Elisabeth > Elisabeth's Quotes

“Das Leben ist kein Nullsummenspiel. Es schuldet einem nichts, und die Dinge passieren, wie sie passieren. Manchmal gerecht, so dass alles einen Sinn ergibt, manchmal so ungerecht, dass man an allem zweifelt. Ich zog dem Schicksal die Maske vom Gesicht und fand darunter nur den Zufall.”
― Benedict Wells, Vom Ende der Einsamkeit

“Sometimes,' Sylvie said, 'one can mistake gratitude for love.”
― Kate Atkinson, Life After Life

“Life wasn't about becoming, was it? It was about being.”
― Kate Atkinson, Life After Life

“You can step in the same river but the water will always be new.”
― Kate Atkinson, Life After Life

“You know... no matter what you do, people are going to expect you to be someone you're not. But if you're clever and lucky and work your butt off, then you get to be surrounded by people who expect you to be the person you wish you were.”
― Charlie Jane Anders, All the Birds in the Sky

“every time you solve a problem you’d cause another problem. And maybe all these plagues and droughts are nature’s way of striking a balance? We humans don’t have any natural predators left, so nature has to find other ways to handle us.”
― Charlie Jane Anders, All the Birds in the Sky

“Self-awareness paradoxically requires an awareness of the other,”
― Charlie Jane Anders, All the Birds in the Sky

“The truth is, clocks don’t tell time. Time is measured in meaning.”
― Rene Denfeld, The Enchanted

“Ideas are powerful things; we should take more care with them. I know there are some who would disagree - those who think ideas are like food they can taste and spit out if they don't like it. But ideas are stronger than that. You can get a taste of an idea inside you, and the next thing you know, it won't leave. Until you do something about it.”
― Rene Denfeld, The Enchanted

“Men who have not been violated don’t understand what it is like to have the edges of your body blurred—to feel that every inch of your skin is a place where fingers can press, that every hole and orifice is a place where others can put parts of their bodies. When your body stops being corporeal, your soul has no place to go, so it finds the next window to escape.

My soul left me when I was six. It flew away past a flapping curtain over a window. I ran after it, but it never came back. It left me alone on wet stinking mattresses. It left me alone in the choking dark. It took my tongue, my heart, and my mind.

When you don’t have a soul, the ideas inside you become terrible things. They grow unchecked, like malignant monsters. You cry in the night because you know the ideas are wrong—you know because people have told you that—and yet none of it does any good. The ideas are free to grow. There is no soul inside you to stop them.”
― Rene Denfeld, The Enchanted

“Open your eyes and see what you can with them before they close forever.”
― Anthony Doerr, All the Light We Cannot See

“Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”
― Donna Tartt, The Goldfinch

“A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
― Donna Tartt, The Goldfinch

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?”
― Donna Tartt, The Goldfinch

“—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.”
― Donna Tartt, The Goldfinch

“When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.”
― Donna Tartt, The Goldfinch

“What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?”
― Donna Tartt, The Goldfinch

“What if — is more complicated than that? What if maybe opposite is true as well? Because, if bad can sometimes come from good actions—? where does it ever say, anywhere, that only bad can come from bad actions? Maybe sometimes — the wrong way is the right way? You can take the wrong path and it still comes out where you want to be? Or, spin it another way, sometimes you can do everything wrong and it still turns out to be right?”
― Donna Tartt, The Goldfinch

“Ich war davon überzeugt, dass man sich zwingen konnte, kreativ zu sein, dass man an seiner Phantasie arbeiten konnte, aber nicht an seinem Willen. Das wahre Talent war der Wille.”
― Benedict Wells, Vom Ende der Einsamkeit

“Früher wollte ich immer eine Romanfigur werden. Unsterblich sein und für immer in einem Buch leben, während mich jeder von außen lesen und beobachten kann.”
― Benedict Wells, Vom Ende der Einsamkeit

“People save their strong opinions for women. Why don’t they look at men? If I have to read another book or see another movie about a woman being courageous, I’ll throw up. Where are the books and movies about the men who do this stuff? But no, it’s always about the women. They not only have to get through it, they’re supposed to stand up, become a symbol, allow their whole lives to become derailed and defined by it. What if you don’t want to? People bang on about women having the right to make choices—well, they need to realise women have the right to choose in these matters, too.”
― Kirsty Eagar, Summer Skin

“For us, places we went were home. We didn't care if they were good or evil or neutral or what. We cared about the fact that for the first time, we didn't have to pretend to be something we weren't. We just got to be. That made all the difference in the world.”
― Seanan McGuire, Every Heart a Doorway

“She was a story, not an epilogue.”
― Seanan McGuire, Every Heart a Doorway

“You’re nobody’s doorway but your own, and the only one who gets to tell you how your story ends is you.”
― Seanan McGuire, Every Heart a Doorway

“We are defining the boundaries of normality by tearing apart the people outside it.”
― Jon Ronson, So You've Been Publicly Shamed

“The snowflake never needs to feel responsible for the avalanche.”
― Jon Ronson, So You've Been Publicly Shamed

“We were creating a world where the smartest way to survive is to be bland.”
― Jon Ronson, So You've Been Publicly Shamed

“I suppose it’s no surprise that we feel the need to dehumanize the people we hurt—before, during, or after the hurting occurs. But it always comes as a surprise. In psychology it’s known as cognitive dissonance. It’s the idea that it feels stressful and painful for us to hold two contradictory ideas at the same time (like the idea that we’re kind people and the idea that we’ve just destroyed someone). And so to ease the pain we create illusory ways to justify our contradictory behavior.”
― Jon Ronson, So You've Been Publicly Shamed

“You have to be careful,” Pwnage said, “with people who are puzzles and people who are traps. A puzzle can be solved but a trap cannot. Usually what happens is you think someone’s a puzzle until you realize they’re a trap. But by then it’s too late. That’s the trap.”
― Nathan Hill, The Nix