Christof > Christof's Quotes

“The two dozen commonplace childhood photographs - snowsuit, pony, tennis racket, looming fender of a Dodge - were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“There was something unmistakably exultant about the mess that Rosa had made. Her bedroom-studio was at once the canvas, journal, museum, and midden of her life. She did not “decorate” it; she infused it.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“His dreams had always been Houdiniesque: they were the dreams of a pupa struggling in its blind cocoon, mad for a taste of light and air.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“The magician seemed to promise that something torn to bits might be mended without a seam, that what had vanished might reappear, that a scattered handful of doves or dust might be reunited by a word, that a paper rose consumed by fire could be made to bloom from a pile of ash. But everyone knew that it was only an illusion. The true magic of this broken world lay in the ability of things it contained to vanish, to become so thoroughly lost, that they might never have existed in the first place.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“We have the idea that our hearts, once broken, scar over with an indestructible tissue that prevents their ever breaking again in quite the same place...”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.”
― Ernest Hemingway, The Sun Also Rises

“This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste.”
― Ernest Hemingway, The Sun Also Rises

“This is a good place," he said.
"There's a lot of liquor," I agreed.”
― Ernest Hemingway, The Sun Also Rises

“Oh Jake," Brett said, "We could have had such a damned good time together."
Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly, pressing Brett against me.
Yes," I said. "Isn't it pretty to think so?”
― Ernest Hemingway, The Sun Also Rises

“I took the steps down Angel’s Flight to Hill Street: a hundred and forty steps, with tight fists, frightened of no man, but scared of the Third Street Tunnel, scared to walk through it – claustrophobia. Scared of high places too, and of blood, and of earthquakes; otherwise, quite fearless, excepting death, except the fear I’ll scream in a crowd, except the fear of appendicitis, except the fear of heart trouble, even that, sitting in his room holding the clock and pressing his jugular vein, counting out his heartbeats, listening to the weird purr and whirr of his stomach. Otherwise, quite fearless.”
― John Fante, Ask the Dust

“I didn't ask any questions. Everything I wanted to know was written in tortured phrases across the desolation of her face.”
― John Fante, Ask the Dust

“Ah, Evelyn and Vivian, I love you both, I love you for your sad lives, the empty misery of your coming home at dawn. You too are alone, but you are not like Arturo Bandini, who is neither fish, fowl nor good red herring. So have your champagne, because I love you both, and you too, Vivian, even if your mouth looks like it had been dug out with raw fingernails and your old child's eyes swim in blood written like mad sonnets.”
― John Fante, Ask the Dust

“All that was good in me thrilled in my heart at that moment, all that I hoped for in the profound, obscure meaning of my existence. Here was the endlessly mute placidity of nature, indifferent to the great city; here was the desert beneath these streets, around these streets, waiting for the city to die, to cover it with timeless sand once more. There came over me a terrifying sense of understanding about the meaning and the pathetic destiny of men. The desert was always there, a patient white animal, waiting for men to die, for civilizations to flicker and pass into the darkness. Then men seemed brave to me, and I was proud to be numbered among them. All the evil of the world seemed not evil at all, but inevitable and good and part of that endless struggle to keep the desert down.”
― John Fante, Ask the Dust

“She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.”
― John Fante, Ask the Dust

“[They] agreed that it was neither possible nor necessary to educate people who never questioned anything.”
― Joseph Heller, Catch-22

“It was miraculous. It was almost no trick at all, he saw, to turn vice into virtue and slander into truth, impotence into abstinence, arrogance into humility, plunder into philanthropy, thievery into honor, blasphemy into wisdom, brutality into patriotism, and sadism into justice. Anybody could do it; it required no brains at all. It merely required no character.”
― Joseph Heller, Catch-22

“There was no sleeper more elegant than she, with her curved body posed for a dance and her hand across her forehead, but there was also no one more ferocious when anyone disturbed the sensuality of her thinking she was still asleep when she no longer was.”
― Gabriel García Márquez, Love in the Time of Cholera

“It is so much simpler to bury reality than it is to dispose of dreams. ― Don DeLillo, Americana (ACTES SUD; 0 edition, August 10, 1993)”
― Don DeLillo, Américana

“Look at the ugliness. Yet one has a feeling within one that blinds a man while he loves you. You, with that feeling, blind him, and blind yourself. Then, one day, for no reason, he sees you as ugly as you really are and he is not blind anymore and then you see yourself as ugly as he sees you and you lose your man and your feeling... After a while, when you are as ugly as I am, as ugly as women can be, then, as I say after a while the feeling, the idiotic feeling that you are beautiful, grows slowly in one again. It grows like a cabbage. And then, when the feeling is grown, another man sees you and thinks you are beautiful and it is all to do over.”
― Ernest Hemingway, For Whom the Bell Tolls

“There is nothing else than now. There is neither yesterday, certainly, nor is there any tomorrow. How old must you be before you know that? There is only now, and if now is only two days, then two days is your life and everything in it will be in proportion. This is how you live a life in two days. And if you stop complaining and asking for what you never will get, you will have a good life. A good life is not measured by any biblical span.”
― Ernest Hemingway, For Whom the Bell Tolls

“How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think than in all other time. I'd like to be an old man to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew so many things that I know nothing of. I wish there was more time.”
― Ernest Hemingway, For Whom the Bell Tolls

“I suppose if a man has something once, always something of it remains.”
― Ernest Hemingway, For Whom the Bell Tolls

“...[A]nything worth dying for ... is certainly worth living for.”
― Joseph Heller, Catch-22

“They're trying to kill me," Yossarian told him calmly.
No one's trying to kill you," Clevinger cried.
Then why are they shooting at me?" Yossarian asked.
They're shooting at everyone," Clevinger answered. "They're trying to kill everyone."
And what difference does that make?”
― Joseph Heller, Catch-22

“He knew everything there was to know about literature, except how to enjoy it”
― Joseph Heller, Catch-22

“Suddenly she sighed: “It is incredible how one can be happy for so many years in the midst of so many squabbles, so many problems, damn it, and not really know if it was love or not.” By the time she finished unburdening herself, someone had turned off the moon.”
― Gabriel Garcí­a Márquez, Love in the Time of Cholera

“Many displayed in their nudity traces of their past: scars of knife thrusts in the belly, starbursts of guns hot wounds, ridges of the razor cuts of love, Caesarean sections sewn up by butchers. Some of them had their young children with them during the day, those unfortunate fruits of youthful defiance or carelessness, and they took off their children’s clothes as soon as they were brought in so they would not feel different in that paradise of nudity.”
― Gabriel Garcí­a Márquez, Love in the Time of Cholera

“She prayed to God to give him at least a moment so that he would not go without knowing how much she had loved him despite all their doubts, and she felt an irresistible longing to begin life with him over again so that they could say what they had left unsaid and do everything right that they had done badly in the past. But she had to give in to the intransigence of death.”
― Gabriel Garcí­a Márquez, Love in the Time of Cholera

“The only regret I will have in dying is if it is not for love.”
― Gabriel García Márquez, Love in the Time of Cholera

“It was a meditation on life, love, old age, death: ideas that had often fluttered around her head like nocturnal birds but dissolved into a trickle of feathers when she tried to catch hold of them.”
― Gabriel García Márquez, Love in the Time of Cholera