Ivy Madden > Ivy's Quotes

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  • #1
    Doris Lessing
    “You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.”
    Doris Lessing

  • #2
    Antoine de Saint-Exupéry
    “Night, the beloved. Night, when words fade and things come alive. When the destructive analysis of day is done, and all that is truly important becomes whole and sound again. When man reassembles his fragmentary self and grows with the calm of a tree.”
    Antoine de Saint-Exupéry

  • #3
    Susan Sontag
    “What I really wanted was every kind of life, and the writer’s life seemed the most inclusive.”
    Susan Sontag

  • #4
    Kahlil Gibran
    “Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”
    Kahlil Gibran

  • #5
    Mikhail Bulgakov
    “In the first few seconds an aching sadness wrenched his heart, but it soon gave way to a feeling of sweet disquiet, the excitement of gypsy wanderlust”
    Mikhail Bulgakov

  • #6
    Markus Zusak
    “People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.”
    Marcus Zusak, The Book Thief

  • #7
    John Green
    “You can love someone so much...But you can never love people as much as you can miss them.”
    John Green

  • #8
    Franz Kafka
    “You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.”
    Franz Kafka

  • #9
    Dorothy Allison
    “Class, race, sexuality, gender and all other categories by which we categorize and dismiss each other need to be excavated from the inside.”
    Dorothy Allison

  • #10
    Lord Byron
    “If I do not write to empty my mind, I go mad.”
    George Gordon Byron

  • #11
    Isabel Allende
    “you can tell the deepest truths with the lies of fiction”
    Isabel Allende

  • #12
    Susan Sontag
    “To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and give them an idea of something better.”
    Susan Sontag

  • #13
    Gabrielle Zevin
    “It’s difficult to ever go back to the same places or people. You turn away, even for a moment, and when you turn back around, everything’s changed.”
    Gabrielle Zevin, Elsewhere
    tags: loss

  • #14
    Gustave Flaubert
    “Thought is the greatest of pleasures —pleasure itself is only imagination—have you ever enjoyed anything more than your dreams?”
    Gustave Flaubert

  • #15
    Natalie Goldberg
    “What writing practice, like Zen practice does is bring you back to the natural state of mind…The mind is raw, full of energy, alive and hungry. It does not think in the way we were brought up to think-well-mannered, congenial.”
    Natalie Goldberg

  • #16
    Elias Canetti
    “All things one has forgotten scream for help in dreams.”
    Elias Canetti

  • #18
    V (formerly Eve Ensler)
    “Cherish your solitude. Take trains by yourself to places you have never been. Sleep out alone under the stars. Learn how to drive a stick shift. Go so far away that you stop being afraid of not coming back. Say no when you don’t want to do something. Say yes if your instincts are strong, even if everyone around you disagrees. Decide whether you want to be liked or admired. Decide if fitting in is more important than finding out what you’re doing here. Believe in kissing.”
    Eve Ensler

  • #19
    Joyce Carol Oates
    “Reading is the sole means by which we slip, involuntarily, often helplessly, into another's skin, another's voice, another's soul.”
    Joyce Carol Oates

  • #20
    Djuna Barnes
    “A man is whole only when he takes into account his shadow.”
    Djuna Barnes

  • #21
    F. Scott Fitzgerald
    “Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour.”
    F. Scott Fitzgerald, The Great Gatsby

  • #22
    Anaïs Nin
    “Had I not created my whole world, I would certainly have died in other people’s. ”
    Anaïs Nin

  • #23
    “The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both. ”
    James A. Michener

  • #24
    “I love writing. I love the swirl and swing of words as they tangle with human emotions.”
    James Michener

  • #25
    Eudora Welty
    “I am a writer who came from a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.”
    Eudora Welty, On Writing

  • #26
    Austin Phelps
    “Reading is sometimes an ingenious device for avoiding thought.”
    Austin Phelps

  • #27
    Jim Morrison
    “The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.”
    Jim MORRISON

  • #28
    Jeanette Winterson
    “There it is; the light across the water. Your story. Mine. His. It has to be seen to be believed. And it has to be heard. In the endless babble of narrative, in spite of the daily noise, the story waits to be heard.


    Some people say that the best stories have no words. They weren't brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language.”
    Jeanette Winterson, Lighthousekeeping

  • #29
    Philip Roth
    “what was astonishing to him was how people seemed to run out of their own being, run out of whatever the stuff was that made them who they were and, drained of themselves, turn into the sort of people they would once have felt sorry for. it was as though while their lives were rich and full they were secretly sick of themselves and couldn’t wait to dispose of their sanity and their health and all sense of proportion so as to get down to that other self, the true self, who was a wholly deluded fuckup.”
    Philip Roth, American Pastoral

  • #30
    Hermann Hesse
    “He lost his Self a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it. Although Siddhartha fled from the Self a thousand times, dwelt in nothing, dwelt in animal and stone, the return was inevitable; the hour was inevitable when he would again find himself in sunshine or in moonlight, in shadow or in rain, and was again Self and Siddhartha, again felt the torment of the onerous life cycle.”
    Herman Hesse, Siddhartha: An Indian Tale

  • #31
    Margaret Atwood
    “She imagines him imagining her. This is her salvation.
    In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”
    Margaret Atwood, The Blind Assassin



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