HazyKitten > HazyKitten's Quotes

“I love to watch the fine mist of the night come on,
The windows and the stars illumined, one by one,
The rivers of dark smoke pour upward lazily,
And the moon rise and turn them silver. I shall see
The springs, the summers, and the autumns slowly pass;
And when old Winter puts his blank face to the glass,
I shall close all my shutters, pull the curtains tight,
And build me stately palaces by candlelight.”
― Charles Baudelaire, Les Fleurs du Mal

“Suicide is, after all, the opposite of the poem.”
― Anne Sexton

“Do you remember the sight we saw, my soul,
that soft summer morning
round a turning in the path,
the disgusting carcass on a bed scattered with stones,
its legs in the air like a woman in need
burning its wedding poisons
like a fountain with its rhythmic sobs,
I could hear it clearly flowing with a long murmuring sound,
but I touch my body in vain to find the wound.
I am the vampire of my own heart,
one of the great outcasts condemned to eternal laughter
who can no longer smile.
Am I dead?
I must be dead.”
― Charles Baudelaire

“In reality they all lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs.”
― Edith Wharton, The Age of Innocence

“It is this admirable, this immortal, instinctive sense of beauty that leads us to look upon the spectacle of this world as a glimpse, a correspondence with heaven. Our unquenchable thirst for all that lies beyond, and that life reveals, is the liveliest proof of our immortality. It is both by poetry and through poetry, by music and through music, that the soul dimly descries the splendours beyond the tomb; and when an exquisite poem brings tears to our eyes, those tears are not a proof of overabundant joy: they bear witness rather to an impatient melancholy, a clamant demand by our nerves, our nature, exiled in imperfection, which would fain enter into immediate possession, while still on this earth, of a revealed paradise.”
― Charles Baudelaire, Selected Writings on Art and Literature

“She was very near hating him now; yet the sound of his voice, the way the light fell on his thin, dark hair, the way he sat and moved and wore his clothes—she was conscious that even these trivial things were inwoven with her deepest life.”
― Edith Wharton, The House of Mirth

“My love, do you recall the object which we saw,
That fair, sweet, summer morn!
At a turn in the path a foul carcass
On a gravel strewn bed,

Its legs raised in the air, like a lustful woman,
Burning and dripping with poisons,
Displayed in a shameless, nonchalant way
Its belly, swollen with gases.

- A Carcass”
― Charles Baudelaire, Les Fleurs du Mal

“I’m a monster,” said the shadow of the Marquess suddenly. “Everyone says so.”

The Minotaur glanced up at her. “So are we all, dear,” said the Minotaur kindly. “The thing to decide is what kind of monster to be. The kind who builds towns or the kind who breaks them.”
― Catherynne M. Valente, The Girl Who Fell Beneath Fairyland and Led the Revels There

“In spite of illness, in spite even of the archenemy sorrow, one can remain alive long past the usual date of disintegration if one is unafraid of change, insatiable in intellectual curiosity, interested in big things, and happy in small ways.”
― Edith Wharton

“You would hardly think, at first, that horrid monsters lie up there waiting to be discovered by any moderately penetrating mind--monsters to which those of the oceans bear no sort of comparison."

What monsters may they be?"

Impersonal monsters, namely, Immensities. Until a person has thought out the stars and their inter-spaces, he has hardly learnt that there are things much more terrible than monsters of shape, namely, monsters of magnitude without known shape. Such monsters are the voids and waste places of the sky... In these our sight plunges quite beyond any twinkler we have yet visited. Those deep wells for the human mind to let itself down into, leave alone the human body! and think of the side caverns and secondary abysses to right and left as you pass on!...

There is a size at which dignity begins," he exclaimed; "further on there is a size at which grandeur begins; further on there is a size at which solemnity begins; further on, a size at which awfulness begins; further on, a size at which ghastliness begins. That size faintly approaches the size of the stellar universe. So am I not right in saying that those minds who exert their imaginative powers to bury themselves in the depths of that universe merely strain their faculties to gain a new horror?”
― Thomas Hardy, Two on a Tower

“But, with time, one has encountered many of the monsters, and one is increasingly less terrified of those still to be met.”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“You are so brave and quiet I forget you are suffering.”
― Ernest Hemingway

“Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.”
― Caitlyn Siehl

“The little poets sing of little things:
Hope, cheer, and faith, small queens and puppet kings;
Lovers who kissed and then were made as one,
And modest flowers waving in the sun.

The mighty poets write in blood and tears
And agony that, flame-like, bites and sears.
They reach their mad blind hands into the night,
To plumb abysses dead to human sight;
To drag from gulfs where lunacy lies curled,
Mad, monstrous nightmare shapes to blast the world.

MUSINGS

[click on the thumbnail by Jack "King" Kirby]”
― Robert E. Howard

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
― Haruki Murakami, Kafka on the Shore

“And besides, we lovers fear everything”
― Ovid, Metamorphoses

“A love like that was a serious illness, an illness from which you never entirely recover.”
― Charles Bukowski, The People Look Like Flowers at Last

“She made up prayers and said them,
Worshipping unknown gods with unknown singing,
Her customary magic, which would cover
The white moon’s face and darken the sun with cloud.”
― Ovid, Metamorphoses

“I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”
― Haruki Murakami, Norwegian Wood

“The problem with the world is that the intelligent people are full of doubts, while the stupid ones are full of confidence.”
― Charles Bukowski

“Is it possible, in the final analysis, for one human being to achieve perfect understanding of another?
We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?”
― Haruki Murakami, The Wind-Up Bird Chronicle

“Venus of Eryx, from her mountain throne,
Saw Hades and clasped her swift-winged son, and said:
'Cupid, my child, my warrior, my power,
Take those sure shafts with which you conquer all,
And shoot your speedy arrows to the heart
Of the great god to whom the last lot fell
When the three realms were drawn. Your mastery
Subdues the gods of heaven and even Jove,
Subdues the ocean's deities and him,
Even him, who rules the ocean's deities.
Why should Hell lag behind? Why not there too
Extend your mother's empire and your own....?

Then Cupid, guided by his mother, opened
His quiver of all his thousand arrows
Selected one, the sharpest and the surest,
The arrow most obedient to the bow,
And bent the pliant horn against his knee
And shot the barbed shaft deep in Pluto's heart.”
― Ovid, Metamorphoses

“Life is a desert of shifting sand dunes. Unpredictable. Erratic. Harmony changes into dissonance, the immediate outlives the profound, esoteric becomes cliched. And vice versa.”
― Ella Leya, The Orphan Sky

“As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself.”
― Haruki Murakami, Dance Dance Dance

“The hurt is the place where the music enters you.”
― Ella Leya, The Orphan Sky

“It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
― Haruki Murakami, Kafka on the Shore

“Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.”
― Haruki Murakami, Kafka on the Shore

“The solitary and thoughtful stroller finds a singular intoxication in this universal communion. The man who loves to lose himself in a crowd enjoys feverish delights that the egoist locked up in himself as in a box, and the slothful man like a mollusk in his shell, will be eternally deprived of. He adopts as his own all the occupations, all the joys and all the sorrows that chance offers.”
― Charles Baudelaire

“Deal with all this, live with myself, you mean? I honestly don't know. I stand often enough at the abyss of my soul, asking that same question, looking down into the dark crevices where the black monsters dwell on the bottom. They gaze up at me, and I look them in the eyes. “This also you are,” they say, and I almost fall into the void.”
“And then?”
Anaxantis shrugged.
“And then? I turn around and go do what needs to be done. What else is there?”
― Andrew Ashling, The Invisible Chains - Part 1: Bonds of Hate

“Pushing the boundaries of my golden cage, searching for new ways of expression and freedom, unveiling the ambiguities between music and art, friendship and love—that was my summer of 1979.”
― Ella Leya, The Orphan Sky