Chris Lester > Chris's Quotes

“A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death.

There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you.

The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?'
They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.'

The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.'

So the woman lives because the community is too corrupt to protect itself from disorder.

Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.'

The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’

As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’

So the woman died because her community was too rigid to endure her deviance.

The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation.

So of course, we killed him.

-San Angelo
Letters to an Incipient Heretic”
― Orson Scott Card, Speaker for the Dead

“It’s not a question of what you want. No sane person ever WANTS a war. But if you see outsiders as a threat and believe that an armed defense is the only way you’re going to be safe from them, then you’re going to find yourselves in the middle of a war whether you want one or not.”
― Chris Lester, Making the Cut

“You ever get the feeling we're in way, WAY over our heads?' Kate asked.

David shrugged. 'I get that feeling every time I go drinking with you.”
― Chris Lester, Things Unseen

“Misty bit her lip — or at least that was what it looked like with the glamour. Kate could only imagine what she was doing with that mouth full of fangs. 'How do I know I can trust him? Or you?'

Kate rose to her feet. 'You don’t. You never do, with people. Some things, you have to take on faith.' She turned and headed for the door, then paused and looked back. 'I don’t know how much you know about humans. I’m just guessing here, but we probably seem like a bunch of violent, paranoid, back-stabbing monkeys. ‘Cause we are. But the thing is … sooner or later, we all find ways to trust each other, even though we might get burned doing it.'

Misty’s lip curled into a sneer. 'Because deep down inside, humans are all noble creatures that want to rise above their natures, right?'

'Oh, hell no,' Kate said. 'It’s just better than facing the darkness alone.'
Then she turned and walked out, leaving the dumbstruck Misty behind her.”
― Chris Lester, Things Unseen

“Santa was dead, to begin with. There was no doubt whatsoever about that. The after-action report was signed by the field commander, the director of operations, the secretary of the Office of Sidhe Affairs, and the chief battle-mage. Janus had signed it — and Janus’s word could be counted upon for anything he chose to put his name to. Old Saint Nicholas, the Sidhe Lord of the Yuletide, was as dead as a door-nail.

It didn’t stick.”
― Chris Lester, A Lightbringer Carol

“Janus found himself drawn to the edge of the rink, staring fixedly at Candace as she approached: grinning, puffing steam, her cheeks flushed, her brown hair peeking out from under a knitted cap, her hazel eyes sparkling green and gold in the bright winter sun. She wore a wool riding coat, brilliant red trimmed with black, which stood out amid the ice like a ruby on white gold. Janus thought she had never looked more beautiful than she did in that moment, with all her cares and duties laid aside for the pure joy of living. Janus wanted to freeze the moment in his memory and carry it forever: This is what happiness looks like. I never knew.”
― Chris Lester, A Lightbringer Carol

“Muscles contract somewhere above the roof of my mouth, pumping venom into her bloodstream. Kelly cries out, a gasp of pain that turns suddenly to moans of euphoria as the carotids rush the narcotic serum directly to her brain. Her knees buckle, and I reach down to steady her — one arm over her breasts, the other around her waist as I hold her tightly to myself. Then the blood begins to flow, seeping out of the wounds I have made, and I put my lips to her skin and drink.

There are no words adequate to describe it. My mind explodes with a wash of light and color, swirling and dancing before my eyes. Then the Sharing truly begins, and I can see inside her: images of her memories, her thoughts, her hopes and dreams, the way she remembers her past and how she imagines her future. Her joys; her grief; that which she loves and that she despises, what stirs her fire and chills her bones. And through it all, I feel the touch of her presence, and I know that she sees the same things inside of me.

Blood is more than matter, more than plasma and hemoglobin. Blood is life, the river on which the spirit flows. And as Kelly's blood flows into me, it carries her life with it, until my soul entwines with hers. She has given a part of herself to me, and from this day forth we are bound to each other.”
― Chris Lester, Huntress

“Will had discovered, even before coming to the City, that his muse was, like all muses, an incredibly finicky and temperamental mistress. He'd had several good short stories over the years, a few of them bordering on brilliant, and some of them had even been published; but these gifts from his imaginary goddess of inspiration were, in truth, frustratingly infrequent. She would hang around and whisper in his ears for hours, or days, or weeks, and then suddenly go off on an extended vacation without informing Will of her whereabouts or when she planned to return.”
― Chris Lester, The Muse

“The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play.

The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied.

When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understanding.

The man gave it to them. “I am not the master of this instrument,” he said. “The lady is her own mistress. I am only the channel through which she speaks. What you have heard tonight — what you will continue to hear — is not a performance, but a séance. In my … unworthy hands … she will tell you her story: Sorrow, pain, loss, truth, and beauty. This is not the work of one man; it is the story of all men, of all people everywhere, throughout her long history. Which means, of course, that it is also your story, and mine.”

He held up the violin once more. In the uncertain play of light and shadow, faces seemed to appear and vanish in the blood-red surface of the wood.
“Her name is Threnody,” he said. “And she has come to make you free.”
― Chris Lester, Whispers in the Wood

“You can't teach kindness with a whip, Janus.”
― Chris Lester, Whispers in the Wood

“I am certain there is too much certainty in the world.”
― Michael Crichton

“We are small but we are many
We are many we are small
We were here before you rose
We will be here when you fall”
― Neil Gaiman, Coraline

“I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?”
― Neil Gaiman, Coraline

“What's your name,' Coraline asked the cat. 'Look, I'm Coraline. Okay?'
'Cats don't have names,' it said.
'No?' said Coraline.
'No,' said the cat. 'Now you people have names. That's because you don't know who you are. We know who we are, so we don't need names.”
― Neil Gaiman, Coraline

“Because,' she said, 'when you're scared but you still do it anyway, that's brave.”
― Neil Gaiman, Coraline

“We...we could be friends.'

We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.”
― Neil Gaiman, Coraline

“How do I know you'll keep your word?" asked Coraline.
"I swear it," said the other mother. "I swear it on my own mother's grave."
"Does she have a grave?" asked Coraline.
"Oh yes," said the other mother. "I put her in there myself. And when I found her trying to crawl out, I put her back.”
― Neil Gaiman, Coraline

“The names are the first things to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names.”
― Neil Gaiman, Coraline

“The cat wrinkled its nose and managed to look unimpressed. "Calling cats," it confided, "tends to be a rather overrated activity. Might as well call a whirlwind.”
― Neil Gaiman, Coraline

“I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.

I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.

I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.

I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.

I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.

I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.

I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.”
― Neil Gaiman

“Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.”
― Neil Gaiman, The Sandman, Vol. 5: A Game of You

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”
― Neil Gaiman

“Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot.”
― Neil Gaiman, The Sandman, Vol. 3: Dream Country

“Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.”
― Neil Gaiman

“I hope you will have a wonderful year, that you'll dream dangerously and outrageously, that you'll make something that didn't exist before you made it, that you will be loved and that you will be liked, and that you will have people to love and to like in return. And, most importantly (because I think there should be more kindness and more wisdom in the world right now), that you will, when you need to be, be wise, and that you will always be kind.”
― Neil Gaiman

“You're always you, and that don't change, and you're always changing, and there's nothing you can do about it.”
― Neil Gaiman, The Graveyard Book

“Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.”
― Neil Gaiman

“It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”
― Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

“I would like to see anyone, prophet, king or God, convince a thousand cats to do the same thing at the same time.”
― Neil Gaiman

“It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you. If you see what I mean.”
― Neil Gaiman, The Graveyard Book