Alyssa > Alyssa's Quotes

“I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
― Marilyn Monroe

“Black skin was filled with so many barriers, so many restrictions, so many.”
― Randi Pink, Into White

“129. All tremble at violence; all fear death. Putting oneself in the place of another, one should not kill nor cause another to kill.

130. All tremble at violence; life is dear to all. Putting oneself in the place of another, one should not kill nor cause another to kill.

131. One who, while himself seeking happiness, oppresses with violence other beings who also desire happiness, will not attain happiness hereafter.

132. One who, while himself seeking happiness, does not oppress with violence other beings who also desire happiness, will find happiness hereafter.

133. Speak not harshly to anyone, for those thus spoken to might retort. Indeed, angry speech hurts, and retaliation may overtake you.

134. If, like a broken gong, you silence yourself, you have approached Nibbana, for vindictiveness is no longer in you.

135. Just as a cowherd drives the cattle to pasture with a staff, so do old age and death drive the life force of beings (from existence to existence).

136. When the fool commits evil deeds, he does not realize (their evil nature). The witless man is tormented by his own deeds, like one burnt by fire.

137. He who inflicts violence on those who are unarmed, and offends those who are inoffensive, will soon come upon one of these ten states:

138-140 Sharp pain, or disaster, bodily injury, serious illness, or derangement of mind, trouble from the government, or grave charges, loss of relatives, or loss of wealth, or houses destroyed by ravaging fire; upon dissolution of the body that ignorant man is born in hell.

141. Neither going about naked, nor matted locks, nor filth, nor fasting, nor lying on the ground, nor smearing oneself with ashes and dust, nor sitting on the heels (in penance) can purify a mortal who has not overcome doubt.

142. Even though he be well-attired, yet if he is poised, calm, controlled and established in the holy life, having set aside violence towards all beings — he, truly, is a holy man, a renunciate, a monk.

143. Only rarely is there a man in this world who, restrained by modesty, avoids reproach, as a thoroughbred horse avoids the whip.

144. Like a thoroughbred horse touched by the whip, be strenuous, be filled with spiritual yearning. By faith and moral purity, by effort and meditation, by investigation of the truth, by being rich in knowledge and virtue, and by being mindful, destroy this unlimited suffering.

145. Irrigators regulate the waters, fletchers straighten arrow shafts, carpenters shape wood, and the good control themselves.”
― Guatama Siddhartha

“Life is a mountain, Youngblood. Nobody said the climb was gonna be easy.
You gotta choose your route.
Get your gear.
Breathe.
Clear your mind.
And enjoy the journey”
― Kwame Alexander, Solo

“But maybe this isn’t how life works. Maybe it’s all about people coming into your life for a little while and you take what they give you and use it on your next friendship or relationship. And if you’re lucky, maybe some people pop back in after you thought they were gone for good.”
― Becky Albertalli, What If It's Us

“But what if the story should quit while it’s ahead?” “How do you know unless you give the story another chance?”
― Adam Silvera, What If It's Us

“I believe in love at first sight. Fate, the universe, all of it. But not how you’re thinking. I don’t mean it in the 'our souls were split and you’re my other half forever and ever' sort of way. I just think you’re mean to meet some people. I think the universe nudges them into your path. Even on random Monday afternoons in July. Even at the post office.”
― Becky Albertalli, What If It's Us

“Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when’s the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q—but really, it’s just construction and traffic and iPhones and humidity.”
― Becky Albertalli, What If It's Us

“This apartment isn't home for either of us, but we're home for each other, and that's what makes every small wall fall away so I only focus on him.”
― Adam Silvera, What If It's Us

“I want to know the real world better. Not just the ones I make up or the ones I play with on Sims. But right now I just feel lonely and unwanted in the real world.”
― Becky Albertalli, What If It's Us

“just think you’re meant to meet some people. I think the universe nudges them into your path.”
― Becky Albertalli, What If It's Us

“It’s this strangling fear that we’ll be sitting there and we’ll run out of something to say and I’ll be able to witness the exact moment someone falls out of love with me because I don’t have enough substance to keep a conversation alive over a meal. Why would you want to talk to me for the rest of your life?”
― Becky Albertalli, What If It's Us

“Never say never,” Arthur says. “Right?” So much hope hangs in one word. “Right,” I say. “Never know what the universe has planned for us.” I don’t know what we have planned for us. What if there’s a do-over down the line for us? What if we end up in the same city again and pick up where we left off? What if we go as far as we once hoped we would, and boom, happy ending for us? But what if this is it for us? What if we never get to kiss again? What if we’re there for each other’s big moments, but we aren’t at the heart of those big moments anymore? What if the universe always wanted us to meet and stay in each other’s lives forever as best friends? What if we rewrite everything we expect from happy endings? Or . . . What if we haven’t seen the best us yet?”
― Becky Albertalli, What If It's Us

“What if we’re there for each other’s big moments, but we aren’t at the heart of those big moments anymore? What if the universe always wanted us to meet and stay in each other’s lives forever as best friends? What if we rewrite everything we expect from happy endings? Or . . . What if we haven’t seen the best us yet?”
― Becky Albertalli, What If It's Us

