Redqueen > Redqueen's Quotes

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  • #1
    “If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way.

    Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?”
    Tatsuya Ishida

  • #2
    Catherynne M. Valente
    “Life is beautiful and life is stupid. This is, in fact, widely regarded as a universal rule not less inviolable than the Second Law of Thermodynamics, the Uncertainty Principle, and No Post on Sundays. As long as you keep that in mind, and never give more weight to one than the other, the history of the galaxy is a simple tune with lyrics flashed on-screen and a helpful, friendly bouncing disco ball of all-annihilating flames to help you follow along.”
    Catherynne M. Valente, Space Opera

  • #3
    Seanan McGuire
    “I wouldn’t,” said the Luidaeg. “Love is love. It’s rarer in Faerie than it used to be—rarer than it should be, if you ask me. If you can find it, you should cling to it, and never let anything interfere. Besides, he has a nice ass.” Her lips quirked in a weirdly mischievous smile. “I mean, damn. Some people shouldn’t be allowed to wear leather pants. He’s one of them. He’s a clear and present danger when he puts those things on. Or takes them off.”
    Seanan McGuire, The Winter Long

  • #4
    Catherynne M. Valente
    “If he lost everything else, pride, priapism, and producer credit, Decibel Jones would never, never give up his swagger.”
    Catherynne M. Valente, Space Opera

  • #5
    Catherynne M. Valente
    “No,” Oort said simply. He took off his glasses (Ultraviolet didn’t wear glasses, but it appeared that Englishblokeman did) and cleaned them on the hem of his blazer, shaking his head briskly. “Nope. Incorrect. Bzzzzt. Try again. Not you, not here, not now. I refuse. I disagree. Unsubscribe. Survey says: absolutely not. I 100 percent reject this, and I would like to speak to a supervisor about exchanging the entire situation for something in better condition. This is shit, I won’t be a part of it, you can’t make me. Nil points.”
    Catherynne M. Valente, Space Opera

  • #6
    Catherynne M. Valente
    “Because the opposite of fascism isn't anarchy, it's theater.”
    Catherynne M. Valente, Space Opera

  • #7
    Seanan McGuire
    “We have added a new Occasion to the calendar,” squeaked the junior priest in charge of the congregation. “We will spend this night in Solemn Contemplation, and there will be little shouting, or cheering, or speaking.” “Cool, thanks.” I paused. “What’s the new occasion?” “We will celebrate Crossing the Sea, and Arriving in Australia, and Killing a Very Large Snake,” said the priest solemnly.”
    Seanan McGuire, Pocket Apocalypse

  • #8
    Seanan McGuire
    “Toby will find a way to fix it,” said Quentin. “She always does.” “I wish I had as much faith in me as you do,” I said. “Believing in you is not your job,” said Tybalt mildly. “It’s ours.”
    Seanan McGuire, Chimes at Midnight

  • #9
    Seanan McGuire
    “San Francisco is an old city,”
    Seanan McGuire, The Unkindest Tide

  • #10
    Roger Zelazny
    “I have many names, and none of them matter. Names are not important. To speak is to name names, but to speak is not important. A thing happens once that has never happened before. Seeing it, a man looks upon reality. He cannot tell others what he has seen. Others wish to know, however, so the question him saying, 'What is it like, this thing you have seen?' So he tries to tell them. Perhaps he has seen the very first fire in the world. He tells them, 'It is red, like a poppy, but through it dance other colors. It has no form, like water, flowing everywhere. It is warm, like the sun of summer, only warmer. It exists for a time upon a piece of wood, and then the wood is gone, as though it were eaten, leaving behind that which is black and can be sifted like sand. When the wood is gone, it too is gone.' Therefore, the hearers must think reality is like a poppy, like water, like the sun, like that which eats and excretes. They think it is like to anything that they are told it is like by the man who has known it. But they have not looked upon fire. They cannot really know it. They can only know of it. But fire comes again into the world, many times. More men look upon fire. After a time, fire is as common as grass and clouds and the air they breathe. They see that, while it is like a poppy, it is not a poppy, while it is like water, it is not water, while it is like the sun, it is not the sun, and while it is like that which eats and passes wastes, it is not that which eats and passes wastes, but something different from each of these apart or all of these together. So they look upon this new thing and they make a new word to call it. They call it 'fire.'
    If they come upon one who still has not seen it and they speak to him of fire, he does not know what they mean. So they, in turn, fall back upon telling him what fire is like. As they do so, they know from their own experience that what they are telling him is not the truth, but only part of it. They know that this man will never know reality from their words, though all the words in the world are theirs to use. He must look upon the fire, smell of it, warm his hands by it, stare into its heart, or remain forever ignorant. Therefore, 'fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matter. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming. The thing that has never happened before is still happening. It is still a miracle. The great burning blossom squats, flowing, upon the limb of the world, excreting the ash of the world, and being none of these things I have named and at the same time all of them, and this is reality-the Nameless.”
    Roger Zelazny, Lord of Light

  • #11
    T. Kingfisher
    “I fear that I am not the best possible person for this, but I am the best possible person available at this time, which is much the same thing.”
    T. Kingfisher, Paladin's Grace
    tags: zale

  • #12
    T. Kingfisher
    “And finally, of course, my husband Kevin, who will be sitting around, innocently minding his own business, and suddenly have an incomplete manuscript thrust on him while his wife, wild-eyed, screams, "Tell me this does not shame my ancestors!"

