Edoardo > Edoardo's Quotes

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  • #1
    Patrick Rothfuss
    “I would never normally approach a woman in this way, but I couldn't help but notice that you have the eyes of a lady I was once desperately in love with. "

    "What a shame to love only once," she said, showing her white teeth in a wicked smile. "I've heard some men can manage twice or even more."

    I ignored her gibe. "I am only a fool once. Never will I love again.”
    Patrick Rothfuss

  • #2
    Sylvia Plath
    “I may never be happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of blueberries bathed in cream. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I'd call myself a fool to ask for more...”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #3
    Jonathan Safran Foer
    “I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.”
    Jonathan Safran Foer, Everything is Illuminated

  • #4
    Jonathan Safran Foer
    “I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #5
    Patrick Rothfuss
    “If you fall, you fall," Elodin shrugged. "Sometimes falling teaches us things too." In dreams you often fall before you wake.”
    Patrick Rothfuss

  • #6
    Patrick Rothfuss
    “This is the nature of love." Vashet said. "To attempt to describe it will drive a woman mad. This is what keeps poets scribbling endlessly away. If one could pin it to paper all complete, the others would lay down their pens. But it cannot be done.”
    Patrick Rothfuss

  • #7
    Patrick Rothfuss
    “There is a great deal of difference between a penis and a heart.”
    Patrick Rothfuss, The Wise Man's Fear

  • #8
    Patrick Rothfuss
    “There can be many opinions on a thing, but there is only one truth."

    Vashet smiled lazily. "And if the pursuit of the truth was my goal, that would concern me." She gave a long yawn, stretching like a happy cat. "Instead I will focus on the joy in my heart, [...}”
    Patrick Rothfuss, The Wise Man's Fear

  • #9
    Lemony Snicket
    “The way sadness works is one of the strange riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.”
    Lemony Snicket, The Bad Beginning

  • #10
    Neil Gaiman
    “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”
    Neil Gaiman, Coraline

  • #11
    John Green
    “As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
    John Green, The Fault in Our Stars

  • #12
    John Green
    “Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
    John Green, The Fault in Our Stars

  • #13
    John Green
    “Some infinities are bigger than other infinities.”
    John Green, The Fault in Our Stars

  • #14
    John Green
    “Books so special and rare and yours that advertising your affection feels like a betrayal.”
    John Green, The Fault in Our Stars

  • #15
    John Green
    “You don't get to choose if you get hurt in this world...but you do have some say in who hurts you. I like my choices.”
    John Green, The Fault in Our Stars

  • #16
    Richard Siken
    “Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.”
    Richard Siken

  • #17
    Richard Siken
    “Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
    Tell me we'll never get used to it.”
    Richard Siken, Crush

  • #18
    Richard Siken
    “A man takes his sadness down to the river and throws it in the river
                        but then he’s still left
    with the river. A man takes his sadness and throws it away
                                                                            but then he’s still left with his hands.”
    Richard Siken, Crush

  • #19
    Richard Siken
    “If you love me, Henry, you don’t love me in a way I understand.”
    Richard Siken, Crush

  • #20
    Richard Siken
    “I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.”
    Richard Siken

  • #21
    Richard Siken
    “He was pointing at the moon, but I was looking at his hand.”
    Richard Siken
    tags: sky

  • #22
    Lemony Snicket
    “It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.”
    Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

  • #23
    Lemony Snicket
    “It is difficult, when faced with a situation you cannot control, to admit you can do nothing.”
    Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

  • #24
    Richard Siken
    “The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.”
    Richard Siken, Crush

  • #25
    Richard Siken
    “Someone has to leave first. This is a very old story. There is no other version of this story.”
    Richard Siken, War of the Foxes

  • #26
    Richard Siken
    “Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.”
    Richard Siken, Crush

  • #27
    Richard Siken
    “Is that too much to expect? That I would name the stars
    for you? That I would take you there? The splash
    of my tongue melting you like a sugar cube?”
    Richard Siken, Crush

  • #28
    Jonathan Safran Foer
    “There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #29
    Richard Siken
    “Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.
    Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.”
    Richard Siken

  • #30
    Richard Siken
    “I’m not suggesting the world is good, that life is easy, or that any of us are entitled to better. But please, isn’t this the kind of thing you talk about in somber tones, in the afternoon, with some degree of hope and maybe even a handful of strategies?”
    Richard Siken



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