emily > emily's Quotes

“I trail my fingers across his cheek. He stays perfectly still for me. “Please stop apologizing, Étienne.”
“Say my name again,” he whispers.
I close my eyes and lean forward. “Étienne.”
He takes my hands into his.Those perfect hands, that fit mine just so. “Anna?”
Our foreheads touch. “Yes?”
“Will you please tell me you love me? I’m dying here.”
And then we’re laughing. And then I’m in his arms, and we’re kissing, at first quickly—to make up for lost time—and then slowly, because we have all
the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I
taste, too.
And in between kisses, I tell him I love him.
Again and again and again.”
― Stephanie Perkins, Anna and the French Kiss

“I'm sorry," he says.
"What? Why?"
"You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that would be so bad.”
― Stephanie Perkins, Anna and the French Kiss

“His eyes lock on mine."Anna,I promise that I will never leave you."
My heart pounds in response.And Étienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding,too.”
― Stephanie Perkins, Anna and the French Kiss

“Oh my. He's English.

"Er. Does Mer live here?"

Seriously, I don't know any American girl who can resist an English accent.

The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?"

"I'm sorry." He takes the smallest step away from me. "You were going to bed."

"Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating.

The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin.

"Étienne," he says. "I live one floor up."

"I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused.

He raps twice on Meredith's door. "Well. I'll see you around then, Anna."

Eh-t-yen says my name like this: Ah-na.”
― Stephanie Perkins, Anna and the French Kiss

“And I realize ... it’s okay. It’s okay if St. Clair and I never become more than friends. His friendship alone has strengthened me in a way that no one
else’s ever has. He swept me from my room and showed me independence. In other words, he was exactly what I needed. I won’t forget it. And I certainly
don’t want to lose it.”
― Stephanie Perkins, Anna and the French Kiss

“You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim... no... nationality.”
― Stephanie Perkins, Anna and the French Kiss

“St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer.
It's a freaking soap opera.”
― Stephanie Perkins, Isla and the Happily Ever After

“I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.
I know he is smiling, and my heart races.”
― Stephanie Perkins, Anna and the French Kiss

“Welcome to Paris, Anna. I'm glad you've come.”
― Stephanie Perkins, Anna and the French Kiss

“They left me. My parents actually left me! IN FRANCE!”
― Stephanie Perkins, Anna and the French Kiss

“That guys. Sideburns. You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested, but ... I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah. I mean, not often. But yes."
"Right. Right, well," he says, blinking. "There's your answer.”
― Stephanie Perkins, Anna and the French Kiss

“We stop at a red light.Mom stares at me."You like him"
"OH GOD,MOM."
"You do.You like this boy."
"He's just a friend.He has a girlfriend."
"Anna has a boooy-friend," Seany chants.
"I do not!"
"ANNA HAS A BOOOY-FRIEND!”
― Stephanie Perkins, Anna and the French Kiss

“Do you like it?" I whisper.
He pauses. "The film?"
I'm thankful the shadows hide my blush.
"I like it very much," he says.
I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.
I know he is smiling, and my heart races.”
― Stephanie Perkins

“My head jerks up in embarassment, but he's smiling. I drop my face, so that my hair shields my cheeks. They blush more for his smile than anything else.”
― Stephanie Perkins, Anna and the French Kiss

“Cricket tells a joke and turns to see if I'm laughing, if I think he's funny, and I want him to know that I do think he's funny, and I want him to know that I'm glad he's my friend, and I want him to know that he has the biggest heart of anyone I've ever known. And I want to press my palm against his chest to feel it beat, to prove he's really there.
But we cannot touch.”
― Stephanie Perkins, Lola and the Boy Next Door

“Because I was right. For the two of us, home isn't a place. It's a person.

And we're finally home.”
― Stepahine Perkins

“Anna: You really think he likes me?
Rashmi: Anna. He teases you all the time. It's classic boy-pulling-girl's-pigtail syndrome. And whenever anyone else even remotely does it, he always takes your side and tells them to shove it.”
― Stephanie Perkins, Anna and the French Kiss

“He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!”
― Stephanie Perkins

“You're the most incredible girl I've ever known. You're gorgeous and smart, and you make me laugh like no-one else can. And I can talk to you. And I know after all this I don't deserve you, but what I'm trying to say is that I love you, Anna. Very Much.”
― Stephanie Perkins, Anna and the French Kiss

“Real friends are the ones you can count on no matter what.
The ones who go into the forest to find you and bring you home.
And real friends never have to tell you that they’re your friends.”
― Morgan Matson, Since You've Been Gone

“All the stuff you can’t wait to get away from, until it’s not there anymore, and then you miss it like crazy.”
― Morgan Matson, Since You've Been Gone

“It just gets hard, always being someone's second choice”
― Morgan Matson, Since You've Been Gone

“He looked right at me as he gave me a half smile. "You're the brightest thing in the room", he said. He lifted his hand from my waist, and slowly, carefully brushed a stray lock of hair from my cheek. "You shine".

My breath caught in my throat. People said those kinds of things about Sloane-not about me.

"What?" frank asked, his eyes on mine.

"Just..." I took a shaky breath. "Nobody's ever said something like that to me."

"Then they don't see what I see," he said.”
― Morgan Matson, Since You've Been Gone

“I don’t think you have to do something so big to be brave. And it’s the little things that are harder anyway.”
― Morgan Matson, Since You've Been Gone

“In a well-ordered universe...”
― Morgan Matson, Since You've Been Gone

“And I was realizing that it was pretty terrible to be sitting in silence with someone who you always used to have something to say to”
― Morgan Matson, Since You've Been Gone

“In a well-ordered universe...camping would take place indoors.”
― Morgan Matson, Since You've Been Gone

“People are going to say a lot of things. And some of it will be helpful, and some of it will be annoying, and lots of it will get on your nerves. But they're saying it because they found it helpful when they lost someone. They mean well.”
― Michelle Falkoff, Playlist for the Dead

“I am hard on myself. But isn’t it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isn’t it better to break it yourself?”
― Stephanie Perkins, Isla and the Happily Ever After

“Phones are distracting. The internet is distracting.The way he looked at you? He wasn't distracted. He was consumed.”
― Stephanie Perkins, Isla and the Happily Ever After