    - Acknowledgments
    T. Kingfisher, Paladin's Strength

  • #13
    Sarah Rees Brennan
    “It had been a great sadness to Elliot, that even in a magic land, humans could not do magic: that in no world could you solve any of your problems by lifting your hands and wishing. Apparently, it was always harder than that.”
    Sarah Rees Brennan, In Other Lands

  • #14
    Neil Gaiman
    “They were kissing. Put like that, and you could be forgiven for presuming that this was a normal kiss, all lips and skin and possibly even a little tongue. You'd miss how he smiled, how his eyes glowed. And then, after the kiss was done, how he stood, like a man who had just discovered the art of standing and had figured out how to do it better than anyone else who would ever come along.”
    Neil Gaiman, Anansi Boys

  • #15
    Oscar Wilde
    “Be yourself; everyone else is already taken.”
    Oscar Wilde

  • #16
    Nora Roberts
    “But when two people feel something, they ought to respect that enough to figure it out”
    Nora Roberts, The Witness

  • #17
    T. Kingfisher
    “Ironically I am publishing this in the midst of COVID-19, when we all started making sourdough at home and then started protesting police brutality. Suddenly a twelve year old book was actually relevant. Go figure.”
    T. Kingfisher, A Wizard's Guide to Defensive Baking

  • #18
    T. Kingfisher
    “This comes of always being the practical one, she thought, a bit wearily. Nobody will comfort you, so you learn to do it yourself.”
    T. Kingfisher, Swordheart

  • #19
    Douglas Adams
    “I may not have gone where I intended to go, but I think I have ended up where I needed to be.”
    Douglas Adams, The Long Dark Tea-Time of the Soul

  • #20
    Douglas Adams
    “The daylight shouldered its way in like a squad of policemen and did a lot of what’s-all-thising around the room,”
    Douglas Adams, The Long Dark Tea-Time of the Soul

  • #21
    Billy Joel
    “So before we end and then begin
    We'll drink a toast to how it's been
    A few more hours to be complete
    A few more nights on satin sheets
    A few more times that I can say
    I've loved these days”
    Billy Joel, Billy Joel - Turnstiles

  • #22
    Neil Gaiman
    “Some years ago, I was lucky enough invited to a gathering of great and good people: artists and scientists, writers and discoverers of things. And I felt that at any moment they would realise that I didn’t qualify to be there, among these people who had really done things.

    On my second or third night there, I was standing at the back of the hall, while a musical entertainment happened, and I started talking to a very nice, polite, elderly gentleman about several things, including our shared first name. And then he pointed to the hall of people, and said words to the effect of, “I just look at all these people, and I think, what the heck am I doing here? They’ve made amazing things. I just went where I was sent.”

    And I said, “Yes. But you were the first man on the moon. I think that counts for something.”

    And I felt a bit better. Because if Neil Armstrong felt like an imposter, maybe everyone did. Maybe there weren’t any grown-ups, only people who had worked hard and also got lucky and were slightly out of their depth, all of us doing the best job we could, which is all we can really hope for.”
    Neil Gaiman

  • #23
    Catherynne M. Valente
    “Just remember that the only question in a house is who is to rule. The rest is only dancing around that, trying not to look it in the eye.”
    Catherynne M. Valente, Deathless

  • #24
    P.G. Wodehouse
    “The trouble with you, Spode, is that just because you have succeeded in inducing a handful of half-wits to disfigure the London scene by going about in black shorts, you think you're someone. You hear them shouting "Heil, Spode!" and you imagine it is the Voice of the People. That is where you make your bloomer. What the Voice of the People is saying is: "Look at that frightful ass Spode swanking about in footer bags! Did you ever in your puff see such a perfect perisher?”
    P.G. Wodehouse, The Code of the Woosters

  • #25
    Carrie Fisher
    “Anyway, George comes up to me the first day of filming and he takes one look at the dress and says, 'You can't wear a bra under that dress.'
    So, I say, 'Okay, I'll bite. Why?'
    And he says, 'Because... there's no underwear in space.'
    I promise you this is true, and he says it with such conviction too! Like he had been to space and looked around and he didn't see any bras or panties or briefs anywhere.
    Now, George came to my show when it was in Berkeley. He came backstage and explained why you can't wear your brassiere in other galaxies, and I have a sense you will be going to outer space very soon, so here's why you cannot wear your brassiere, per George. So, what happens is you go to space and you become weightless. So far so good, right? But then your body expands??? But your bra doesn't- so you get strangled by your own bra. Now I think that this would make a fantastic obit- so I tell my younger friends that no matter how I go, I want it reported that I drowned in moonlight, strangled by my own bra.”
    Carrie Fisher, Wishful Drinking

  • #26
    Carrie Fisher
    “You know the bad thing about being a survivor... You keep having to get into difficult situations in order to show off your gift.”
    Carrie Fisher, The Best Awful

  • #27
    Carrie Fisher
    “Years ago, there were tribes that roamed the earth, and every tribe had a magic person. Well, now, as you know, all the tribes have dispersed, but every so often you meet a magic person, and every so often, you meet someone from your tribe.”
    Carrie Fisher

  • #28
    Chuck Wendig
    “But God was never about power over us. It was about the power we possessed to either be good and in His graces, or be selfish and wretched in His shadow. So to speak. Hell is being in that shadow. It's not in the next world, but this one, right now, anytime you choose not to do the right thing.”
    Chuck Wendig, Wanderers

  • #29
    Holly Black
    Mine. The language of love is like that, possessive. That should be the first warning that it's not going to encourage anyone's betterment.”
    Holly Black, Black Heart

  • #30
    Neil Gaiman
    “But he did not understand the price. Mortals never do. They only see the prize, their heart's desire, their dream... But the price of getting what you want, is getting what you once wanted.”
    Neil Gaiman, The Sandman, Vol. 3: Dream Country



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