Perside > Perside's Quotes

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  • #1
    Natsuki Takaya
    “Those who hurt others will also hurt themselves.”
    Natsuki Takaya

  • #2
    Haruki Murakami
    “Not that we were incompatible: we just had nothing to talk about.”
    Haruki Murakami, Norwegian Wood

  • #3
    Dave Barry
    “I like the relaxed way in which the Japanese approach religion. I think of myself as basically a moral person, but I'm definitely not religious, and I'm very tired of the preachiness and obsession with other people's behavior characteristic of many religious people in the United States. As far as I could tell, there's nothing preachy about Buddhism. I was in a lot of temples, and I still don't know what Buddhists believe, except that at one point Kunio said 'If you do bad things, you will be reborn as an ox.'

    This makes as much sense to me as anything I ever heard from, for example, the Reverend Pat Robertson.”
    Dave Barry, Dave Barry Does Japan

  • #4
    Banana Yoshimoto
    “I realized that the world did not exist for my benefit. It followed that the ratio of pleasant and unpleasant things around me would not change. It wasn't up to me. It was clear that the best thing to do was to adopt a sort of muddled cheerfulness.”
    Banana Yoshimoto, Kitchen

  • #5
    Murasaki Shikibu
    “ To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness.
    I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?”
    Murasaki Shikibu, The Diary of Lady Murasaki

  • #6
    Haruki Murakami
    “From the girl who sat before me now...surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.”
    Haruki Murakami, Norwegian Wood

  • #7
    Santōka Taneda
    “Haiku is not a shriek, a howl, a sigh, or a yawn; rather, it is the deep breath of life.”
    Santoka Taneda, Mountain Tasting: Haiku and Journals of Santoka Taneda

  • #8
    Banana Yoshimoto
    “There are many, many difficult times, god knows. If a person wants to stand on her own two feet, I recommend undertaking the care and feeding of something. It could be children, or it could be house plants, you know? By doing that you come to understand your own limitations. That's where it starts.”
    Banana Yoshimoto, Kitchen

  • #9
    Bisco Hatori
    “Those who get in the way of love's path will be kicked by horses.
    ~Kyoya”
    Bisco Hatori, Ouran High School Host Club, Vol. 17

  • #10
    Koushun Takami
    “You all have your own distinct personal backgrounds. Of course some of you come from rich families, some from poor families. But circumstances beyond your control like that shouldn’t determine who you are. You must all realize what you’re worth on your own.”
    Koushun Takami, Battle Royale

  • #11
    Haruki Murakami
    “From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #12
    Santōka Taneda
    “Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.”
    Santoka Taneda, Mountain Tasting: Haiku and Journals of Santoka Taneda

  • #13
    Murasaki Shikibu
    “The bond between husband and wife is a strong one. Suppose the man had hunted her out and brought her back. The memory of her acts would still be there, and inevitably, sooner or later, it would be cause for rancor. When there are crises, incidents, a woman should try to overlook them, for better or for worse, and make the bond into something durable. The wounds will remain, with the woman and with the man, when there are crises such as I have described. It is very foolish for a woman to let a little dalliance upset her so much that she shows her resentment openly. He has his adventures--but if he has fond memories of their early days together, his and hers, she may be sure that she matters. A commotion means the end of everything. She should be quiet and generous, and when something comes up that quite properly arouses her resentment she should make it known by delicate hints. The man will feel guilty and with tactful guidance he will mend his ways. Too much lenience can make a woman seem charmingly docile and trusting, but it can also make her seem somewhat wanting in substance. We have had instances enough of boats abandoned to the winds and waves.
    It may be difficult when someone you are especially fond of, someone beautiful and charming, has been guilty of an indiscretion, but magnanimity produces wonders. They may not always work, but generosity and reasonableness and patience do on the whole seem best.”
    Murasaki Shikibu, The Tale of Genji

  • #14
    “If love goes too far, it turns into cruelty.”
    Haruo Shirane, Early Modern Japanese Literature: An Anthology, 1600-1900

  • #15
    Haruki Murakami
    “And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.'
    I'd like to, but how can I tell?' I asked.
    O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away.”
    Haruki Murakami, Norwegian Wood

  • #16
    Shan Sa
    “I have been brought up in a world dominated by honor. I have known neither crime, poverty, nor betrayal, and here I taste hatred for the first time: it is sublime, like a thirst for justice and revenge."
    -the girl who played go”
    Shan Sa, The Girl Who Played Go

  • #17
    “These days, even plain tea has become a treat, hasn't it?”
    Shizuko Go, Requiem

  • #18
    Haruki Murakami
    “Listening to the music while stretching her body close to its limit, she was able to attain a mysterious calm. She was simultaneously the torturer and the tortured, the forcer and the forced. This sense of inner-directed self-sufficiency was what she wanted most of all. It gave her deep solace.”
    Haruki Murakami, 1Q84

  • #19
    Haruki Murakami
    “No, I don't want your money. The world moves less by money than by what you owe people and what they owe you. I don't like to owe anybody anything, so I keep to myself as much on the lending side as I can.”
    Haruki Murakami, 1Q84

  • #20
    “From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment.
    Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.”
    Shizuko Go, Requiem

  • #21
    “Calligraphy is an art form that uses ink and a brush to express the very souls of words on paper.”
    Kaoru Akagawa

  • #22
    Albert Einstein
    “We all know that light travels faster than sound. That's why certain people appear bright until you hear them speak.”
    Albert Einstein

  • #23
    Confucius
    “By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest.”
    Confucious

  • #24
    Confucius
    “Wheresoever you go, go with all your heart.”
    Confucius

  • #25
    Confucius
    “It does not matter how slowly you go as long as you do not stop.”
    Confucius

  • #26
    Confucius
    “He who knows all the answers has not been asked all the questions.”
    Confucius

  • #27
    Confucius
    “If you make a mistake and do not correct it, this is called a mistake.”
    Confucius

  • #28
    Confucius
    “Life is really simple, but we insist on making it complicated.”
    Confucius

  • #29
    Confucius
    “The funniest people are the saddest ones”
    Confucius

  • #30
    Confucius
    “Study the past if you would define the future.”
    Confucius



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