Jess Tiller > Jess's Quotes

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  • #1
    T.S. Eliot
    “The only wisdom we can hope to acquire
    Is the wisdom of humility: humility is endless.

    The houses are all gone under the sea.

    The dancers are all gone under the hill.”
    T.S. Eliot, Four Quartets

  • #2
    W.H. Auden
    “SEPTEMBER 1, 1939

    I sit in one of the dives
    On Fifty-second Street
    Uncertain and afraid
    As the clever hopes expire
    Of a low dishonest decade:
    Waves of anger and fear
    Circulate over the bright
    And darkened lands of the earth,
    Obsessing our private lives;
    The unmentionable odour of death
    Offends the September night.

    Accurate scholarship can
    Unearth the whole offence
    From Luther until now
    That has driven a culture mad,
    Find what occurred at Linz,
    What huge imago made
    A psychopathic god:
    I and the public know
    What all schoolchildren learn,
    Those to whom evil is done
    Do evil in return.

    Exiled Thucydides knew
    All that a speech can say
    About Democracy,
    And what dictators do,
    The elderly rubbish they talk
    To an apathetic grave;
    Analysed all in his book,
    The enlightenment driven away,
    The habit-forming pain,
    Mismanagement and grief:
    We must suffer them all again.

    Into this neutral air
    Where blind skyscrapers use
    Their full height to proclaim
    The strength of Collective Man,
    Each language pours its vain
    Competitive excuse:
    But who can live for long
    In an euphoric dream;
    Out of the mirror they stare,
    Imperialism's face
    And the international wrong.

    Faces along the bar
    Cling to their average day:
    The lights must never go out,
    The music must always play,
    All the conventions conspire
    To make this fort assume
    The furniture of home;
    Lest we should see where we are,
    Lost in a haunted wood,
    Children afraid of the night
    Who have never been happy or good.

    The windiest militant trash
    Important Persons shout
    Is not so crude as our wish:
    What mad Nijinsky wrote
    About Diaghilev
    Is true of the normal heart;
    For the error bred in the bone
    Of each woman and each man
    Craves what it cannot have,
    Not universal love
    But to be loved alone.

    From the conservative dark
    Into the ethical life
    The dense commuters come,
    Repeating their morning vow;
    'I will be true to the wife,
    I'll concentrate more on my work,'
    And helpless governors wake
    To resume their compulsory game:
    Who can release them now,
    Who can reach the dead,
    Who can speak for the dumb?

    All I have is a voice
    To undo the folded lie,
    The romantic lie in the brain
    Of the sensual man-in-the-street
    And the lie of Authority
    Whose buildings grope the sky:
    There is no such thing as the State
    And no one exists alone;
    Hunger allows no choice
    To the citizen or the police;
    We must love one another or die.

    Defenseless under the night
    Our world in stupor lies;
    Yet, dotted everywhere,
    Ironic points of light
    Flash out wherever the Just
    Exchange their messages:
    May I, composed like them
    Of Eros and of dust,
    Beleaguered by the same
    Negation and despair,
    Show an affirming flame.”
    W.H. Auden, Another Time

  • #3
    W.H. Auden
    “Follow, poet, follow right
    To the bottom of the night,
    With your unconstraining voice
    Still persuade us to rejoice;

    With the farming of a verse
    Make a vineyard of the curse,
    Sing of human unsuccess
    In a rapture of distress;

    In the deserts of the heart
    Let the healing fountain start,
    In the prison of his days
    Teach the free man how to praise.”
    W.H. Auden, Another Time

  • #4
    Barbara Kingsolver
    “The very least you can do in your life is figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof.”
    Barbara Kingsolver, Animal Dreams

  • #5
    Barbara Kingsolver
    “What I want is so simple I almost can't say it: elementary kindness.”
    Barbara Kingsolver, Animal Dreams

  • #6
    Barbara Kingsolver
    “What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, 'What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?”
    Barbara Kingsolver, Animal Dreams

  • #7
    William Faulkner
    “We must be free not because we claim freedom, but because we practice it.”
    William Faulkner, Essays, Speeches & Public Letters

  • #8
    William Faulkner
    “...I give you the mausoleum of all hope and desire...I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.”
    William Faulkner, The Sound and the Fury

  • #9
    William Faulkner
    “Talk, talk, talk: the utter and heartbreaking stupidity of words.”
    William Faulkner, Mosquitoes

  • #10
    William Faulkner
    “Perhaps they were right putting love into books. Perhaps it could not live anywhere else.”
    William Faulkner

  • #11
    William Faulkner
    “I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last dingdong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”
    William Faulkner, Nobel Prize in Literature Acceptance Speech, 1949

  • #12
    William Faulkner
    “Unless you're ashamed of yourself now and then, you're not honest”
    William Faulkner

  • #13
    William Faulkner
    “Most men are a little better than their circumstances give them a chance to be.”
    William Faulkner

  • #14
    Robert Penn Warren
    “Season late, day late, sun just down, and the sky
    Cold gunmetal but with a wash of live rose, and she,
    From water the color of sky except where
    Her motion has fractured it to shivering splinters of silver,
    Rises. Stands on the raw grass. Against
    The new-curdling night of spruces, nakedness
    Glimmers and, at bosom and flank, drips
    With fluent silver. The man,

    Some ten strokes out, but now hanging
    Motionless in the gunmetal water, feet
    Cold with the coldness of depth, all
    History dissolving from him, is
    Nothing but an eye. Is an eye only. Sees