“What we do know is that Aaron Hernandez was an escape artist. On the football field, no one could catch him. In Florida, he was a few steps removed from a terrible shooting that no one had answered for. In Boston, he almost certainly committed a double murder that he got away with.
And when Aaron was caught, and convicted, for Odin Lloyd’s murder, he continued to find new ways to escape. By killing himself, he escaped a long life behind bars.”
― James Patterson, All-American Murder: The Rise and Fall of Aaron Hernandez, the Superstar Whose Life Ended on Murderers' Row

“You could really feel physically wounded if someone hurt your feelings badly enough.”
― Anne Tyler, Vinegar Girl

“Beware against the sweet person, for sugar has no nutrition.’ ”
― Anne Tyler, Vinegar Girl

“Well, in my country they say that you can catch more flies with honey than with vinegar.”

“Yes, they would,” Pyotr said mysteriously. He had been walking a couple of steps ahead of Kate, but now he dropped back and, without any warning, slung an arm around her shoulders and pulled her close to his side. “But why you would want to catch flies, hah? Answer me that, vinegar girl.”
― Anne Tyler, Vinegar Girl

“It’s hard being a man. Have you ever thought about that? Anything that’s bothering them, men think they have to hide it. They think they should seem in charge, in control; they don’t dare show their true feelings. No matter if they’re hurting or desperate or stricken with grief, if they’re heartsick or they’re homesick or some huge dark guilt is hanging over them or they’re about to fail big-time at something—‘Oh, I’m okay,’ they say. ‘Everything’s just fine.’ They’re a whole lot less free than women are, when you think about it.”
― Anne Tyler, Vinegar Girl

“Be yourself; everyone else is already taken.”
― Oscar Wilde

“Some people are meant to be forever, like Lea and me. And other people come into your life for a reason— you help each other figure shit out and come to terms with complicated feelings that you can't process on your own.”
― Akemi Dawn Bowman, Summer Bird Blue

“And maybe that’s like life. You live for a moment—one single moment. And then you don’t matter. Because there are years of the past and years of the future, and we’re all simply one tiny blip in time—a surge of water waiting to leave our mark on the sand, only to have it washed away by the waves that come after us. And Lea, with her brief, tiny wave. She didn’t get to make a mark. If she’d had more time, she would have been a hurricane.”
― Akemi Dawn Bowman, Summer Bird Blue

“piece of paper falls out and floats to the ground. I pick it up carefully, studying the handwriting I don’t recognize but know is Mr. Watanabe’s. In neat, swooping letters written with black pen are the words: If you get lost in the darkness, remember to follow the music. Thanks for reminding me to do the same. Even though I’m crying, I’m smiling, too.”
― Akemi Dawn Bowman, Summer Bird Blue

“Women don't need an idol to worship. We need a beacon to walk toward.”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“Women are the most important part of horror because, by and large, women are the ones the horror happens to. Women have to endure it, fight it, survive it—in the movies and in real life. They are at risk of attack from real-life monsters. In America, a woman is assaulted every nine seconds.”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“But, surprise folks, women get mad about things that don't have to do with men. Women feel anger and isolation just as intensely as men. Women have desires for power – destructive desires – that aren't satisfied with mean-spirited gossip and a bold lip color. Women need to be able to see themselves reflected in the monsters playing out these emotions on the big screen. Our only options shouldn't be either banishment to a shack in the woods or growing fangs and becoming part of a bloodthirsty sister-wife troupe. Women rarely get to weigh in on monster designs, but when she got the chance to, Millicent made it count.”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“Women have always been the most important part of monster movies. As I walked home one night, I realized why. Making my way down dark city streets to my apartment in Brooklyn, I was alert and on edge. I was looking for suspicious figures, men that could be rapists, muggers or killers. I felt like Laurie Strode in Halloween. Horror is a pressure valve for society's fears and worries: monsters seeking to control our bodies, villains trying to assail us in the darkness, disease and terror resulting from the consequences of active sexuality, death. These themes are the staple of horror films.

There are people who witness these problems only in scary movies. But for much of the population, what is on the screen is merely an exaggerated version of their everyday lives. These are forces women grapple with daily. Watching Nancy Thompson escape Freddy Krueger's perverted attacks reminds me of how I daily fend off creeps asking me to smile for them on the subway. Women are the most important part of horror because, by and large, women are the ones the horror happens to. Women have to endure it, fight it, survive it — in the movies and in real life. They are at risk of attack from real-life monsters. In America, a woman is assaulted every nine seconds.

Horror films help explore these fears and imagine what it would be like to conquer them. Women need to see themselves fighting monsters. That’s part of how we figure out our stories. But we also need to see ourselves behind-the-scenes, creating and writing and directing. We need to tell our stories, too.”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“Even when everyone is being respectful and polite, if you are the only woman in the room it's impossible not to be acutely, uncomfortably aware of it. This feeling only intensifies if you are a marginalized woman.”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“At what point are women forgiven for not being supernaturally resilient Amazons who spend all their waking hours fighting injustice?”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

“In the 1940s, getting a Westmore brother for your studio makeup department was like getting a Lamborghini (a very expensive status symbol that definitely performed well, but was still sort of douchey).”
― Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick