Neil > Neil's Quotes

“Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
― Rebecca Solnit, Wanderlust: A History of Walking

“The magic of the street is the mingling of the errand and the epiphany.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord. Walking allows us to be in our bodies and in the world without being made busy by them. It leaves us free to think without being wholly lost in our thoughts.”
― Rebecca Solnit, Wanderlust: A History of Walking

“I've always envied people who sleep easily. Their brains must be cleaner, the floorboards of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed.”
― David Benioff, City of Thieves

“Insomnia is a variant of Tourette's--the waking brain races, sampling the world after the world has turned away, touching it everywhere, refusing to settle, to join the collective nod. The insomniac brain is a sort of conspiracy theorist as well, believing too much in its own paranoiac importance--as though if it were to blink, then doze, the world might be overrun by some encroaching calamity, which its obsessive musings are somehow fending off.”
― Jonathan Lethem, Motherless Brooklyn

“I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.”
― Rebecca Solnit, A Field Guide to Getting Lost

“When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown.”
― Rebecca Solnit, A Field Guide to Getting Lost

“They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Places matter. Their rules, their scale, their design include or exclude civil society, pedestrianism, equality, diversity (economic and otherwise), understanding of where water comes from and garbage goes, consumption or conservation. They map our lives.”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

“Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Every walker is a guard on patrol to protect the ineffable.”
― Rebecca Solnit, Wanderlust: A History of Walking

“I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands.”
― Rebecca Solnit, A Field Guide to Getting Lost

“The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between…Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced…I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Thinking is generally thought of as doing nothing in a production-oriented society, and doing nothing is hard to do. It's best done by disguising it as doing something, and the something closest to doing nothing is walking.”
― Rebecca Solnit, Wanderlust: A History of Walking

“In the bare room under the old library on the hill in the town at the tip of the small peninsula on the cold island so far from everything else, I lived among strangers and birds.”
― Rebecca Solnit, The Faraway Nearby

“Blue is the color of longing for the distances you never arrive in, for the blue world.”
― Rebecca Solnit, A Field Guide to Getting Lost

“128We want both, to burn it down and be no one and to be recognized by the dog on the daily walk up the drive from work and we get both but never exactly when and how we imagined it.”
― Rebecca Solnit

“I felt once more how simple and frugal a thing is happiness: a glass of wine, a roast chestnut, a wretched little brazier, the sound of the sea. Nothing else.”
― Nikos Kazantzakis, Zorba the Greek

“This is true happiness: to have no ambition and to work like a horse as if you had every ambition. To live far from men, not to need them and yet to love them. To have the stars above, the land to your left and the sea to your right and to realize of a sudden that in your heart, life has accomplished its final miracle: it has become a fairy tale.”
― Nikos Kazantzakis, Zorba the Greek

“Look, one day I had gone to a little village. An old grandfather of ninety was busy planting an almond tree. ‘What, grandfather!’ I exclaimed. ‘Planting an almond tree?’ And he, bent as he was, turned around and said: ‘My son, I carry on as if I should never die.’ I replied: ‘And I carry on as if I was going to die any minute.’

Which of us was right, boss?”
― Nikos Kazantzakis, Zorba the Greek

“No, you're not free," he said. "The string you're tied to is perhaps no longer than other people's. That's all. You're on a long piece of string, boss; you come and go, and think you're free, but you never cut the string in two. And when people don't cut that string . . ."
"I'll cut it some day!" I said defiantly, because Zorba's words had touched an open wound in me and hurt.
"It's difficult, boss, very difficult. You need a touch of folly to do that; folly, d'you see? You have to risk everything! But you've got such a strong head, it'll always get the better of you. A man's head is like a grocer; it keeps accounts: I've paid so much and earned so much and that means a profit of this much or a loss of that much! The head's a careful little shopkeeper; it never risks all it has, always keeps something in reserve. It never breaks the string. Ah no! It hangs on tight to it, the bastard! If the string slips out of its grasp, the head, poor devil, is lost, finished! But if a man doesn't break the string, tell me, what flavor is left in life? The flavor of camomile, weak camomile tea! Nothing like rum-that makes you see life inside out!”
― Nikos Kazantzakis, Zorba the Greek

“- Брей, каква машина е човекът! Туряш ѝ хляб, вино, риба, репички, и излизат въздишки, смях и сънища. Фабрика!”
― Nikos Kazantzakis, Zorba the Greek

“Доста време седяхме около мангала и мълчахме и двамата. Отново се уверих колко просто и скромно нещо е щастието - чаша вино, един кестен, едно нищо и никакво мангалче, шумът на морето, нищо друго. Нужно е само, за да почувстваш, че всички тези неща са щастието, едно просто и скромно сърце.”
― Nikos Kazantzakis, Zorba the Greek

“I was sitting in front of the hut and watching the ground darken and the sea grow a phosphorescent green. Not a soul was to be seen from one end of the beach to the other, not a sail, not a bird. Only the smell of the earth entered through the window.
I rose and held out my hand to the rain like a beggar. I suddenly felt like weeping. Some sorrow, not my own but deeper and more obscure, was rising from the damp earth: the panic which a peaceful grazing animal feels when, all at once, without have seen anything, it rears its head and scents in the air about it that it is trapped and cannot escape.
I wanted to utter a cry, knowing that it would relieve my feelings, but I was ashamed to.
The clouds were coming lower and lower. I looked through the window; my heart was gently palpitating.
What a voluptuous enjoyment of sorrow those hours of soft rain can produce in you! All bitter memories hidden in the depths of your mind come to the surface: separations from friends, women’s smiles which have faded, hopes which have lost their wings like moths and of which only a grub remains – and that grub had crawled on to the leaf of my heart and eating it away.”
― Nikos Kazantzakis, Zorba the Greek

“Christ is born, my wise Solomon, my wretched pen-pusher! Don´t go picking things over with a needle! Is He born or isn´t He? Of course He is born, don´t be daft. If you take a magnifying glass and look at your drinking water-an engineer told me this, one day – you´ll see, he said, the water´s full of little worms you couldn´t see with your naked eye. You´ll see the worms and you won´t drink. You won´t drink and you´ll curl up with thirst. Smash your glass, boss, and the little worms´ll vanish and you can drink and be refreshed!”
― Kazantsakis Nikos, ZORBA, THE GREEK

“there are three kinds of men: those who make it their aim, as they say, to live their lives, eat, drink, make love, grow rich, and famous; then come those who make it their aim not to live their own lives but to concern themselves with the lives of all men – they feel that all men are one and they try to enlighten them, to love them as much as they can and do good to them; finally there are those who aim at living the life of the entire universe – everything, men, animals, trees, stars, we are all one, we are all one substance involved in the same terrible struggle. What struggle?…Turning matter into spirit.”
― Nikos Kazantzakis, Zorba the Greek

“Maybe your country is only a place you make up in your own mind. Something you dream about and sing about. Maybe it's not a place on the map at all, but just a story full of people you meet and places you visit, full of books and films you've been to. I'm not afraid of being homesick and having no language to live in. I don't have to be like anyone else. I'm walking on the wall and nobody can stop me.”
― Hugo Hamilton, The Speckled People: A Memoir of a Half-Irish Childhood

“There is an eagle in me that wants to soar, and there is a hippopotamus in me that wants to wallow in the mud”
― Carl Sandburg

“Poets have been mysteriously silent on the subject of cheese.”
― G.K. Chesterton, Alarms and Discursions