L > L's Quotes

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  • #1
    Yukio Mishima
    “Perfect purity is possible if you turn your life into a line of poetry written with a splash of blood.”
    Yukio Mishima, Runaway Horses

  • #2
    Yukio Mishima
    “When silence is prolonged over a certain period of time, it takes on new meaning.”
    Yukio Mishima, Thirst for Love

  • #3
    Yukio Mishima
    “I still have no way to survive but to keep writing one line, one more line, one more line...”
    Yukio Mishima

  • #4
    Yukio Mishima
    “We are not wounded so deeply when betrayed by the things we hope for as when betrayed by things we try our best to despise.
    In such betrayal comes the dagger in the back.”
    Yukio Mishima, Thirst for Love

  • #5
    Fyodor Dostoevsky
    “Man is sometimes extraordinarily, passionately, in love with suffering...”
    Fyodor Dostoevsky

  • #6
    Fyodor Dostoevsky
    “To love is to suffer and there can be no love otherwise.”
    Fyodor Dostoevsky, Notes from Underground

  • #7
    Fyodor Dostoevsky
    “Yet, I didn't understand that she was intentionally disguising her feelings with sarcasm; that was usually the last resort of people who are timid and chaste of heart, whose souls have been coarsely and impudently invaded; and who, until the last moment, refuse to yield out of pride and are afraid to express their own feelings to you.”
    Fyodor Dostoyevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #8
    Fyodor Dostoevsky
    “Do you know I've been sitting here thinking to myself: that if I didn't believe in life, if I lost faith in the woman I love, lost faith in the order of things, were convinced in fact that everything is a disorderly, damnable, and perhaps devil-ridden chaos, if I were struck by every horror of man's disillusionment -- still I should want to live. Having once tasted of the cup, I would not turn away from it till I had drained it! At thirty though, I shall be sure to leave the cup even if I've not emptied it, and turn away -- where I don't know. But till I am thirty I know that my youth will triumph over everything -- every disillusionment, every disgust with life. I've asked myself many times whether there is in the world any despair that could overcome this frantic thirst for life. And I've come to the conclusion that there isn't, that is until I am thirty.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #9
    Yukio Mishima
    “…In the very simplicity of her desire to punish herself appeared egoism in its purest form. Never before had this woman who seemed to think only of herself experienced an egoism so immaculate.”
    Yukio Mishima, Thirst for Love

  • #10
    Fyodor Dostoevsky
    “Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.”
    Fyodor Dostoevsky, The Adolescent

  • #11
    Fyodor Dostoevsky
    “To love people as they are is impossible. And yet one must. And therefore do good to them, clenching your feelings, holding your nose, and shutting your eyes (this last is necessary). Endure evil from them, not getting angry with them if possible, ‘remembering that you, too, are a human being’.”
    Fyodor Dostoyevsky, The Adolescent

  • #12
    Ivan Turgenev
    “tôi vẫn ngồi, vẫn nhìn, vẫn nghe - và lòng tràn ngập một cảm xúc không biết nên gọi là gì, nhưng trong đó có tất cả: niềm vui, nỗi buồn, linh cảm về tương lai, những khát vọng và sự lo âu về cuộc đời. Nhưng lúc ấy tôi còn chưa hiểu gì và tôi cũng không biết gọi tên tất cả những cảm xúc bề bộn trong lòng tôi là gì, hay cũng chỉ biết gọi tất cả những cái đó bằng một cái tên - Zinaitđa”
    Ivan Turgenev, First Love

  • #13
    Phạm Công Thiện
    “Đi vào cầu tiêu là đi vào cõi chết; chỉ khi nào đi vào cõi chết mới có được nỗi cô đơn khôn cùng của lúc đi trong cầu tiêu. Đi vào cõi chết là cởi truồng ra, duỗi hai chân ra và ngồi trên địa cầu, để hồn bay lênh đênh trên không trung đóng chặt, tư tưởng loãng ra và biến mất theo tư tưởng loài người; ngoài cánh cửa cầu tiêu là nói chuyện, lựa lời nói chuyện cho có duyên dáng, thanh lịch và quý phái, hoặc lựa lời nói chuyện cho vũ bão, tục tĩu, hoang đàng cộc lốc, ngang tàng hoặc la hét lên hoặc nói khe khẽ thủ thỉ như đôi nhân tình đầu thu chớm lạnh; ngoài cánh cửa cầu là phải nói chuyện, nói chuyện để cho mặt trời vẫn mọc, để đi, đứng, ngủ thức, thở, ăn, đợi, yêu, ghét, và nhìn những chiếc tàu đi mất.

