Deena > Deena's Quotes

Showing 1-30 of 77
« previous 1 3
sort by

  • #1
    John Greenleaf Whittier
    “Of all sad words of tongue or pen, the saddest are these, 'It might have been.”
    John Greenleaf Whittier

  • #2
    “You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing.”
    Amy Poehler, Yes Please

  • #3
    “You have to care about your work but not about the result. You have to care about how good you are and how good you feel, but not about how good people think you are or how good people think you look.”
    Amy Poehler, Yes Please

  • #4
    “Your ability to navigate and tolerate change and its painful uncomfortableness directly correlates to your happiness and general well-being. See what I just did there? I saved you thousands of dollars on self-help books. If you can surf your life rather than plant your feet, you will be happier.”
    Amy Poehler, Yes Please

  • #5
    “Bravery is about overcoming fear, not about not having it. There's plenty I'm afraid of. Just not vampires.'

    'We fear the unknown,' she said. 'You must know a lot about vampires.”
    Garth Nix, To Hold the Bridge

  • #6
    “And I've never been wicked,' said the Witch firmly. 'Least, not by my measure. Just independant-minded.'

    'Wickedness depends on where you're standing, doesn't it?' said Jenny.”
    Garth Nix, To Hold the Bridge

  • #7
    Sarah Wendell
    “[...] all expressions of creativity have a structure at work within them, most particularly those who adhere to a classical form. All romances are the same in the same way that all choreographed ballets are the same. Each ballet is a written sequence of the same steps, but each performance is remarquably different [...]”
    Sarah Wendell, Beyond Heaving Bosoms: The Smart Bitches' Guide to Romance Novels

  • #8
    Sarah Wendell
    “Anything written for an audience of mostly women by a community of mostly women is subversive, reflective of the current sexual, emotional, and political status, and actively embraces and undermines that status simultaneously.”
    Sarah Wendell, Beyond Heaving Bosoms: The Smart Bitches' Guide to Romance Novels

  • #9
    Victoria Schwab
    “I'd rather die on an adventure than live standing still.”
    V.E. Schwab, A Darker Shade of Magic

  • #10
    Victoria Schwab
    “Looking for trouble, he'd say. You're gonna look til you find it.
    Trouble is the looker, she'd answer. It keeps looking till it finds you. Might as well find it first.
    Why do you want to die?
    I don't, she'd say. I just want to live.”
    Victoria Schwab, A Darker Shade of Magic

  • #11
    Victoria Schwab
    “She handed back the cigar and dug the silver watch out of her vest pocket. It was warm and smooth, and she didn't know why she liked it so much, but she did. Maybe because it was a choice. Taking it had been a choice. Keeping it had been one, too. And maybe the choice started as a random one, but there was something to it.”
    V.E. Schwab, A Darker Shade of Magic

  • #12
    M.R. Carey
    “And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both. But you have to open it to find that out.”
    M.R. Carey, The Girl With All the Gifts

  • #13
    M.R. Carey
    “It’s like before the Breakdown people used to spend their whole lives making cocoons for themselves out of furniture and ornaments and books and toys and pictures and any kind of shit they could find. As though they hoped they’d be born out of the cocoon as something else.”
    M.R. Carey, The Girl With All the Gifts

  • #14
    M.R. Carey
    “It doesn’t matter,” she explains to Miss J. “I want to be where you are. And I don’t know the way back to wherever I was before, anyway. I don’t even remember it. All I remember is the block, and you. You’re…” Now it’s Melanie’s turn to hesitate. She doesn’t know the words for this. “You’re my bread,” she says at last. “When I’m hungry. I don’t mean that I want to eat you, Miss Justineau! I really don’t! I’d rather die than do that. I just mean… you fill me up the way the bread does to the man in the song. You make me feel like I don’t need anything else.”
    M.R. Carey, The Girl with All the Gifts

  • #15
    Edward de Bono
    “Creativity involves provocation, exploration and risk taking. Creativity involves "thought experiments." You cannot tell in advance how the experiment is going to turn out. But you want to be able to carry out the experiment.”
    Edward de Bono, Six Thinking Hats

  • #16
    Edward de Bono
    “Real life, however, is very different from school sums. There is usually more than one answer. Some answers are much better than others: they cost less, are more reliable or are more easy to implement. There is no reason at all for supposing that the first answer has to be the best one.”
    Edward de Bono, Six Thinking Hats

  • #17
    Kate Quinn
    “Paulinus, everyone knows. Say the word, and I'll run the bitch over with my chariot”
    Kate Quinn, Mistress of Rome

  • #18
    Robert Jordan
    “Two days' hunger made a fine sauce for anything.”
    Robert Jordan, The Eye of the World

  • #19
    “But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.”
    Tina Fey, Bossypants

  • #20
    “It is an impressively arrogant move to conclude that just because you don’t like something, it is empirically not good. I don’t like Chinese food, but I don’t write articles trying to prove it doesn’t exist.”
    Tina Fey, Bossypants

  • #21
    “So, my unsolicited advice to women in the workplace is this. When faced with sexism, or ageism, or lookism, or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you.”
    Tina Fey, Bossypants

  • #22
    “Lesson learned? When people say, "You really, really must" do something, it means you don't really have to. No one ever says, "You really, really must deliver the baby during labor." When it's true, it doesn't need to be said.”
    Tina Fey, Bossypants

  • #23
    Greg Sestero
    “Don’t you take the past and just put it in a room in the basement and lock the door and never go in there? That’s what I do. And then you meet someone special and all you want to do is toss them the key. Say, “Open up, step inside.” But you can’t because it’s dark. And there are demons. — Tom Ripley, The Talented Mr. Ripley”
    Greg Sestero, The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made

  • #24
    Greg Sestero
    “We argue, as you know. I don't think she like me, but so what. I say how I feel. Feelings. That's all we have as human beings.' - Tommy”
    Greg Sestero, The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made

  • #25
    Greg Sestero
    “What I was sure of was that Tommy had something I'd never seen in anyone else: a blind and unhinged and totally unfounded ambition. He was so out of touch, so lacking in self-awareness, yet also wildly captivating. That night there was this aura around Tommy- an aura of the possible.”
    Greg Sestero, The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made

  • #26
    “I am a firm believer that every few years one needs to shake one's life through a sieve, like a miner in the Yukon. The gold nuggets remain. The rest falls through like the soft earth it is.”
    Amy Poehler

  • #27
    “Sometimes when you had a thought, it refused to leave. You rejected it, disowned it, sent it away, to find, moments later, that you were still spending time with it. It might have a different shape or use different words, but there was no mistaking: it was the same one.”
    Cecilia Ekbäck, Wolf Winter

  • #28
    “The circular wind is life. What was yesterday comes again tomorrow. It runs from place to place and returns. But in the midst of disorder is reason. And if you can hold to reason, you shall be safe.”
    Cecilia Ekbäck, Wolf Winter

  • #29
    David Sedaris
    “The word phobic has its place when properly used, but lately it's been declawed by the pompous insistence that most animosity is based upon fear rather than loathing.... I hate computers. My hatred is entrenched, and I nourish it daily. I'm comfortable with it, and no community outreach program will change my mind.”
    David Sedaris, Me Talk Pretty One Day

  • #30
    David Sedaris
    “In imagining myself as modest, mysterious, and fiercely intelligent, I'm forced to realize that, in real life, I am none of these qualities. Nobody dreams of the things he already has.”
    David Sedaris, Me Talk Pretty One Day



Rss
« previous 1 3