Manda > Manda's Quotes

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  • #1
    J.K. Rowling
    “If you want to know what a man's like, take a good look at how he treats his inferiors, not his equals.”
    J.K. Rowling, Harry Potter and the Goblet of Fire

  • #2
    Cassandra Clare
    “There is no pretending," Jace said with absolute clarity. "I love you, and I will love you until I die, and if there is life after that, I'll love you then.”
    Cassandra Clare, City of Glass

  • #3
    Cassandra Clare
    “And I'm suppose to sit by while you date boys and fall in love with someone else, get married...?" His voice tightened. "And meanwhile, I'll die a little bit more every day, watching.”
    Cassandra Clare, City of Glass

  • #4
    Richelle Mead
    “I’d said it before and meant it: Alive or undead, the love of my life was a badass.”
    Richelle Mead, Blood Promise

  • #5
    Cassandra Clare
    “I was thinking about the first time I ever saw you," he said, "and how after that I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institue. And even back then, in that stupid coffee shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it--it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew.”
    Cassandra Clare, City of Glass

  • #6
    J.R.R. Tolkien
    “Fantasy is escapist, and that is its glory. If a soldier is imprisioned by the enemy, don't we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can!”
    J.R.R. Tolkien

  • #7
    Cassandra Clare
    “A diary with no drawings of me in it? Where are the torrid fantasies? The romance covers?”
    Cassandra Clare, City of Bones

  • #8
    George R.R. Martin
    “They can keep their heaven. When I die, I’d sooner go to Middle-earth.”
    George R.R. Martin

  • #9
    Richelle Mead
    “Okay, God, I thought. Get me out of this and I’ll stop my half-assed church-going ways. You got me past a pack of Strigoi tonight. I mean, trapping that one between the doors really shouldn't have worked, so clearly you're on board. Let me get out of here, and I’ll...I don’t know. Donate Adrian’s money to the poor. Get baptized. Join a convent. Well, no. Not that last one.”
    Richelle Mead, Blood Promise

  • #10
    Cassandra Clare
    “I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness."

    Tessa looked at will. "What about you? What do you believe?

    "Pulvis et umbra sumus," said Will, not looking at her as he spoke. "I believe we are dust and shadows. What else is there?”
    Cassandra Clare, Clockwork Angel

  • #11
    J.K. Rowling
    “I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.”
    J.K. Rowling

  • #12
    Suzanne Collins
    “Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet."
    "Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth.
    "No," he says, almost puzzled. "But they taste familiar. Sugar berries?"
    "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go.
    "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.
    I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.”
    Suzanne Collins, The Hunger Games

  • #13
    Darynda Jones
    “That took balls."

    "Please," I said with a snort, "that took ovaries. Of which I have two.”
    Darynda Jones, First Grave on the Right

  • #14
    Richelle Mead
    “I get in that kind of situation all the time, Comrade. It's not a big deal." Anger replaced my fear. I didn't like being treated like a child.
    "Stop calling me that. You don't even know what you're talking about."
    "Sure I do. I had to do a report on the R.S.S.R. last year.”
    Richelle Mead, Vampire Academy

  • #15
    Richelle Mead
    “ARE YOU CRAZY?" I ASKED.
    He gave me the same wordless look he always did when I asked that question.”
    Richelle Mead

  • #16
    Cassandra Clare
    “He landed on his back amid a tangled pile of clothes. "Isabelle," Simon protested weakly, "do you really think this is going to make you feel any better?"
    "Trust me," Isabelle said, placing a hand on his chest, just over his unbeating heart. "I feel better already.”
    Cassandra Clare, City of Glass

  • #17
    Rick Riordan
    “THAT'S IT!" Terminus cried. "That's AGAINST THE RULES!"
    Polybotes frowned, obviously confused that he was being told off by a statue. "What are you?" he growled. "Shut up!"
    He pushed the statue over and turned back to Percy.
    "Now I'm MAD!" Terminus shrieked. "I'm strangling you. Feel that? Those are my hands around your neck, you big bully. Get over here! I'm going to head-butt you so hard--”
    Rick Riordan, The Son of Neptune

  • #18
    Maggie Stiefvater
    “It is the first day of November and so, today, someone will die.”
    Maggie Stiefvater, The Scorpio Races

  • #19
    Christopher Paolini
    “Into the sky to win or die.”
    Christopher Paolini, Eragon

  • #20
    Brandon Sanderson
    “I swear, my dear. Sometimes our conversations remind me of a broken sword."

    She raised an eyebrow.

    "Sharp as hell," Lightsong said, "but lacking a point.”
    Brandon Sanderson, Warbreaker

  • #21
    Veronica Rossi
    “In the afternoon, they stopped to eat on a rocky outcrop. Perry brushed a kiss on her cheek while she was chewing, and she learned that it was the loveliest thing to be kissed for no reason, even while chewing food. It brightened the woods, and the never sky, and everything.”
    Veronica Rossi, Under the Never Sky

  • #22
    Maggie Stiefvater
    “His eyes were frighteningly alive, the curve of his mouth savage and pleased. It suddenly didn't seem at all surprising that he should be able to pull things from his dreams.
    In that moment, Blue was a little in love with all of them. Their magic. Their quest. Their awfulness and strangeness. Her raven boys.”
    Maggie Stiefvater, The Dream Thieves

  • #23
    Christopher Paolini
    “Shall we dance,friend of my heart?"

