Isa > Isa's Quotes

Showing 1-30 of 34
« previous 1
sort by

  • #1
    Cassandra Clare
    “Remember when you tried to convince me to feed a poultry pie to the mallards in the park to see if you could breed a race of cannibal ducks?"

    "They ate it too," Will reminisced. "Bloodthirsty little beasts. Never trust a duck.”
    Cassandra Clare, Clockwork Angel

  • #2
    Cassandra Clare
    “Jessamine recoiled from the paper as if it were a snake. "A lady does not read the newspaper. The society pages, perhaps, or the theater news. Not this filth."
    "But you are not a lady, Jessamine---," Charlotte began.
    "Dear me," said Will. "Such harsh truths so early in the morning cannot be good for the digestion.”
    Cassandra Clare, Clockwork Angel

  • #3
    Cassandra Clare
    “Tessa poked at her left incisor with her tongue. It was flat again, an ordinary tooth. "I don't understand what makes them come out like that!"
    "Hunger," said Jem. "Were you think about blood?"
    "No."
    "Were you thinking about eating me?" Will inquired.
    "No!"
    "No one would blame you," said Jem. "He's very annoying.”
    Cassandra Clare, Clockwork Angel

  • #4
    Cassandra Clare
    “Men may be stronger, but it is women who endure.”
    Cassandra Clare, Clockwork Princess

  • #5
    Naomi Novik
    “You intolerable lunatic," he snarled at me, and then he caught my face between his hands and kissed me.”
    Naomi Novik, Uprooted

  • #6
    Katherine Arden
    “Wild birds die in cages.”
    Katherine Arden, The Bear and the Nightingale

  • #7
    Katherine Arden
    “It is a cruel task, to frighten people in God’s name.”
    Katherine Arden, The Bear and the Nightingale

  • #8
    Marie Rutkoski
    “If I die, you'll survive. If you die, it will destroy me.”
    Marie Rutkoski, The Winner's Kiss

  • #9
    Katherine Arden
    “I’d rather my sons living, and my daughters safe, than a chance at glory for unborn descendants.”
    Katherine Arden, The Bear and the Nightingale

  • #10
    Erin Morgenstern
    “Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.”
    Erin Morgenstern, The Night Circus

  • #11
    Erin Morgenstern
    “But dreams have ways of turning into nightmares.”
    Erin Morgenstern, The Night Circus

  • #12
    Erin Morgenstern
    “I have tried to let you go and I cannot. I cannot stop thinking of you. I cannot stop dreaming about you.”
    Erin Morgenstern, The Night Circus

  • #13
    Cassandra Clare
    “They say time heals all wounds, but that presumes the source of the grief is finite”
    Cassandra Clare, Clockwork Prince

  • #14
    Cassandra Clare
    “He bent to put his cheek against hers. His breath against her ear made her shudder with each deliberately spoken word. "I have wanted to do this," he said, "every moment of every hour of every day that I have been with you since the day I met you.”
    Cassandra Clare, Clockwork Prince

  • #15
    Cassandra Clare
    “Oh, leave it,” said Jem, kicking Will, not without affection, lightly on the ankle.
    “She’s annexed my plan!”
    “Will,” Tessa said firmly. “Do you care more about the plan being enacted or about getting credit for it?”
    Will pointed a finger at her.
    “That,” he said. “The second one.”
    Cassandra Clare, Clockwork Prince

  • #16
    Chanel Cleeton
    “We are silk and lace, and beneath them we are steel.”
    Chanel Cleeton, Next Year in Havana

  • #17
    Chanel Cleeton
    “The line between hero and villain is a precariously fragile one.”
    Chanel Cleeton, Next Year in Havana

  • #18
    George R.R. Martin
    “The seeds of war are oft planted during times of peace.”
    George R.R. Martin, Fire & Blood

  • #19
    George R.R. Martin
    “Pride goes before a fall.”
    George R.R. Martin, Fire & Blood

  • #20
    Naomi Novik
    “So the fairy silver brought you a monster of fire for a husband, and me a monster of ice. We should put them in a room together and let them make us both widows.”
    Naomi Novik, Spinning Silver

  • #21
    Isabel Ibañez
    “Catalina says that people are like books. Some you want to read and enjoy; some you hate before you've even read a word.”
    Isabel Ibañez, Woven in Moonlight

  • #22
    Leigh Bardugo
    “What did she say?” asked Matthias.
    Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
    “That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
    Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
    “Nina—”
    “Barbarian.”
    “I was just asking, there’s no need to name-call.”
    “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
    “Barbarian isn’t an insult?” he asked, voice rising.
    “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
    “It’s a game?”
    “Not exactly.”
    “Then what is it?”
    Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
    “Really?” Matthias asked. “He’s the hero?”
    “In a manner of speaking. He kidnaps a Ravkan princess—”
    “That would never happen.”
    “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
    “He lives in a cave?”
    “It’s a very nice cave. Furs. Jeweled cups. Mead.”
    “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
    Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
    “How does the story end? Do they fight battles?”
    Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
    Matthias’ jaw dropped. “In the cave?”
    “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
    “To civilize him?”
    “Yes, but that’s not until the third book.”
    “There are three?”
    “Matthias, do you need to sit down?”
    “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
    “Calm down, Matthias.”
    “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
    “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
    “We most certainly could not.”
    “At one point he bathes her.”
    Matthias’ steps faltered. “Why would he—”
    “She’s tied up, so he has to.”
    “Be silent.”
    “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
    “How about I bite your lip?”
    “Now you’re getting the hang of it, Helvar.”
    Leigh Bardugo, Crooked Kingdom

  • #23
    Jenny Slate
    “I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?”
    Jenny Slate, Little Weirds
    tags: love

  • #24
    Mary Oliver
    “The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work — who is thus responsible to the work… Serious interruptions to work, therefore, are never the inopportune, cheerful, even loving interruptions which come to us from another.

    […]

    It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.

    There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.”
    Mary Oliver, Upstream: Selected Essays

  • #25
    Victoria Schwab
    “Books, she has found, are a way to live a thousand lives--or to find strength in a very long one.”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #26
    Victoria Schwab
    “There is a defiance in being a dreamer”
    V.E. Schwab, The Invisible Life of Addie LaRue

  • #27
    Katherine Center
    “I think just because you can't keep something doesn't mean it wasn't worth it. Nothing lasts forever. What matters is what we take with us.”
    Katherine Center, The Bodyguard

  • #28
    Ashley Poston
    “Sometimes the people you love don’t leave you with goodbyes—they just leave.”
    Ashley Poston, The Seven Year Slip

  • #29
    Ashley Poston
    “I loved how a book, a story, a set of words in a sentence organized in the exact right order, made you miss places you’ve never visited, and people you’ve never met.”
    Ashley Poston, The Seven Year Slip

  • #30
    Abby Jimenez
    “Grace costs you nothing”
    Abby Jimenez, Part of Your World



Rss
« previous 1