Jane > Jane's Quotes

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  • #1
    Suzanne Collins
    “You love me. Real or not real?"
    I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #2
    Suzanne Collins
    “You're still trying to protect me. Real or not real," he whispers.
    "Real," I answer. "Because that's what you and I do, protect each other.”
    Suzanne Collins, Mockingjay

  • #3
    Suzanne Collins
    “You here to finish me off, Sweetheart?”
    Suzanne Collins, The Hunger Games

  • #4
    Suzanne Collins
    “And then he gives me a smile that just seems so genuinely sweet with just the right touch of shyness that unexpected warmth rushes through me.”
    Suzanne Collins, The Hunger Games

  • #5
    Suzanne Collins
    “Peeta, how come I never know when you're having a nightmare?” I say.

    “I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.

    “You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

    “It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”
    Suzanne Collins, Catching Fire

  • #6
    Suzanne Collins
    “I'll tell them how I survive it. I'll tell them that on bad mornings, it feels impossible to take pleasure in things because I'm afraid it could be taken away. That's when I make a list in my head of every act of goodness I've seen someone do. It's like a game. Repetitive. Even a little tedious after more than twenty years.

    But there are much worse games to play.”
    Suzanne Collins, Mockingjay

  • #7
    Suzanne Collins
    “Stay with me.

    Always.”
    Suzanne Collins, Mockingjay

  • #8
    Suzanne Collins
    “Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
    “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
    “Your father? Why?” I ask.
    “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
    “What? You’re making that up!” I exclaim.
    “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
    “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
    “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
    “Oh, please,” I say, laughing.
    “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
    “Without success,” I add.
    “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
    It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
    “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
    “I am now,” I say.
    “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
    I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.”
    Suzanne Collins, The Hunger Games

  • #9
    Suzanne Collins
    “Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
    ...
    After a while I rest my head against his shoulder. Feel his hand caress my hair.
    "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
    I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
    My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
    Everithing. That's what Peeta wants me to take from him.
    ...
    "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
    "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
    I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
    This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.”
    Suzanne Collins, Catching Fire

  • #10
    Suzanne Collins
    “Shame isn't a strong enough word for what I feel.
    "You could live a hundred lifetimes and not deserve him, you know," Haymitch says.”
    Suzanne Collins, Catching Fire

  • #11
    Jennifer Lynn Barnes
    “I'm not Team Gale or Team Peeta. I'm Team Katniss...the core story in the Hunger Games trilogy has less to do with who Katniss ends up with and more to do with who she is - because sometimes, in books and in life, it's not about the romance.

    Sometimes, it's about the girl.”
    Jennifer Lynn Barnes, The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy

  • #12
    Suzanne Collins
    “Let me go!” I snarl at him, trying to wrest my arm from his grasp.

    “I can’t,” he says.”
    Suzanne Collins

  • #13
    Suzanne Collins
    “Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #14
    Suzanne Collins
    “Gale didn't say, "Katniss will pick whoever it will break her heart to give up," or even "whoever she can't live without." Those would have implied I was motivated by a kind of passion. But my best friend predicts I will choose the person "I can't survive without." There's not the least indication that love, desire, or even compatibility will sway me. I'll just conduct an unfeeling assessment of what my potential mates can offer me.

    As if in the end, it will be the question of whether a baker or a hunter will extend my longevity the most. It's a horrible thing for Gale to say, for Peeta not to refute. Especially when every emotion I have has been taken or exploited by the Capitol or the rebels. At the moment, the choice would be simple. I can survive just fine without either of them.”
    Suzanne Collins, Mockingjay

  • #15
    “He could be the Darcy to your Elizabeth, the Harry to your Ginny, the Peeta to your Katniss, the Four to your Tris,”
    Anonymous

  • #16
    “How absurd it was that in all seven kingdoms, the weakest and most vulnerable of people - girls, women - went unarmed and were taught nothing of fighting, while the strong were trained to the highest reaches of their skill.”
    Kristin Cashore, Graceling

  • #17
    “What are you grinning at?" Katsa demanded for the third or fourth time. "Is the ceiling about to cave in on my head or something? You look like we're both on the verge of an enormous joke."
    "Katsa, only you would consider the collapse of the ceiling a good joke.”
    Kristin Cashore, Graceling

  • #18
    “I know you don't want this, Katsa. But I can't help myself. The moment you came barreling into my life I was lost. I'm afraid to tell you what I wish for, for fear you'll... oh, I don't know, throw me into the fire. Or more likely, refuse me. Or worst of all, despise me," he said, his voice breaking and his eyes dropping from her face. His face dropping into his hands. "I love you," he said. "You're more dear to my heart than I ever knew anyone could be. And I've made you cry; and there I'll stop.”
    Kristin Cashore, Graceling
    tags: love

  • #19
    “She knew he was angry, but she couldn't stop laughing. "Forgive me, Po. I was only trying to get your attention."

