Molly > Molly's Quotes

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  • #1
    Chuck Klosterman
    “Art and love are the same thing: It’s the process of seeing yourself in things that are not you.”
    Chuck Klosterman, Killing Yourself to Live: 85% of a True Story

  • #2
    Jeffrey Eugenides
    “They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.”
    Jeffrey Eugenides, The Virgin Suicides

  • #3
    Charles Simic
    “Wanted: a needle swift enough to sew this poem into a blanket”
    Charles Simic

  • #4
    Lorrie Moore
    “That is what is wrong with cold people. Not that they have ice in their souls - we all have a bit of that - but that they insist every word and deed mirror that ice. They never learn the beauty or value of gesture. The emotional necessity. For them, it is all honesty before kindness, truth before art. Love is art, not truth. It's like painting scenery.”
    Lorrie Moore, Self-Help

  • #5
    Charles Bukowski
    “Poetry is what happens when nothing else can.”
    Charles Bukowski

  • #6
    Jeffrey Eugenides
    “The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.”
    Jeffrey Eugenides, Middlesex

  • #7
    Jonathan Lethem
    “I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.”
    Jonathan Lethem, You Don't Love Me Yet
    tags: art, music

  • #8
    Jonathan Franzen
    “Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular. But the realism is merely a mask for depression's actual essence, which is an overwhelming estrangement from humanity. The more persuaded you are of your unique access to the rottenness, the more afraid you become of engaging with the world; and the less you engage with the world, the more perfidiously happy-faced the rest of humanity seems for continuing to engage with it.”
    Jonathan Franzen, How to Be Alone

  • #9
    Jonathan Franzen
    “The human species was given dominion over the earth and took the opportunity to exterminate other species and warm the atmosphere and generally ruin things in its own image, but it paid this price for its privileges: that the finite and specific animal body of this species contained a brain capable of conceiving the infinite and wishing to be infinite itself.”
    Jonathan Franzen, The Corrections

  • #10
    Chuck Klosterman
    “The strength of your memory dictates the size of your reality”
    Chuck Klosterman, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • #11
    Don DeLillo
    “He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it.”
    Don DeLillo, White Noise

  • #12
    Mary Karr
    “For me, everything's too much and nothing's enough.”
    Mary Karr, Lit

  • #13
    Don DeLillo
    “No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die.”
    Don DeLillo, White Noise

  • #14
    Don DeLillo
    “It was the time of year, the time of day, for a small insistent sadness to pass into the texture of things. Dusk, silence, iron chill. Something lonely in the bone.”
    Don DeLillo, White Noise

  • #15
    Don DeLillo
    “Fear is self-awareness raised to a higher level.”
    Don DeLillo, White Noise

  • #16
    Joan Didion
    “The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”
    Joan Didion, Slouching Towards Bethlehem

  • #17
    Stephen Chbosky
    “You can't just sit there and put everyone's lives ahead of yours and think that counts as love. You just can't. You have to do things.”
    Stephen Chbosky

  • #18
    Jeffrey Eugenides
    “Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.”
    Jeffrey Eugenides, Middlesex

  • #19
    Douglas Coupland
    “After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of earth? What one moment for you defines what it's like to be alive on this planet. What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.”
    Douglas Coupland, Generation X: Tales for an Accelerated Culture

  • #20
    Hanya Yanagihara
    “He now viewed a successful relationship as one in which both people had recognized the best of what the other person had to offer and had chosen to value it as well.”
    Hanya Yanagihara, A Little Life

  • #21
    Miriam Toews
    “And then I thought that people like to talk about their pain and loneliness but in disguised ways. Or in ways that are sort of organized but not really. I realized that when I try to start conversations with people, just strangers on the street or in the grocery store, they think I’m exposing my pain or loneliness in the wrong way and they get nervous. But then I saw the impromptu choir repeating the line about everyone having holes in their lives, and so beautifully, so gently and with such acceptance and even joy, just acknowledging it, and I realized that there are ways to do it, just not the ones that I’d been trying.”
    Miriam Toews, All My Puny Sorrows

  • #22
    Hanya Yanagihara
    “You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
    Hanya Yanagihara, A Little Life

  • #23
    Donna Tartt
    “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
    Donna Tartt, The Goldfinch

  • #24
    Donna Tartt
    “Why does that obstinate little voice in our heads torment us so? Could it be because it reminds us that we are alive, of our mortality, of our individual souls – which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think?”
    Donna Tartt, The Secret History

  • #25
    Julian Barnes
    “How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but—mainly—to ourselves.”
    Julian Barnes, The Sense of an Ending

  • #26
    Sally Rooney
    “Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.”
    Sally Rooney, Conversations with Friends

  • #27
    Nathan  Hill
    “But you cannot endure this world alone, and the more Samuel’s written his book, the more he’s realized how wrong he was. Because if you see people as enemies or obstacles or traps, you will be at constant war with them and with yourself. Whereas if you choose to see people as puzzles, and if you see yourself as a puzzle, then you will be constantly delighted, because eventually, if you dig deep enough into anybody, if you really look under the hood of someone’s life, you will find something familiar.”
    Nathan Hill, The Nix

  • #28
    Sally Rooney
    “He knows that a lot of the literary people in college see books primarily as a way of appearing cultured, It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about. Even the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing.”
    Sally Rooney, Normal People

  • #29
    Rachel Cusk
    “What Ryan had learned from this is that your failures keep returning to you, while your successes are something you always have to convince yourself of.”
    Rachel Cusk, Outline

  • #30
    Deborah Levy
    “Be sure to enjoy language, experiment with ways of talking, be exuberant even when you don't feel like it because language can make your world a better place to live.”
    Deborah Levy, Pillow Talk in Europe and Other Places



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