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  • #1
    Pablo Neruda
    “I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.”
    Pablo Neruda, 100 Love Sonnets

  • #2
    Pablo Neruda
    “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
    Pablo Neruda, 100 Love Sonnets

  • #3
    Pablo Neruda
    “I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    Like a puma in the barrens of Quitratue.”
    Pablo Neruda

  • #4
    Pablo Neruda
    “Someday, somewhere - anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.”
    Pablo Neruda

  • #5
    Pablo Neruda
    “Sonnet XVII

    I do not love you as if you were salt-rose, or topaz,
    or the arrow of carnations the fire shoots off.
    I love you as certain dark things are to be loved,
    in secret, between the shadow and the soul.

    I love you as the plant that never blooms
    but carries in itself the light of hidden flowers;
    thanks to your love a certain solid fragrance,
    risen from the earth, lives darkly in my body.

    I love you without knowing how, or when, or from where.
    I love you straightforwardly, without complexities or pride;
    so I love you because I know no other way than this:

    where I does not exist, nor you,
    so close that your hand on my chest is my hand,
    so close that your eyes close as I fall asleep. ”
    Pablo Neruda

  • #6
    Pablo Neruda
    “I want
    To do with you what spring does with the cherry trees.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #7
    Pablo Neruda
    “so I wait for you like a lonely house
    till you will see me again and live in me.
    Till then my windows ache.”
    Pablo Neruda, 100 Love Sonnets

  • #8
    Pablo Neruda
    “Well, now
    If little by little you stop loving me
    I shall stop loving you
    Little by little
    If suddenly you forget me
    Do not look for me
    For I shall already have forgotten you

    If you think it long and mad the wind of banners that passes through my life
    And you decide to leave me at the shore of the heart where I have roots
    Remember
    That on that day, at that hour, I shall lift my arms
    And my roots will set off to seek another land”
    Pablo Neruda, Selected Poems

  • #9
    Pablo Neruda
    “As if you were on fire from within.

    The moon lives in the lining of your skin.”
    Pablo Neruda

  • #10
    Pablo Neruda
    “You are like nobody since I love you.”
    pablo neruda

  • #11
    Pablo Neruda
    “Love.

    Because of you, in gardens of blossoming
    Flowers I ache from the perfumes of spring.
    I have forgotten your face, I no longer
    Remember your hands; how did your lips
    Feel on mine?

    Because of you, I love the white statues
    Drowsing in the parks, the white statues that
    Have neither voice nor sight.

    I have forgotten your voice, your happy voice;
    I have forgotten your eyes.

    Like a flower to its perfume, I am bound to
    My vague memory of you. I live with pain
    That is like a wound; if you touch me, you will
    Make to me an irreperable harm.

    Your caresses enfold me, like climbing
    Vines on melancholy walls.

    I have forgotten your love, yet I seem to
    Glimpse you in every window.

    Because of you, the heady perfumes of
    Summer pain me; because of you, I again
    Seek out the signs that precipitate desires:
    Shooting stars, falling objects.”
    Pablo Neruda

  • #12
    Pablo Neruda
    “If You Forget Me

    I want you to know
    one thing.

    You know how this is:
    if I look
    at the crystal moon, at the red branch
    of the slow autumn at my window,
    if I touch
    near the fire
    the impalpable ash
    or the wrinkled body of the log,
    everything carries me to you,
    as if everything that exists,
    aromas, light, metals,
    were little boats
    that sail
    toward those isles of yours that wait for me.

    Well, now,
    if little by little you stop loving me
    I shall stop loving you little by little.

    If suddenly
    you forget me
    do not look for me,
    for I shall already have forgotten you.

    If you think it long and mad,
    the wind of banners
    that passes through my life,
    and you decide
    to leave me at the shore
    of the heart where I have roots,
    remember
    that on that day,
    at that hour,
    I shall lift my arms
    and my roots will set off
    to seek another land.

    But
    if each day,
    each hour,
    you feel that you are destined for me
    with implacable sweetness,
    if each day a flower
    climbs up to your lips to seek me,
    ah my love, ah my own,
    in me all that fire is repeated,
    in me nothing is extinguished or forgotten,
    my love feeds on your love, beloved,
    and as long as you live it will be in your arms
    without leaving mine.”
    Pablo Neruda

  • #13
    Pablo Neruda
    “In this part of the story I am the one who
    dies, the only one, and I will die of love because I love you,
    because I love you, Love, in fire and in blood.”
    Pablo Neruda, 100 Love Sonnets

  • #14
    Pablo Neruda
    “I got lost in the night, without the light
    of your eyelids, and when the night surrounded me
    I was born again: I was the owner of my own darkness.”
    Pablo Neruda

  • #15
    Pablo Neruda
    “I hunger for your sleek laugh and your hands the color of a furious harvest. I want to eat the sunbeams flaring in your beauty.”
    Pablo Neruda

  • #16
    Pablo Neruda
    “Take bread away from me, if you wish,
    take air away, but
    do not take from me your laughter.

