Riona > Riona's Quotes

“There were not so many physical threats that could not be countered with a decent hammer.”
― Stieg Larsson, The Girl Who Played with Fire

“It's not worth doing something unless someone, somewhere, would much rather you weren't doing it.”
― Terry Pratchett

“It's hard for me, a Jew, to stay in the moment. Without the past, where is the guilt? And without the future, where is the dread? And without guilt and dread, who am I?”
― Christopher Moore, Lamb: The Gospel According to Biff, Christ’s Childhood Pal

“Five exclamation marks, the sure sign of an insane mind.”
― Terry Pratchett, Reaper Man

“There is a rumour going around that I have found God. I think this is unlikely because I have enough difficulty finding my keys, and there is empirical evidence that they exist.”
― Terry Pratchett

“Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world. If I moved to a martial-arts monastery in China and studied real hard for ten years. If my family was wiped out by Colombian drug dealers and I swore myself to revenge. If I got a fatal disease, had one year to live, and devoted it to wiping out street crime. If I just dropped out and devoted my life to being bad.”
― Neal Stephenson

“Ninety-nine percent of everything that goes on in most Christian churches has nothing whatsoever to do with the actual religion. Intelligent people all notice this sooner or later, and they conclude that the entire one hundred percent is bullshit, which is why atheism is connected with being intelligent in people's minds.”
― Neal Stephenson, Snow Crash

“He was in blue jeans and a work shirt, which is another weird quirk of Rich Old Men. Just one of the guys here. Blue jeans and a work shirt, salt of the earth, working man like yourself. Like they're somehow uncomfortable about being rich enough to sleep in a bed made of vaginas being pulled around the town at night by a fleet of gold-covered midgets.”
― Warren Ellis, Crooked Little Vein

“It’s sarcasm, Josh.”

“Sarcasm?”

“It’s from the Greek, sarkasmos. To bite the lips. It means that you aren’t really saying what you mean, but people will get your point. I invented it, Bartholomew named it.”

“Well, if the village idiot named it, I’m sure it’s a good thing.”

“There you go, you got it.”

“Got what?”

“Sarcasm.”

“No, I meant it.”

“Sure you did.”

“Is that sarcasm?”

“Irony, I think.”

“What’s the difference?”

“I haven’t the slightest idea.”

“So you’re being ironic now, right?”

“No, I really don’t know.”

“Maybe you should ask the idiot.”

“Now you’ve got it.”

“What?”

“Sarcasm.”
― Christopher Moore, Lamb: The Gospel According to Biff, Christ’s Childhood Pal

“I glanced at my watch - it was two minutes to eleven; just right for lunch when and if we ever got to the godforsaken lodge - and took some comfort from the thought that at least I still had my wits about me. Or at least I felt as if I did. Presumably, a confused person would be too addled to recognize that he was confused. Ergo, if you know that you are not confused then you are not confused. Unless, it suddenly occurred to me - and here was an arresting notion - unless persuading yourself that you are not confused is merely a cruel, early symptom of confusion. Or even an advanced symptom. Who could tell? For all I knew I could be stumbling into some kind of helpless preconfusional state characterized by the fear on the part of the sufferer that he may be stumbling into some kind of helpless preconfusional state. That's the trouble with losing your mind; by the time it's gone, it's too late to get it back.”
― Bill Bryson, A Walk in the Woods: Rediscovering America on the Appalachian Trail

“Zaphod felt he was teetering on the edge of madness and wondered if he shouldn't just jump over and have done with it.”
― Douglas Adams, The Ultimate Hitchhiker’s Guide to the Galaxy

“Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.”
― Neil Gaiman

“She craned up on her toes and kissed my cheek..."Don't do that", I said. "You just met me. This is New York.”
― Jonathan Lethem, Motherless Brooklyn

“Insomnia is a variant of Tourette's--the waking brain races, sampling the world after the world has turned away, touching it everywhere, refusing to settle, to join the collective nod. The insomniac brain is a sort of conspiracy theorist as well, believing too much in its own paranoiac importance--as though if it were to blink, then doze, the world might be overrun by some encroaching calamity, which its obsessive musings are somehow fending off.”
― Jonathan Lethem, Motherless Brooklyn

“Mystics are all a bit funny in the head anyway," the priest added cynically, "which is why the church locks them all up in mental hospitals and euphemistically calls these institutions monasteries.”
― Robert Anton Wilson, The Eye in the Pyramid

