Karla > Karla's Quotes

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  • #1
    Jesse Andrews
    “If after reading this book you come to my home and brutally murder me, I do not blame you.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #2
    Jesse Andrews
    “let’s face it: Most girls are annoying. I mean, most humans are annoying, so it’s not specific to girls. Also, I don’t really mean “annoying.” I guess I mean that most humans like to try to fuck up your plans.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #3
    Jesse Andrews
    “There was just something about her dying that I had understood but not really understood, if you know what I mean. I mean, you can know someone is dying on an intellectual level, but emotionally it hasn't really hit you, and then when it does, that's when you feel like shit.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #4
    Jesse Andrews
    “One thing I've learned about people is that the easiest way to get them to like you is to shut up and let them do the talking.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #5
    Jesse Andrews
    “Are you done eating that?"
    "What?"
    "You shouldn't finish that, Dad's gonna want some."
    "The hell he will."
    "He will."
    "It's so nasty. Son, it's so nasty."
    "Then why are you finishing it?"
    "Taking a bullet.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #6
    Jesse Andrews
    “We used to be pretty good friends, but fourteen-year-old girls are psychotic.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #7
    Jesse Andrews
    “This book probably makes it seem like I hate myself and everything I do. But that's not totally true. I mostly just hate every person I've ever been. I'm actually fine with myself right now.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #8
    Jesse Andrews
    “The best ideas are always the simplest.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #9
    Jesse Andrews
    “I'm not really putting this very well. My point is this: This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to think are deep because they're in italics. Do you know what I'm talking about? I'm talking about sentences like this:

    The cancer had taken her eyeballs, yet she saw the world with more clarity than ever before.

    Barf. Forget it. For me personally, things are in no way more meaningful because I got to know Rachel before she died. If anything, things are less meaningful. All right?”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #10
    Jesse Andrews
    “So in order to understand everything that happened, you have to start from the premise that high school sucks. Do you accept that premise? Of course you do. It is a universally acknowledged truth that high school sucks. In fact, high school is where we are first introduced to the basic existential question of life: How is it possible to exist in a place that sucks so bad?”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #11
    Jesse Andrews
    “Mom was asking me to resume a friendship that had no honest foundation and ended on screamingly awkward terms. How do you do that? You can’t.”
    Jesse Andrews, Me and Earl and the Dying Girl

  • #12
    Diana Gabaldon
    “I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.”
    Diana Gabaldon, Dragonfly in Amber

  • #13
    Diana Gabaldon
    “When the day shall come that we do part," he said softly, and turned to look at me, "if my last words are not 'I love you'-ye'll ken it was because I didna have time.”
    Diana Gabaldon

  • #14
    Diana Gabaldon
    “I will find you," he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you - then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest."

    His voice dropped, nearly to a whisper, and his arms tightened around me.

    Lord, ye gave me a rare woman, and God! I loved her well.”
    Diana Gabaldon, Dragonfly in Amber

  • #15
    Diana Gabaldon
    “I can bear pain myself, he said softly, but I couldna bear yours. That would take more strength than I have.”
    Diana Gabaldon, Outlander

  • #16
    Diana Gabaldon
    “Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own.”
    Diana Gabaldon, Outlander

  • #17
    Diana Gabaldon
    “Ye are Blood of my Blood, and Bone of my Bone,
    I give ye my Body, that we Two might be One.
    I give ye my Spirit, 'til our Life shall be Done.”
    Diana Gabaldon, Outlander

  • #18
    Diana Gabaldon
    “Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.

    I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"

    I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"

    He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."

    He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"

    I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.

    "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.

    "Have I not...just been...saying so?”
    Diana Gabaldon, Outlander

  • #19
    Diana Gabaldon
    “There are things that I canna tell you, at least not yet. And I'll ask nothing of ye that ye canna give me. But what I would ask of ye---when you do tell me something, let it be the truth. And I'll promise ye the same. We have nothing now between us, save---respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?”
    Diana Gabaldon, Outlander

  • #20
    Diana Gabaldon
    “You are safe," he said firmly. "You have my name and my family, my clan, and if necessary, the protection of my body as well. The man willna lay hands on ye again, while I live.”
    Diana Gabaldon, Outlander

  • #21
    Diana Gabaldon
    “Does it ever stop? The wanting you?" "Even when I've just left ye. I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.”
    Diana Gabaldon, Outlander

  • #22
    Diana Gabaldon
    “Oh, Claire, ye do break my heart wi' loving you.”
    Diana Gabaldon, Dragonfly in Amber

  • #23
    Diana Gabaldon
    “Then let amourous kisses dwell
    On our lips, begin and tell
    A Thousand and a Hundred score
    A Hundred and a Thousand more”
    Diana Gabaldon, Dragonfly in Amber

  • #24
    Diana Gabaldon
    “It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.”
    Diana Gabaldon, Voyager

  • #25
    Diana Gabaldon
    “When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!"

    He grasped my hands, fixing me with a steady blue gaze.

    "Aye, I would," he said. "But I wasna carrying your child."

    The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away.

    "You can't tell," I said, at last. "It's much too soon to be sure."

    He snorted briefly, and a tiny flicker of amusement lit his eyes.

    "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days."

    "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!"

    "Didn't you?"

    "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late.

    "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does."

    He lifted one brow, and cupped a broad hand gently beneath my breast.

    "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you."

    I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me.

    Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky.

    "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.”
    Diana Gabaldon, Dragonfly in Amber

  • #26
    Diana Gabaldon
    “Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye've shed for another, and every second you've spent in another man's bed!”
    Diana Gabaldon, Dragonfly in Amber

  • #27
    Diana Gabaldon
    “And if your life is a suitable exchange for my honor, why is my honor not a suitable exchange for your life?”
    Diana Gabaldon, Outlander

  • #28
    Diana Gabaldon
    “Once you've chosen a man, don't try to change him', I wrote with more confidence. 'It can't be done. More important-don't let him try to change you.”
    Diana Gabaldon, Voyager

  • #29
    Diana Gabaldon
    “You dinna need to understand me, Sassenach," he said quietly. "So long as you love me.”
    Diana Gabaldon, Dragonfly in Amber

  • #30
    Diana Gabaldon
    “…but Sassenach—I am the true home of your heart, and I know that.”

    He lifted my hands to his mouth and kissed my upturned palms, one and then the other, his breath warm and his beard-stubble soft on my fingers.

    “I have loved others, and I do love many, Sassenach—but you alone hold all my heart, whole in your hands,” he said softly. “And you know that.”
    Diana Gabaldon, Written in My Own Heart's Blood



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