Chris > Chris's Quotes

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  • #1
    George Orwell
    “But if thought corrupts language, language can also corrupt thought.”
    George Orwell, Politics and the English Language

  • #2
    George Orwell
    “It struck him that in moments of crisis one is never fighting against an external enemy, but always against one’s own body... On the battlefield, in the torture chamber, on a sinking ship, the issues that you are fighting for are always forgotten, because the body swells up until it fills the universe, and even when you are not paralysed by fright or screaming with pain, life is a moment-to-moment struggle against hunger or cold or sleeplessness, against a sour stomach or an aching tooth.”
    George Orwell, 1984

  • #3
    George Orwell
    “Facts, at any rate, could not be kept hidden. They could be tracked down by inquiry, they could be squeezed out of you by torture. But if the object was not to stay alive but to stay human, what difference did it ultimately make? They could not alter your feelings, for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable.”
    George Orwell, 1984

  • #4
    George Orwell
    “Almost as swiftly as he had imagined it, she had torn her clothes off, and when she flung them aside it was with that same magnificent gesture by which a whole civilization seemed to be annihilated.”
    George Orwell, 1984

  • #5
    George Orwell
    “It said what he would have said, if it had been possible for him to set his scattered thoughts in order. It was the product of a mind similar to his own, but enormously more powerful, more systematic, less fear-ridden. The best books, he perceived, are those that tell you what you know already.”
    George Orwell, 1984

  • #6
    George Orwell
    “Sanity is not statistical.”
    George Orwell, 1984

  • #7
    George Orwell
    “His whole mind and body seemed to be afflicted with an unbearable sensitivity, a sort of transparency, which made every movement, every sound, every contact, every word that he had to speak or listen to, an agony. Even in sleep he could not altogether escape form her image.”
    George Orwell, 1984

  • #8
    George Orwell
    “It spread out its wings, fitted them carefully into place again, ducked its head for a moment, as though making a sort of obeisance to the sun, and then began to pour forth a torrent of a song. In the afternoon hush the volume of sound was startling. Winston and Julia clung together, fascinated. The music went on and on, minute after minute, with astonishing variations, never once repeating itself, almost as though the bird were deliberately showing off its virtuosity ... For whom, for what, was that bird singing? No mate, no rival was watching it. What made it sit at the edge of the lonely wood and pour its music into nothingness?”
    George Orwell, 1984

  • #9
    George Orwell
    “So long as human beings stay human, death and life are the same thing.”
    George Orwell, 1984

  • #10
    George Orwell
    “It was not the man's brain that was speaking; it was his larynx.”
    George Orwell, 1984

  • #11
    George Orwell
    “I think I exist,' he said wearily. 'I am conscious of my own identity. I was born, and I shall die. I have arms and legs. I occupy a particular point in space. No other solid object can occupy the same point simultaneously.”
    George Orwell, 1984

  • #12
    George Orwell
    “Perhaps a lunatic was simply a minority of one. At one time it had been a sign of madness to believe that the Earth goes round the Sun; today, to believe the past is inalterable. He might be alone in holding that belief, and if alone, then a lunatic. But the thought of being a lunatic did not greatly trouble him; the horror was that he might also be wrong.”
    George Orwell, 1984

  • #13
    George Orwell
    “Confession is not betrayal. What you say or do doesn't matter; only feelings matter. If they could make me stop loving you-that would be the real betrayal.”
    George Orwell, 1984

  • #14
    Oscar Wilde
    “Behind every exquisite thing that existed, there was something tragic.”
    Oscar Wilde, The Picture of Dorian Gray

  • #15
    Jorge Luis Borges
    “A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one's art. One must accept it. ”
    Jorge Luis Borges, Seven Nights

  • #16
    Jorge Luis Borges
    “The dictionary is based on the hypothesis -- obviously an unproven one -- that languages are made up of equivalent synonyms.”
    Jorge Luis Borges

  • #17
    Oscar Wilde
    “There is always something ridiculous about the emotions of people whom one has ceased to love.”
    Oscar Wilde, The Picture of Dorian Gray

  • #18
    Oscar Wilde
    “As for omens, there is no such thing as an omen. Destiny does not send us heralds. She is too wise or too cruel for that.”
    Oscar Wilde, The Picture of Dorian Gray

  • #19
    Oscar Wilde
    “You became to me the visible incarnation of that unseen ideal whose memory haunts us artists like an exquisite dream.”
    Oscar Wilde, The Picture of Dorian Gray

  • #20
    Oscar Wilde
    “When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.”
    Oscar Wilde

  • #21
    Aleksandr Solzhenitsyn
    “If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”
    Aleksandr Solzhenitsyn, The Gulag Archipelago 1918–1956

  • #22
    Albert Camus
    “Au milieu de l'hiver, j'ai découvert en moi un invincible été.”
    Albert Camus

  • #23
    Margaret Atwood
    “Also I could hear Amanda’s voice: Why are you being so weak? Love’s never a fair trade. So Jimmy’s tired of you, so what, there’s guys all over the place like germs, and you can pick them like flowers and toss them away when they’re wilted. But you have to act like you’re having a spectacular time and every day’s a party.”
    Margaret Atwood, The Year of the Flood

  • #24
    Margaret Atwood
    “Maybe sadness was a kind of hunger, she thought. Maybe the two went together.”
    Margaret Atwood, The Year of the Flood

  • #25
    Margaret Atwood
    “Yet each flower, each twig, each pebble, shines as though illuminated from within, as once before, on her first day in the Garden. It’s the stress, it’s the adrenalin, it’s a chemical effect: she knows this well enough. But why is it built in? she thinks. Why are we designed to see the world as supremely beautiful just as we’re about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy?”
    Margaret Atwood, The Year of the Flood

  • #26
    Franz Kafka
    “A book must be the axe for the frozen sea within us.”
    Franz Kafka

  • #27
    “to live in this world

    you must be able
    to do three things
    to love what is mortal;
    to hold it

    against your bones knowing
    your own life depends on it;
    and, when the time comes to let it go,
    to let it go”
    Mary Oliver, New and Selected Poems, Volume One

  • #28
    “The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”
    Mary Oliver

  • #29
    “How I go to the wood

    Ordinarily, I go to the woods alone, with not a single
    friend, for they are all smilers and talkers and therefore
    unsuitable.

    I don’t really want to be witnessed talking to the catbirds
    or hugging the old black oak tree. I have my way of
    praying, as you no doubt have yours.

    Besides, when I am alone I can become invisible. I can sit
    on the top of a dune as motionless as an uprise of weeds,
    until the foxes run by unconcerned. I can hear the almost
    unhearable sound of the roses singing.

    If you have ever gone to the woods with me, I must love
    you very much.”
    Mary Oliver, Swan: Poems and Prose Poems

  • #30
    “Love yourself. Then forget it.
    Then, love the world.”
    Mary Oliver, Evidence: Poems



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