    The body that is marked by his use, and Time's,
    Rise, and in the abrupt and unsustaining element of air,
    Sway, lean, grapple the pond-bank. Sees
    How, with that posture of female awkwardness that is,
    And is the stab of, suddenly perceived grace, breasts bulge down in
    The pure curve of their weight and buttocks
    Moon up and, in swelling unity,
    Are silver and glimmer. Then

    The body is erect, she is herself, whatever
    Self she may be, and with an end of the towel grasped in each hand,
    Slowly draws it back and forth across back and buttocks, but
    With face lifted toward the high sky, where
    The over-wash of rose color now fails. Fails, though no star
    Yet throbs there. The towel, forgotten,
    Does not move now. The gaze
    Remains fixed on the sky. The body,

    Profiled against the darkness of spruces, seems
    To draw to itself, and condense in its whiteness, what light
    In the sky yet lingers or, from
    The metallic and abstract severity of water, lifts. The body,
    With the towel now trailing loose from one hand, is
    A white stalk from which the face flowers gravely toward the high sky.
    This moment is non-sequential and absolute, and admits
    Of no definition, for it
    Subsumes all other, and sequential, moments, by which
    Definition might be possible. The woman,

    Face yet raised, wraps,
    With a motion as though standing in sleep,
    The towel about her body, under her breasts, and,
    Holding it there hieratic as lost Egypt and erect,
    Moves up the path that, stair-steep, winds
    Into the clamber and tangle of growth. Beyond
    The lattice of dusk-dripping leaves, whiteness
    Dimly glimmers, goes. Glimmers and is gone, and the man,

    Suspended in his darkling medium, stares
    Upward where, though not visible, he knows
    She moves, and in his heart he cries out that, if only
    He had such strength, he would put his hand forth
    And maintain it over her to guard, in all
    Her out-goings and in-comings, from whatever
    Inclemency of sky or slur of the world's weather
    Might ever be. In his heart he cries out. Above

    Height of the spruce-night and heave of the far mountain, he sees
    The first star pulse into being. It gleams there.

    I do not know what promise it makes him. ”
    Robert Penn Warren

  • #15
    Robert Penn Warren
    “But I don't know, in the end, what deserts, chasms, achievements, virtues, and beauties have to do with love. We can love for so many different, and paradoxical, qualities in the object of our love--for strength or for weakness, for beauty or for ugliness, for gaiety or for sadness, for sweetness or for bitterness, for goodness or for wickedness, for need or for impervious independence. Then, if we wonder from what secret springs in ourselves gushes our love, our poor brain goes giddy from speculation, and we wonder what is all meaning and worth. Is it our own need that makes us lean toward and wish to succor need, or is it our strength? What way would our strength, if we had it, incline our heart? Do we give love in order to receive love, and even in the transport or endearment carry the usurer's tight-lipped and secret calculation, unacknowledged even by ourselves? Or do we give with an arrogance after all, a passion for self-definition? Or do we simply want a hand, any hand, a human object, to clutch in the dark on the blanket, and fear lies behind everything? Do we want happiness, or is it pain, pain as the index of reality, that we, in the chamber of our heart, want?

    Oh, if I knew the answer, perhaps then I could feel free.”
    Robert Penn Warren, Band of Angels

  • #16
    Victor Hugo
    “To love another person is to see the face of God.”
    Victor Hugo, Les Misérables

  • #17
    Victor Hugo
    “Have courage for the great sorrows of life and patience for the small ones; and when you have laboriously accomplished your daily task, go to sleep in peace. God is awake.”
    Victor Hugo

  • #18
    Victor Hugo
    “To love or have loved, that is enough. Ask nothing further. There is no other pearl to be found in the dark folds of life.”
    Victor Hugo, Les Misérables

  • #19
    Victor Hugo
    “There are no weeds, and no worthless men. There are only bad farmers.”
    Victor Hugo, Les Misérables

  • #20
    Victor Hugo
    “The beautiful is as useful as the useful." He added after a moment’s silence, "Perhaps more so.”
    Victor Hugo, Les Misérables

  • #21
    Victor Hugo
    “Nothing discernible to the eye of the spirit is more brilliant or obscure than man; nothing is more formidable, complex, mysterious, and infinite. There is a prospect greater than the sea, and it is the sky; there is a prospect greater than the sky, and it is the human soul.”
    Victor Hugo, Les Misérables

  • #22
    David Foster Wallace
    “That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.”
    David Foster Wallace, Infinite Jest

  • #23
    David Foster Wallace
    “Learning how to think" really means learning how to exercise some control over how and what you think.
    It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience.
    Because if you cannot or will not exercise this kind of choice in adult life, you will be totally hosed.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #24
    David Foster Wallace
    “If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it”
    David Foster Wallace

  • #25
    David Foster Wallace
    “Every love story is a ghost story.”
    David Foster Wallace, The Pale King

  • #26
    David Foster Wallace
    “Routine, repetition, tedium, monotony, ephemeracy, inconsequence, abstraction, disorder, boredom, angst, ennui — these are the true hero's enemies, and make no mistake, they are fearsome indeed. For they are real.”
    David Foster Wallace, The Pale King

  • #27
    David Foster Wallace
    “It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get -- the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke -- that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens...and it opens outward: we've been inside what we wanted all along. Das ist komisch.”
    David Foster Wallace, Consider the Lobster and Other Essays

  • #28
    James Baldwin
    “Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.”
    James A. Baldwin

  • #29
    James Baldwin
    “Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.”
    James Baldwin, The Fire Next Time

  • #30
    James Baldwin
    “People pay for what they do, and still more for what they have allowed themselves to become. And they pay for it very simply; by the lives they lead.”
    James Baldwin



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