Laura > Laura's Quotes

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  • #1
    “You should date a girl who reads.
    Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.

    Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.

    She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.

    Buy her another cup of coffee.

    Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.

    It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.

    She has to give it a shot somehow.

    Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.

    Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.

    Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.

    If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

    You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.

    You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.

    Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

    Or better yet, date a girl who writes.”
    Rosemarie Urquico

  • #2
    Jerome K. Jerome
    “I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me.  Had I packed my tooth-brush?  I don’t know how it is, but I never do know whether I’ve packed my tooth-brush.

    My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery.  I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it.  And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.”
    Jerome K. Jerome, Three Men in a Boat

  • #3
    Jerome K. Jerome
    “I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.

    I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.

    ...

    I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.

    I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said:

    “Well, what’s the matter with you?”

    I said:

    “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.”

    And I told him how I came to discover it all.

    Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.

    I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back.

    He said he didn’t keep it.

    I said:

    “You are a chemist?”

    He said:

    “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.”

    I read the prescription. It ran:

    “1 lb. beefsteak, with
    1 pt. bitter beer
    every 6 hours.
    1 ten-mile walk every morning.
    1 bed at 11 sharp every night.
    And don’t stuff up your head with things you don’t understand.”

    I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.”
    Jerome K. Jerome, Three Men in a Boat

  • #4
    Jerome K. Jerome
    “Everything has its drawbacks, as the man said when his mother-in-law died, and they came down upon him for the funeral expenses.”
    Jerome K. Jerome, Three Men in a Boat

  • #5
    Jerome K. Jerome
    “It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.

    You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.

    And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn’t a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.

    But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.”
    Jerome K. Jerome, Three Men in a Boat

  • #6
    Kakuzō Okakura
    “The art of life lies in a constant readjustment to our surroundings.”
    Kakuzo Okakura, The Book of Tea

  • #7
    Kakuzō Okakura
    “We marvel why, among the most progressive Western nations, architecture should be so devoid of originality, so replete with repetitions of obsolete styles. Perhaps we are passing through an age of democratisation in art, while awaiting the rise of some princely master who shall establish a new dynasty. Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique.”
    Okakura Kakuzō, The Book of Tea

  • #8
    Kakuzō Okakura
    “True beauty could be discovered only by one who mentally complete the incomplete.”
    Kakuzō Okakura, The Book of Tea

  • #9
    Chuck Palahniuk
    “Just for the record, the weather today is calm and sunny, but the air is full of bullshit.”
    Chuck Palahniuk, Diary

  • #10
    Chuck Palahniuk
    “Just for the record, the weather today is partly suspicious with chances of betrayal.”
    Chuck Palahniuk, Diary

  • #11
    Chuck Palahniuk
    “Just for the record, the weather today is bitter with occasional fits of jealous rage.”
    Chuck Palahniuk, Diary

  • #12
    Chuck Palahniuk
    “your handwriting. the way you walk. which china pattern you choose. it's all giving you away. everything you do shows your hand. everything is a self portrait. everything is a diary.”
    Chuck Palahniuk, Diary

  • #13
    Chuck Palahniuk
    “Everyone's in their own personal coma.”
    Chuck Palahniuk, Diary

  • #14
    Chuck Palahniuk
    “You have endless ways you can commit suicide without dying dying.”
    Chuck Palahniuk, Diary

  • #15
    Chuck Palahniuk
    “What you don't understand you can make mean anything.”
    Chuck Palahniuk, Diary

  • #16
    Chuck Palahniuk
    “The weather today is partly angry, leading to resignation and ultimatums.”
    Chuck Palahniuk, Diary

  • #17
    Margaret Edson
    “Now is a time for, dare I say it, kindness. I thought being extremely smart would take care of it. But I see I have been found out.”
    Margaret Edson, Wit

  • #18
    Ernest Hemingway
    “When spring came, even the false spring, there were no problems except where to be happiest. The only thing that could spoil a day was people and if you could keep from making engagements, each day had no limits. People were always the limiters of happiness except for the very few that were as good as spring itself.”
    Ernest Hemingway, A Moveable Feast

  • #19
    “Did you ever notice? Darkness seems to make people speak in short sentences.
    “YES,” she said. “And when the lights come on, we open up and ramble and say absolutely nothing. But in bed in the dark we’re urged on by the monkey waiting in our sleep.”
    “What monkey?”
    “We become documentary. We become newsreels telling what we think is the truth. Our listener is really no more than a fragment of the dark. The true audience is darkness itself. We unwrap our lives to it, trying to appease the monkey.”
    Don Dellillo



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