    Khi tới Rome, nhớ đến thăm mộ K...
    K. đã đi vào cầu tiêu ở Rome và đã đóng cửa lại và đã không còn nghe bên ngoài nói chuyện nữa.”
    Phạm Công Thiện, Trời tháng tư

  • #14
    Marguerite Duras
    “...as long as nothing happens between them, the memory is cursed with what hasn't happened.”
    Marguerite Duras, Blue Eyes, Black Hair

  • #15
    Roland Barthes
    “Don't say mourning. It's too psychoanalytic. I'm not mourning. I'm suffering.”
    Roland Barthes, Mourning Diary: October 26, 1977–September 15, 1979

  • #16
    Roland Barthes
    “Everyone is “extremely nice”—and yet I feel entirely alone. (“Abandonitis”).”
    Roland Barthes, Mourning Diary: October 26, 1977–September 15, 1979

  • #17
    Jorge Luis Borges
    “The original is unfaithful to the translation.”
    Jorge Luis Borges
    tags: pomo

  • #18
    Thomas Bernhard
    “But simple people don’t understand complicated ones and thrust the latter back on themselves, more ruthlessly than any others, I thought. The biggest mistake is to think that one can be rescued by so-called simple people. A person goes to them in an extremely needy condition and begs desperately to be rescued and they thrust this person even more deeply into his own despair. And how are they supposed to save the extravagant one in his extravagance, I thought. Wertheimer”
    Thomas Bernhard, The Loser

  • #19
    Thomas Bernhard
    “Instead of committing suicide, people go to work.”
    Thomas Bernhard, Correction

  • #20
    Thomas Bernhard
    “We're constantly correcting, and correcting ourselves, most rigorously , because we recognize at every moment that we did it all wrong, how we acted all wrong, that everything to this point in time is a falsification, so we correct this falsification, and then we again correct the correction of this falsification and we correct the result of the correction of a correction and so forth, so Roithamer. But the ultimate correction is one we keep delaying, the kind others have made without ado from one minute to the next, I think, so Roithamer, the kind they could, by the time they no longer thought about it, because they were afraid even to think about it, but then they did correct themselves, like my cousin, like his father, my uncle, like all the others whom we knew, as we thought, whom we knew so thoroughly, yet we didn't really know all these peoples' characters, because their self-correction took us by surprise, otherwise we wouldn't have been surprised by their ultimate existential correction, their suicide.”
    Thomas Bernhard, Correction

  • #21
    Trần Dần
    “Bỏ lỗi cho anh. Em khổ cũng nhiều rồi. Người ta có thể quen với mọi thứ, cả sự khổ não – nhưng anh sẽ cố làm cho em đỡ khổ, người ta không nên quen với khổ đau.

    Phải có một cái không thay đổi mới có thể làm cái trục thay đổi mọi cái khác. Tình yêu chúng ta càng vững, xung quanh chúng ta sẽ biến đổi hết.

    Khi người ta khổ mọi vẻ, phải có một cái gì sung sướng, dù là hi vọng, mới sống được. Đêm bão biển ít nhất phải còn một vì sao trên trời, hay trong lòng thủy thủ. Bây giờ anh khổ lắm, anh phải có em giữa biển khổ, anh phải có một vì sao trong tâm hồn. Em cũng mất nhiều lắm, mất cả tiếng cười, cuộc sống hồn nhiên. Anh cố lắm… Nhưng em có thể thấy ở anh như một tia nắng giữa trời mây đen không? Nếu mà có thể, anh muốn khổ thay em tất cả. Cho em sung sướng phần nào.”
    Trần Dần

  • #22
    Franz Kafka
    “One of the first signs of the beginning of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one willl only in time come to hate. In this there is also a residue of belief that during the move the master will chance to come along the corridor, look at the prisoner and say: "This man is not to be locked up again, He is to come with me.”
    Franz Kafka, The Blue Octavo Notebooks

  • #23
    Knut Hamsun
    “...I will exile my thoughts if they think of you again, and I will rip my lips out if they say your name once more. Now if you do exist, I will tell you my final word in life or in death, I tell you goodbye.”
    Knut Hamsun, Hunger

  • #24
    Knut Hamsun
    “Love is every bit as violent and dangerous as murder.”
    Knut Hamsun

  • #25
    Yasunari Kawabata
    “I suppose even a woman's hatred is a kind of love.”
    Yasunari Kawabata, Beauty and Sadness

  • #26
    Samuel Beckett
    “The tears stream down my cheeks from my unblinking eyes. What makes me weep so? There is nothing saddening here. Perhaps it is liquefied brain.”
    Samuel Beckett, The Unnamable

  • #27
    Thomas Bernhard
    “The only friends I have are the dead who have bequeathed their writings to me - I have no others. And I'd always found it hard to have any relationship with another person - I wouldn't think of using such an unappetizing word as friendship, a word which is misused by everybody. And even early in my life there were times when I had no one - I at least knew that I had no one, though others were always asserting that I did have someone. They said, You do have someone, whereas I knew for certain that I not only had no one, but - what was perhaps the crucial and most annihilating thought - needed no one. I imagined I needed no one, and this is what I still imagine to this day. I needed no one, and so I had no one. But naturally we do need someone, otherwise we inevitably become what I have become: tiresome, unbearable, sick - impossible, in the profoundest sense of the word.”
    Thomas Bernhard, Concrete

  • #28
    Vladimir Nabokov
    “Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.”
    Vladimir Nabokov, Lectures on Literature

  • #29
    Romain Gary
    “I always had a strong reluctance to hurt people, which is always the best way of hurting oneself.”
    Romain Gary, Promise at Dawn



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