    Do not take away the rose,
    the lance flower that you pluck,
    the water that suddenly
    bursts forth in joy,
    the sudden wave
    of silver born in you.

    My struggle is harsh and I come back
    with eyes tired
    at times from having seen
    the unchanging earth,
    but when your laughter enters
    it rises to the sky seeking me
    and it opens for me all
    the doors of life.

    My love, in the darkest
    hour your laughter
    opens, and if suddenly
    you see my blood staining
    the stones of the street,
    laugh, because your laughter
    will be for my hands
    like a fresh sword.

    Next to the sea in the autumn,
    your laughter must raise
    its foamy cascade,
    and in the spring, love,
    I want your laughter like
    the flower I was waiting for,
    the blue flower, the rose
    of my echoing country.

    Laugh at the night,
    at the day, at the moon,
    laugh at the twisted
    streets of the island,
    laugh at this clumsy
    fool who loves you,
    but when I open
    my eyes and close them,
    when my steps go,
    when my steps return,
    deny me bread, air,
    light, spring,
    but never your laughter. ”
    Pablo Neruda

  • #17
    Pablo Neruda
    “Amor"

    So many days, oh so many days
    seeing you so tangible and so close,
    how do I pay, with what do I pay?

    The bloodthirsty spring
    has awakened in the woods.
    The foxes start from their earths,
    the serpents drink the dew,
    and I go with you in the leaves
    between the pines and the silence,
    asking myself how and when
    I will have to pay for my luck.

    Of everything I have seen,
    it's you I want to go on seeing:
    of everything I've touched,
    it's your flesh I want to go on touching.
    I love your orange laughter.
    I am moved by the sight of you sleeping.

    What am I to do, love, loved one?
    I don't know how others love
    or how people loved in the past.
    I live, watching you, loving you.
    Being in love is my nature.

    You please me more each afternoon.

    Where is she? I keep on asking
    if your eyes disappear.
    How long she's taking! I think, and I'm hurt.
    I feel poor, foolish and sad,
    and you arrive and you are lightning
    glancing off the peach trees.

    That's why I love you and yet not why.
    There are so many reasons, and yet so few,
    for love has to be so,
    involving and general,
    particular and terrifying,
    joyful and grieving,
    flowering like the stars,
    and measureless as a kiss.

    That's why I love you and yet not why.
    There are so many reasons, and yet so few,
    for love has to be so,
    involving and general,
    particular and terrifying,
    joyful and grieving,
    flowering like the stars,
    and measureless as a kiss.”
    Pablo Neruda, Intimacies: Poems of Love

  • #18
    Pablo Neruda
    “And I watch my words from a long way off.
    They are more yours than mine.
    They climb on my old suffering like ivy.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #19
    Ian McEwan
    “A person is, among all else, a material thing, easily torn and not easily mended.”
    Ian McEwan, Atonement

  • #20
    Ian McEwan
    “Was everyone else really as alive as she was?... If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance.”
    Ian McEwan, Atonement

  • #21
    Ian McEwan
    “The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.”
    Ian McEwan, Atonement
    tags: love

  • #22
    Ian McEwan
    “But it was too interesting, too new, too flattering, too deeply comforting to resist, it was a liberation to be in love and say so, and she could only let herself go deeper.”
    Ian McEwan, On Chesil Beach

  • #23
    Ian McEwan
    “It is shaming sometimes how the body will not, or cannot, lie about emotions. Who, for decorum’s sake, has ever slowed his heart, or muted a blush?”
    Ian McEwan

  • #24
    F. Scott Fitzgerald
    “I hope she'll be a fool -- that's the best thing a girl can be in this world, a beautiful little fool.”
    F. Scott Fitzgerald, The Great Gatsby

  • #25
    F. Scott Fitzgerald
    “I fell in love with her courage, her sincerity, and her flaming self respect. And it's these things I'd believe in, even if the whole world indulged in wild suspicions that she wasn't all she should be. I love her and it is the beginning of everything.”
    F. Scott Fitzgerald

  • #26
    F. Scott Fitzgerald
    “I want to know you moved and breathed in the same world with me.”
    F. Scott Fitzgerald, The Short Stories of F. Scott Fitzgerald

  • #27
    F. Scott Fitzgerald
    “Think how you love me,' she whispered. 'I don't ask you to love me always like this, but I ask you to remember.'

    You'll always be like this to me.'

    Oh no; but promise me you'll remember.' Her tears were falling. 'I'll be different, but somewhere lost inside me there'll always be the person I am tonight.”
    F. Scott Fitzgerald, Magnetism

  • #28
    F. Scott Fitzgerald
    “They slipped briskly into an intimacy from which they never recovered.”
    F. Scott Fitzgerald, This Side of Paradise

  • #29
    F. Scott Fitzgerald
    “There is a moment—Oh, just before the first kiss, a whispered word—something that makes it worth while.”
    F. Scott Fitzgerald, This Side of Paradise

  • #30
    F. Scott Fitzgerald
    “she knew that for her the greatest sin now and in the future was to delude herself. It had been a long lesson but she had learned it. Either you think--or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.”
    F. Scott Fitzgerald



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