Nicole > Nicole's Quotes

“Our emotions
Are only “incidents”
In the effort to keep day and night together.”
― T.S. Eliot

“It is a fine thing to establish one's own religion in one's heart, not to be dependent on tradition and second-hand ideals. Life will seem to you, later, not a lesser, but a greater thing.”
― D.H. Lawrence

“For my part, I prefer my heart to be broken. It is so lovely, dawn-kaleidoscopic within the crack.”
― D.H. Lawrence

“It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if she adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.”
― D.H. Lawrence

“This is what I believe: That I am I. That my soul is a dark forest. That my known self will never be more than a little clearing in the forest. That gods, strange gods, come forth from the forest into the clearing of my known self, and then go back. That I must have the courage to let them come and go. That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women. There is my creed.”
― DH Lawrence

“It's not art for art's sake, it's art for my sake. ”
― D.H. Lawrence

“no form of love is wrong, so long as it is love, and you yourself honour what you are doing. Love has an extraordinary variety of forms! And that is all there is in life, it seems to me. But I grant you, if you deny the variety of love you deny love altogether. If you try to specialize love into one set of accepted feelings, you wound the very soul of love. Love must be multi-form, else it is just tyranny, just death”
― D.H. Lawrence

“Every true artist is the salvation of every other. Only artists produce for each other a world that is fit to live in.”
― D.H. Lawrence, Women in Love

“I am part of the sun as my eye is of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea.”
― D.H. Lawrence

“Obscenity only comes in when the mind despises and fears the body, and the body hates and resists the mind.”
― D.H. Lawrence, Lady Chatterley’s Lover

“His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.”
― D.H. Lawrence, Lady Chatterley's Lover

“Sleep seems to hammer out for me the logical conclusions of my vague days, and offer them to me as dreams. ”
― D.H. Lawrence

“Life is ours to be spent, not to
be saved.”
― D.H. Lawrence

“We fucked a flame into being.”
― D.H. Lawrence, Lady Chatterley’s Lover

“Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.”
― T.S. Eliot

“I said to my soul, be still and wait without hope, for hope would be hope for the wrong thing; wait without love, for love would be love of the wrong thing; there is yet faith, but the faith and the love are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.”
― T.S. Eliot

“You are the music while the music lasts.”
― T.S. Eliot

“We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.”
― T.S. Eliot, The Cocktail Party

“Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden.”
― T.S. Eliot, Four Quartets

“Love is most nearly itself
When here and now cease to matter.”
― T.S. Eliot, Four Quartets

“A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.”
― T.S. Eliot, The Waste Land

“Time present and time past
Are both perhaps present in time future
And time future contained in time past.”
― T.S. Eliot, Four Quartets

“Anxiety is the handmaiden of creativity”
― T.S. Eliot

“The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre or pyre-
To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.”
― T.S. Eliot, Four Quartets

“Men dislike being awakened from their death in life.”
― T.S. Eliot

“The dream crossed twilight between birth and dying.”
― T.S. Eliot

“Let all of life be an unfettered howl.”
― Vladimir Nabokov

“Do not be angry with the rain; it simply does not know how to fall upwards.”
― Vladimir Nabokov

“In spite of everything I loved you, and will go on loving you―on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck―even then. And afterwards―perhaps most of all afterwards―I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B... without looking, or, without lifting the pencil... or in some other way... we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.”
― Vladimir Nabokov

“I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. Let visitors trip. And the highest enjoyment of timelessness―in a landscape selected at random―is when I stand among rare butterflies and their food plants. This is ecstasy, and behind the ecstasy is something else, which is hard to explain. It is like a momentary vacuum into which rushes all that I love. A sense of oneness with sun and stone. A thrill of gratitude to whom it may concern―to the contrapuntal genius of human fate or to tender ghosts humoring a lucky mortal.”
― Vladimir Nabokov