    "And I suppose it never occurs to you to start small. If I told you my roof needed rebuilding, you'd start by knocking down the house.”
    Kristin Cashore, Graceling

  • #20
    “I'll teach you how to defend yourself, how to maim a man. We can use Po as a model.'

    'Wonderful,' Po said. 'It's quite boring really, the way you beat me to death with your hands and feet, Katsa. It'll be refreshing to have you come at me with a knife.”
    Kristin Cashore, Graceling

  • #21
    “She shivered as he left her to go to the fire, and find water and cloths. He leaned into the light, and brightness and shadows moved across his body. He was beautiful. She admired him, and he flashed a grin at her. Almost as beautiful as you are conceited, she thought at him, and he laughed out loud.”
    Kristin Cashore, Graceling

  • #22
    “Perhaps I can stay by the fire and mend your socks and scream if I hear any strange noises.”
    Kristin Cashore, Graceling

  • #23
    “He laughed. "I know you're teasing me. And you should know I'm not easily humiliated. You may hunt for my food, and pound me every time we fight, and protect me when we're attacked, if you like. I'll thank you for it.”
    Kristin Cashore, Graceling
    tags: katsa, po

  • #24
    “She found him standing before the water staring unseeing at its frozen surface. He was shivering. She watched him doubtfully for a moment. 'Po,' she said to his back, where’s your coat?'
    'Where’s yours?'
    She moved to stand beside him. 'I’m warm.'
    He tilted his head to her. 'If you’re warm and I’m coatless, there’s only one friendly thing for you to do.'
    'Go back and get your coat for you?'
    He smiled. Reaching out to her, he pulled her close against him. Katsa wrapped her arms around him, surprised, and tried to rub some warmth into his shivering shoulders and back.
    'That’s it exactly,' Po said. 'You must keep me warm.'
    She laughed and held him tighter.”
    Kristine Cashore, Graceling

  • #25
    “Katsa sat in the darkness of the Sunderan forest and understood three truths. She loved Po. She wanted Po. And she could never be anyone's but her own.”
    Kristin Cashore, Graceling

  • #26
    “Katsa and Po were trying to drown each other and, judging from their hoots of laughter, enjoying it immensely.”
    Kristin Cashore, Bitterblue

  • #27
    “She glanced up at him, and in that moment he pulled his wet shirt over his head. She forced her mind blank. Blank as a new sheet of paper, blank as a starless sky. He came to the fire and crouched before it. He rubbed the water from his bare arms and flicked it in the flames. She stared at the goose and sliced his drumstick carefully and thought of the blankest expression on the blankest face she could possibly imagine. It was a chilly evening; she thought about that. The goose would be delicious, they must eat as much of it as possible, they must not waste it; she thought about that.”
    Kristin Cashore, Graceling

  • #28
    “You know,” he said, “I wish you could see this cave.”

    “What’s it like?”

    He paused. “It’s...beautiful, really.”

    “Tell me.”

    And so Po described to Katsa what hid in the blackness of the cave; and outside, the world awaited them.”
    Kristin Cashore, Graceling

  • #29
    “There was no helping her tears. For they would leave Po behind… She cried into his shoulder like a child. Ashamed of herself, for it was only a parting, and Bitterblue had not wept like this even over a death.

    ‘Don’t be ashamed,' Po whispered. ‘Your sadness is dear to me. Don’t be frightened. I won’t die, Katsa. I won’t die, and we’ll meet again.”
    Kristin Cashore, Graceling

  • #30
    “Suddenly Po shot into the courtyard from the north vestibule whooping. Katsa, seeing him, broke into a run and they tore at each other through the wash. Just before the moment of impact, Po shifted to one side, crouched, scooped Katsa up, and, with admirable precision, propelled them both sideways into the pool.
    ...
    Katsa and Po were trying to drown each other and, judging from their hoots of laughter, enjoying it immensely.”
    Kristin Cashore, Bitterblue



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