“My particular dread--the vivid possibility that left me staring at tree shadows on the bedroom ceiling night after night--was having to lie in a small tent, alone in an inky wilderness, listening to a foraging bear outside and wondering what its intentions were. I was especially riveted by an amateur photograph in Herrero's book, taken late at night by a camper with a flash at a campground out West. The photograph caught four black bears as they puzzled over a suspended food bag. The bears were clearly startled but not remotely alarmed by the flash. It was not the size or demeanor of the bears that troubled me--they looked almost comically nonaggressive, like four guys who had gotten a Frisbee caught up a tree--but their numbers. Up to that moment it had not occurred to me that bears might prowl in parties. What on earth would I do if four bears came into my camp? Why, I would die, of course. Literally shit myself lifeless. I would blow my sphincter out my backside like one of those unrolling paper streamers you get at children's parties--I daresay it would even give a merry toot--and bleed to a messy death in my sleeping bag.”
― Bill Bryson, A Walk in the Woods: Rediscovering America on the Appalachian Trail

“The difference between stupid and intelligent people – and this is true whether or not they are well-educated – is that intelligent people can handle subtlety. ”
― Neal Stephenson, The Diamond Age: Or, a Young Lady's Illustrated Primer

“A shadow strolled past the car, indifferent to our curbside melodrama. This was my second time imperiled in a a parked vehicle in the space of three hours. I wondered what goonish spectacles I'd overlooked in my own career as a pavement walker.”
― Jonathan Lethem, Motherless Brooklyn

“I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.”
― Virginia Woolf, A Room of One’s Own

“I marvel again at the nakedness of men's lives: the showers right out in the open, the body exposed for inspection and comparison, the public display of privates. What is it for? What purposes of reassurance does it serve? The flashing of a badge, look, everyone, all is in order, I belong here. Why don't women have to prove to one another that they are women? Some form of unbuttoning, some split-crotch routine, just as casual. A doglike sniffing.”
― Margaret Atwood, The Handmaid’s Tale

“All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard.”
― Margaret Atwood, The Handmaid’s Tale

“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
― Jeffrey Eugenides, Middlesex

“I was beginning to understand something about normality. Normality wasn't normal. It couldn't be. If normality were normal, everybody could leave it alone. They could sit back and let normality manifest itself. But people-and especially doctors- had doubts about normality. They weren't sure normality was up the job. And so they felt inclined to give it a boost.”
― Jeffrey Eugenides, Middlesex

“My family suffered. My hair turned up in every corner, every drawer, every meal. Even in the rice puddings Tessie made, covering each little bowl with wax paper before putting it away in the fridge--even into these prophylactically secure desserts my hair found its way! Jet black hairs wound themselves around bars of soap. They lay pressed like flower stems between the pages of books. They turned up in eyeglass cases, birthday cards, once--I swear--inside an egg Tessie had just cracked. The next-door neighbor's cat coughed up a hairball one day and the hair was not the cat's.”
― Jeffrey Eugenides, Middlesex

“Sourmelina's secret (as Aunt Zo put it): 'Lina was one of those women they named the island after.”
― Jeffrey Eugenides, Middlesex

“Well, basically there are two sorts of opera," said Nanny, who also had the true witch's ability to be confidently expert on the basis of no experience whatsoever. "There's your heavy opera, where basically people sing foreign and it goes like "Oh oh oh, I am dyin', oh I am dyin', oh oh oh, that's what I'm doin'", and there's your light opera, where they sing in foreign and it basically goes "Beer! Beer! Beer! Beer! I like to drink lots of beer!", although sometimes they drink champagne instead. That's basically all of opera, reely.”
― Terry Pratchett, Maskerade

“Nanny's philosophy of life was to do what seemed like a good idea at the time, and do it as hard as possible. It had never let her down.”
― Terry Pratchett, Maskerade

“What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
― J.D. Salinger, The Catcher in the Rye

“When I awoke it was daylight. The inside of my tent was coated in a curious flaky rime, which I realized after a moment was all of my nighttime snores, condensed and frozen and pasted to the fabric, as if into a scrapbook of respiratory memories.”
― Bill Bryson, A Walk in the Woods: Rediscovering America on the Appalachian Trail

“Getting an education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs and then you had the urge to pass it on.”
― Terry Pratchett, Hogfather