Scrutinous Scribbler > Scrutinous Scribbler's Quotes

“You have been reading Byron. You have been marking the passages that seem to approve of your own character. I find marks against all those sentences which seem to express a sardonic yet passionate nature; a moth-like impetuosity dashing itself against hard glass. You thought, as you drew your pencil there, "I too throw off my cloak like that. I too snap my fingers in the face of destiny". Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table - it is running among your books and papers. Now you mop it up, clumsily, with your pocket-handkerchief. You then stuff your handkerchief back into your pocket - that is not Byron; that is you; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep.”
― Virginia Woolf, The Waves

“Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
― Margaret Atwood, The Robber Bride

“Like" and "like" and "like"--but what is the thing that lies beneath the semblance of the thing?”
― Virginia Woolf, The Waves

“Hark ye yet again,--the little lower layer. All visible objects, man, are but as pasteboard masks. But in each event--in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there’s naught beyond. But ‘tis enough.”
― Herman Melville

“Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?”
― Herman Melville, Moby-Dick or, The Whale

“But just because you can never reach it, doesn’t mean that it’s not worth looking for.”
― Norton Juster, The Phantom Tollbooth

“Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it.”
― Mary Shelley, Frankenstein

“I have hated words and I have loved them, and I hope I have made them right.”
― Markus Zusak, The Book Thief

“Your crown has been bought and paid for. Put it on your head and wear it.”
― Maya Angelou

“To be engrossed by something outside ourselves is a powerful antidote for the rational mind, the mind that so frequently has its head up its own ass - seeing things in such a narrow and darkly narcissistic way that it presents a colo-rectal theology, offering hope to no one.”
― Anne Lamott, Bird by Bird

“We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.”
― Philip Pullman, The Golden Compass

“Skink drank another beer and yowled at the sky. Decades of hermitage had kept him barely on keel but his turbulent aversions never waned. He’d fled the governor’s mansion with his values intact but his idealism extinguished, his patience smashed to dust. Politics had scrambled his soul much worse than the war, and he left behind in Tallahassee not only his name but the discredited strategy of forbearance and compromise. The cherished wild places of his youth vanished under cinder blocks and asphalt, and so, too, had the rest of the state been transformed—hijacked by greedy suckworms disguised as upright citizens. From swampy lairs Skink would strike back wherever an opportunity arose, and the message was never ambiguous. Even schmucks like Jackie Sebago got the point.”
― Carl Hiaasen, Star Island

“What you make from a tree should be at least as miraculous as what you cut down.”
― Richard Powers, The Overstory

“But people have no idea what time is. They think it’s a line, spinning out from three seconds behind them, then vanishing just as fast into the three seconds of fog just ahead. They can’t see that time is one spreading ring wrapped around another, outward and outward until the thinnest skin of Now depends for its being on the enormous mass of everything that has already died.”
― Richard Powers, The Overstory

“You and the tree in your backyard come from a common ancestor. A billion and a half years ago, the two of you parted ways. But even now, after an immense journey in separate directions, that tree and you still share a quarter of your genes. . . .”
― Richard Powers, The Overstory

“The Greeks had a word, xenia—guest friendship—a command to take care of traveling strangers, to open your door to whoever is out there, because anyone passing by, far from home, might be God. Ovid tells the story of two immortals who came to Earth in disguise to cleanse the sickened world. No one would let them in but one old couple, Baucis and Philemon. And their reward for opening their door to strangers was to live on after death as trees—an oak and a linden—huge and gracious and intertwined. What we care for, we will grow to resemble. And what we resemble will hold us, when we are us no longer. . . .”
― Richard Powers, The Overstory

“There's a Chinese saying. 'When is the best time to plant a tree? Twenty years ago.' "
The Chinese engineer smiles. "Good one."
" 'When is the next best time? Now.' "
"Ah! Okay!" The smile turns real. Until today, he has never planted anything. But Now, that next best of times, is long, and rewrites everything.”
― Richard Powers, The Overstory

“Buddha’s words: A tree is a wondrous thing that shelters, feeds, and protects all living things. It even offers shade to the axmen who destroy it.”
― Richard Powers, The Overstory

“A great truth comes over him: Trees fall with spectacular crashes. But planting is silent and growth is invisible.”
― Richard Powers, The Overstory

“Deforestation: a bigger changer of climate than all of transportation put together.”
― Richard Powers, The Overstory

“She could tell them about a simple machine needing no fuel and little maintenance, one that steadily sequesters carbon, enriches the soil, cools the ground, scrubs the air, and scales easily to any size. A tech that copies itself and even drops food for free. A device so beautiful it’s the stuff of poems. If forests were patentable, she’d get an ovation.”
― Richard Powers, The Overstory

“Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.”
― Richard Powers, The Overstory

“The best and easiest way to get a forest to return to any plot of cleared land is to do nothing—nothing at all, and do it for less time than you might think.”
― Richard Powers, The Overstory

“CONTROL KILLS CONNECTION HEALS”
― Richard Powers, The Overstory