Stephanie > Stephanie's Quotes

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  • #1
    Cassandra Clare
    “One must always be careful of books," said Tessa, "and what is inside them, for words have the power to change us.”
    Cassandra Clare, Clockwork Angel

  • #2
    Mohsin Hamid
    “We are all migrants through time.”
    Mohsin Hamid, Exit West
    tags: time

  • #3
    Mohsin Hamid
    “To love is to enter into the inevitability of one day not being able to protect what is most valuable to you.”
    Mohsin Hamid, Exit West
    tags: love

  • #4
    Mohsin Hamid
    “when we migrate, we murder from our lives those we leave behind.”
    Mohsin Hamid, Exit West

  • #5
    Mohsin Hamid
    “Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable color, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.”
    Mohsin Hamid, Exit West

  • #6
    Mohsin Hamid
    “...he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity's potential for building a better world, so he prayed as a lament, as a consolation, and as a hope....”
    Mohsin Hamid, Exit West

  • #7
    Sally Rooney
    “It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
    Sally Rooney, Normal People

  • #8
    Sally Rooney
    “No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not.”
    Sally Rooney, Normal People

  • #9
    Sally Rooney
    “Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently.”
    Sally Rooney, Normal People

  • #10
    Sally Rooney
    “Life offers up these moments of joy despite everything,”
    Sally Rooney, Normal People

  • #11
    Sally Rooney
    “She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
    You should go, she says. I’ll always be here. You know that.”
    Sally Rooney, Normal People

  • #12
    Sally Rooney
    “It feels powerful to him to put an experience down in words, like he's trapping it in a jar and it can never fully leave him.”
    Sally Rooney, Normal People

  • #13
    Sally Rooney
    “Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently. You learn nothing very profound about yourself simply by being bullied; but by bullying someone else you learn something you can never forget.”
    Sally Rooney, Normal People

  • #14
    Sally Rooney
    “It suggests to Connell that the same imagination he used as a reader is necessary to understand real people also, and to be intimate with them.”
    Sally Rooney, Normal People

  • #15
    Sally Rooney
    “The conversations that follow are gratifying for Connell, often taking unexpected turns and prompting him to express ideas he had never consciously formulated before. They talk about the novels he's reading, the research she studies, the precise historical moment that they are currently living in, the difficulty of observing such a moment in process. At times he has the sensation that he and Marianne are like figure-skaters, improvising their discussions so adeptly and in such perfect synchronisation that it suprises them both. She tosses herself gracefully into the air, and each time, without knowing how he's going to do it, he catches her.”
    Sally Rooney, Normal People

  • #16
    Sally Rooney
    “If he silently decides not to say something when they’re talking, Marianne will ask ‘what?’ within one or two seconds. This ‘what?’ question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them.”
    Sally Rooney, Normal People

  • #17
    Sally Rooney
    “Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.”
    Sally Rooney, Conversations with Friends

  • #18
    Sally Rooney
    “I realised my life would be full of mundane physical suffering, and that there was nothing special about it. Suffering wouldn't make me special, and pretending not to suffer wouldn't make me special. Talking about it, or even writing about it, would not transform the suffering into something useful.”
    Sally Rooney, Conversations with Friends

  • #19
    Sally Rooney
    “You underestimate your own power so you don't have to blame yourself for treating other people badly.”
    Sally Rooney, Conversations with Friends

  • #20
    Sally Rooney
    “Bobbi could be abrasive and unrestrained in a way that made people uncomfortable,”
    Sally Rooney, Conversations with Friends

  • #22
    Sally Rooney
    “At a certain level of abstraction, anyone could have written the poem, but that didn't feel true either. It seemed as though what he was really saying was: there's something beautiful about the way you think and feel, or the way you experience the world is beautiful in some way.”
    Sally Rooney, Conversations with Friends

  • #23
    Emily Brontë
    “If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.”
    Emily Jane Brontë , Wuthering Heights

  • #24
    Emily Brontë
    “I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”
    Emily Brontë, Wuthering Heights

  • #25
    Emily Brontë
    “I have dreamt in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the color of my mind. And this is one: I'm going to tell it - but take care not to smile at any part of it.”
    Emily Brontë, Wuthering Heights

  • #26
    Emily Brontë
    “It was not the thorn bending to the honeysuckles, but the honeysuckles embracing the thorn.”
    Emily Bronte, Wuthering Heights

  • #27
    Emily Brontë
    “Treachery and violence are spears pointed at both ends; they wound those who resort to them worse than their enemies.”
    Emily Brontë, Wuthering Heights

  • #28
    Emily Brontë
    “I lingered round them, under that benign sky; watched the moths fluttering among the heath and hare-bells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth.”
    Emily Brontë, Wuthering Heights

  • #29
    Muriel Spark
    “If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious.”
    Muriel Spark, A Far Cry from Kensington

  • #30
    Charlotte Brontë
    “I would always rather be happy than dignified.”
    Charlotte Brontë, Jane Eyre

  • #31
    Charlotte Brontë
    I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”
    Charlotte Brontë, Jane Eyre



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