Rishabh > Rishabh's Quotes

“Man is flowing. In him there are all possibilities: he was stupid, now he is clever; he was evil, now he is good, and the other way around. In this is the greatness of man.”
― Leo Tolstoy, War and Peace

“Mashi, happiness is like those stars. They don't cover all the darkness; there are gaps between. We make mistakes in life and we misunderstand, and yet there remain gaps through which truth shines. I”
― Rabindranath Tagore, Mashi and Other Stories

“When a material body breaks it may be put together again. But when two human beings are divided, after a long separation, they never re-unite at the same place, and to the same time; for the mind is a living thing, and moment by moment it grows and changes.”
― Rabindranath Tagore, Mashi and Other Stories

“They who from birth have had no other speech than the trembling of their lips learn a language of the eyes, endless in expression, deep as the sea, clear as the heavens, wherein play dawn and sunset, light and shadow. The dumb have a lonely grandeur like Nature's own. Wherefore”
― Rabindranath Tagore, Mashi and Other Stories

“They come from my imagination; for, as you know, truth is silent, and it is imagination only which waxes eloquent. Reality represses the flow of feeling like a rock; imagination cuts out a path for itself.”
― Rabindranath Tagore, Mashi and Other Stories

“Not to be offended with other men's liberty of speech, and to apply myself unto philosophy. Him”
― Marcus Aurelius, Meditations

“To read with diligence; not to rest satisfied with a light and superficial knowledge, nor quickly to assent to things commonly spoken of: whom”
― Marcus Aurelius, Meditations

“If I had a camera," I said, "I'd take a picture of you every day. That way I'd remember how you looked every single day of your life."

"I look exactly the same."

"No, you don't. You're changing all the time. Every day a tiny bit. If I could, I'd keep a record of it all."

"If you're so smart, how did I change today?"

"You got a fraction of a millimeter taller, for one thing. Your hair grew a fraction of a millimeter longer. And your breasts grew a fraction of a—"

"They did not!"

"Yes, they did."

"Did NOT."

"Did too."

"What else, you big pig?"

"You got a little happier and also a little sadder."

"Meaning they cancel out each other, leaving me exactly the same."

"Not at all. The fact that you got a little happier today doesn't change the fact that you also become a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and the saddest you've ever been in your whole life."

"How do you know?"

"Think about it. Have you ever been happier or sadder than right now, lying here in this grass?"

"I guess not. No."

"And have you ever been sadder?"

"No."

"It isn't like that for everyone, you know. Some people[...]"

"What about you? Are you the happiest and saddest right now that you've ever
been?"

"Of course I am."

"Why?"

"Because nothing makes me happier and nothing makes me sadder than you.”
― Nicole Krauss, The History of Love

“The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."

"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.”
― Nicole Krauss, The History of Love

“How happy is the blameless vestal’s lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d”
― Alexander Pope, Eloisa to Abelard

“The counterfeit innovator is wildly self-confident. The real one is scared to death.”
― Steven Pressfield, The War of Art

“Whatever you can do, or dream you can, begin it. Boldness has genius, magic, and power in it. Begin it now." — W. H. Murray,”
― Steven Pressfield, The War of Art