortega y Gasset

  • #20
    Mahatma Gandhi
    “I must say that, beyond occasionally exposing me to laughter, my constitutional shyness has been no dis-advantage whatever. In fact I can see that, on the contrary, it has been all to my advantage. My hesitancy in speech, which was once an annoyance, is now a pleasure. Its greatest benefit has been that it has taught me the economy of words. I have naturally formed the habit of restraining my thoughts. And I can now give myself the certificate that a thoughtless word hardly ever escapes my tongue or pen. I do not recollect ever having had to regret anything in my speech or writing. I have thus been spared many a mishap and waste of time. Experience has taught me that silence is part of the spiritual discipline of a votary of truth. Proneness to exaggerate, to suppress or modify the truth, wittingly or unwittingly, is a natural weakness of man, and silence is necessary in order to surmount it. A man of few words will rarely be thoughtless in his speech; he will measure every word. We find so many people impatient to talk. There is no chairman of a meeting who is not pestered with notes for permission to speak. And whenever the permission is given the speaker generally exceeds the time-limit, asks for more time, and keeps on talking without permission. All this talking can hardly be said to be of any benefit to the world. It is so much waste of time. My shyness has been in reality my shield and buckler. It has allowed me to grow. It has helped me in my discernment of truth.”
    Gandhi

  • #21
    Muriel Barbery
    “... c'est peut-être ça la vie : beaucoup de désespoir mais aussi quelques moments de beauté où le temps n'est plus le même. C'est comme si les notes de musique faisaient un genre de parenthèses dans le temps, de supension, un ailleurs ici même, un toujours dans le jamais.

    Oui, c'est ça, un toujours dans le jamais.”
    Muriel Barbery, L'Élégance du hérisson

  • #22
    F. Scott Fitzgerald
    “It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again.”
    F. Scott Fitzgerald, The Great Gatsby

  • #23
    Henry Ward Beecher
    “I can forgive, but I cannot forget, is only another way of saying, I will not forgive. Forgiveness ought to be like a cancelled note - torn in two, and burned up, so that it never can be shown against one. ”
    Henry Ward Beecher

  • #24
    Fyodor Dostoevsky
    “You see, gentlemen, reason is an excellent thing, there’s no disputing that, but reason is nothing but reason and satisfies only the rational side of man’s nature, while will is a manifestation of the whole life, that is, of the whole human life including reason and all the impulses. And although our life, in this manifestation of it, is often worthless, yet it is life and not simply extracting square roots.”
    Fyodor Dostoevsky, Notes from Underground

  • #25
    Vladimir Nabokov
    “I do not know if it has ever been noted before that one of the main characteristics of life is discreteness. Unless a film of flesh envelopes us, we die. Man exists only insofar as he is separated from his surroundings. The cranium is a space-traveler's helmet. Stay inside or you perish. Death is divestment, death is communion. It may be wonderful to mix with the landscape, but to do so is the end of the tender ego.”
    Vladimir Nabokov, Pnin

  • #26
    Giuseppe Tomasi di Lampedusa
    “That solar hue, that variegation of gleam and shade, made Don Fabrizio's heart ache as he stood black and stiff in a doorway: this eminently patrician room reminded him of country things; the chromatic scale was the same as that of the vast wheat fields around Donnafugata, rapt, begging pity from the tyrannous sun; in this room, too, as on his estates in mid-August, the harvest had been gathered long before, stacked elsewhere, leaving, as here, a sole reminder in the color of the stubble burned and useless now. The notes of the waltz in the warm air seemed to him but a stylization of the incessant winds harping their own sorrows on the parched surfaces, today, yesterday, tomorrow, forever and forever. The crowd of dancers, among whom he could count so many near to him in blood if not in heart, began to seem unreal, made up of that material from which are woven lapsed memories, more elusive even than the stuff of disturbing dreams.”
    Giuseppe Tomasi di Lampedusa

  • #27
    Derek Walcott
    “Love After Love
    all your life, whom you have ignored
    for another, who knows you by heart.
    Take down the love letters from the bookshelf,
    the photographs, the desperate notes,
    peel your own image from the mirror.

    Sit. Feast on your life.”
    Derek Walcott

  • #28
    Walt Disney Company
    “A dream is a wish your heart makes, when you're fast asleep.”
    Walt Disney Company, Cinderella

  • #29
    “The fear of the LORD is the beginning of knowledge.”
    Anonymous, The Holy Bible: King James Version

  • #30
    “Let my people go”
    Anonymous, The Holy Bible: King James Version



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