    We shall, little one.”
    Christopher Paolini, Eldest

  • #24
    Sarah J. Maas
    “My name is Celaena Sardothien," she whispered, "and I will not be afraid.”
    Sarah J. Maas, The Assassin's Blade

  • #25
    Roald Dahl
    “The most important thing we've learned,
    So far as children are concerned,
    Is never, NEVER, NEVER let
    Them near your television set --
    Or better still, just don't install
    The idiotic thing at all.
    In almost every house we've been,
    We've watched them gaping at the screen.
    They loll and slop and lounge about,
    And stare until their eyes pop out.
    (Last week in someone's place we saw
    A dozen eyeballs on the floor.)
    They sit and stare and stare and sit
    Until they're hypnotised by it,
    Until they're absolutely drunk
    With all that shocking ghastly junk.
    Oh yes, we know it keeps them still,
    They don't climb out the window sill,
    They never fight or kick or punch,
    They leave you free to cook the lunch
    And wash the dishes in the sink --
    But did you ever stop to think,
    To wonder just exactly what
    This does to your beloved tot?
    IT ROTS THE SENSE IN THE HEAD!
    IT KILLS IMAGINATION DEAD!
    IT CLOGS AND CLUTTERS UP THE MIND!
    IT MAKES A CHILD SO DULL AND BLIND
    HE CAN NO LONGER UNDERSTAND
    A FANTASY, A FAIRYLAND!
    HIS BRAIN BECOMES AS SOFT AS CHEESE!
    HIS POWERS OF THINKING RUST AND FREEZE!
    HE CANNOT THINK -- HE ONLY SEES!
    'All right!' you'll cry. 'All right!' you'll say,
    'But if we take the set away,
    What shall we do to entertain
    Our darling children? Please explain!'
    We'll answer this by asking you,
    'What used the darling ones to do?
    'How used they keep themselves contented
    Before this monster was invented?'
    Have you forgotten? Don't you know?
    We'll say it very loud and slow:
    THEY ... USED ... TO ... READ! They'd READ and READ,
    AND READ and READ, and then proceed
    To READ some more. Great Scott! Gadzooks!
    One half their lives was reading books!
    The nursery shelves held books galore!
    Books cluttered up the nursery floor!
    And in the bedroom, by the bed,
    More books were waiting to be read!
    Such wondrous, fine, fantastic tales
    Of dragons, gypsies, queens, and whales
    And treasure isles, and distant shores
    Where smugglers rowed with muffled oars,
    And pirates wearing purple pants,
    And sailing ships and elephants,
    And cannibals crouching 'round the pot,
    Stirring away at something hot.
    (It smells so good, what can it be?
    Good gracious, it's Penelope.)
    The younger ones had Beatrix Potter
    With Mr. Tod, the dirty rotter,
    And Squirrel Nutkin, Pigling Bland,
    And Mrs. Tiggy-Winkle and-
    Just How The Camel Got His Hump,
    And How the Monkey Lost His Rump,
    And Mr. Toad, and bless my soul,
    There's Mr. Rat and Mr. Mole-
    Oh, books, what books they used to know,
    Those children living long ago!
    So please, oh please, we beg, we pray,
    Go throw your TV set away,
    And in its place you can install
    A lovely bookshelf on the wall.
    Then fill the shelves with lots of books,
    Ignoring all the dirty looks,
    The screams and yells, the bites and kicks,
    And children hitting you with sticks-
    Fear not, because we promise you
    That, in about a week or two
    Of having nothing else to do,
    They'll now begin to feel the need
    Of having something to read.
    And once they start -- oh boy, oh boy!
    You watch the slowly growing joy
    That fills their hearts. They'll grow so keen
    They'll wonder what they'd ever seen
    In that ridiculous machine,
    That nauseating, foul, unclean,
    Repulsive television screen!
    And later, each and every kid
    Will love you more for what you did.”
    Roald Dahl, Charlie and the Chocolate Factory

  • #26
    William Goldman
    “I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."

    You are only alive now because you said 'to the pain.' I want that phrase explained."

    My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"

    And then my right eye, and then my ears, and shall we get on with it?" the Prince said.

    Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"

    The sword crashed to the floor.”
    William Goldman, The Princess Bride

  • #27
    Rick Riordan
    “Percy," my father said, "what exactly do you mean?" "Kronos couldn't have risen if it hadn't been for a lot of demigods who felt abandoned by their parents," I said. "They felt angry, resentful, and unloved, and they had a good reason.”
    Rick Riordan, The Last Olympian

  • #28
    Richelle Mead
    “And what makes you so certain I won't enlighten the world about your romantic indiscretions?"

    "Because it won't save you from prison. And if you ruin Rose, you'll destroy whatever weak chance you had of Lissa helping you with your warped fantasy." Victor flinched just a little; Dimitri was right. Dimitri stepped forward, pressing close to the bars as I had earlier. I'd though I had a scary voice, but when he spoke his next words, I realized I wasn't even close. "And it'll be pointless anyway, because you won't stay alive long enough in prison to stage your grand plans. You aren't the only one with connections."

    My breath caught a little. Dimitri brought so many things to my life: love, comfort, and instruction. I got so used to him sometimes I forgot how dangerous he could be. As he stood there, tall and threatening while he glared down at Victor, I felt a chill run down my spine. I remembered how when I had first come to the Academy, people said Dimitri was a god. In this moment, he looked like it.”
    Richelle Mead, Shadow Kiss

  • #29
    Rick Riordan
    “The Friday before winter break, my mom packed me an overnight bag and a few deadly weapons and took me to a new boarding school.”
    Rick Riordan, The Titan’s Curse

  • #30
    Christopher Paolini
    “Books are my friends, my companions. They make me laugh and cry and find meaning in life.”
    Christopher Paolini, Eragon



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