Taz > Taz's Quotes

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  • #1
    “الإنسان هو قضية،
    وليس لحما ودما يتوارثه جيل وراء جيل مثلما يتبادل البائع والزبون معلبات اللحم المقدد ، إنما أتحدث إاليك
    مفترضا أنك في نهاية الأمر إنسان . يهودي . أو فلتكن ما تشاء . ولكن عليك أن تدرك الأشياء كما ينبغي ... وأنا
    أعرف أنك ذات يوم ستدرك هذه الأشياء ، وتدرك أن أكبر جريمة يمكن لأي إنسان أن يرتكبها ، كائنا من كان ،
    هي أن يعتقد ولو للحظة أن ضعف الآخرين وأخطاءهم هي التي تشكل حقه في الوجود على حسابهم ، وهي التي
    تبرر له أخطاءه وجرائمه ...”
    عائد الى حيفا غسان كنفاني

  • #2
    فيودور دوستويفسكي
    “بكوا في أول الأمر ثم ألفوا وتعودوا. إن الإنسان يعتاد كل شيء. يا له من حقير”
    فيودور دوستويفسكي, الجريمة والعقاب 1

  • #3
    Haruki Murakami
    “Why do people have to be this lonely? What's the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves. Why? Was the earth put here just to nourish human loneliness?”
    Haruki Murakami, Sputnik Sweetheart

  • #4
    Fyodor Dostoevsky
    “يا لظلمك أيتها القلوب العزيزة !”
    Fyodor Dostoyevsky, الجريمة والعقاب 1

  • #5
    Aleister Crowley
    “I'm a poet, and I like my lies the way my mother used to make them.”
    Aleister Crowley, Moonchild

  • #6
    Helen Keller
    “I would rather walk with a friend in the dark, than alone in the light.”
    Helen Keller

  • #7
    Jacqueline Harpman
    “Being beautiful, was that for men?'
    'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #8
    Jacqueline Harpman
    “Sometimes, I used to sit under the sky, on a clear night, and gaze at the stars, saying, in my croaky voice: “Lord, if you’re up there somewhere, and you aren’t too busy, come and say a few words to me, because I’m very lonely and it would make me so happy.” Nothing happened. So I reckon that humanity— which I wonder whether I belong to —really had a very vivid imagination.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #9
    “It is very hard to show up as the person you want to be when you are surrounded by an environment that makes you feel like a person you aren’t.”
    Brianna Wiest, The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery

  • #10
    “You start to let go on the day you take one step toward building a new life and then let yourself lie in bed and stare at the ceiling and cry for as many hours as you need.”
    Brianna Wiest, The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery

  • #11
    “Praise not the day until evening has come, a woman until she is burnt, a sword until it is tried, a maiden until she is married, ice until it has been crossed, beer until it has been drunk.”
    Michael Crichton, Eaters of the Dead

  • #12
    خالد حسيني
    “مخطئون فيما قالوه عن الماضي ، لقد تعلمت كيف أدفنه ، إلا أنه دائماً يجد طريق عودته”
    خالد حسيني, عداء الطائرة الورقية

  • #13
    خالد حسيني
    “عندما كنت صغيرًا جدًا تسلقت تلك الشجرة وأكلت تلك التفاحات الخضراء الحامضة. انتفخت معدتي وأصبحت قاسية كالطبل، آلمتني كثيرًا. قالت أمي أني لو انتظرت إلى أن نضج التفاح لما مرضت. هكذا الحال الآن، كلما رغبت شيئا بشدة، أحاول تذكر ماقالته أمي عن تلك التفاحات...”
    خالد حسيني

  • #14
    Colleen Hoover
    “Just because someone hurts you doesn't mean you can simply stop loving them. It's not a person's actions that hurt the most. It's the love. If there was no love attached to the action, the pain would be a little easier to bear.”
    Colleen Hoover, It Ends with Us

  • #15
    “I see the past as it actually was," Maeve said. She was looking at the trees.

    "But we overlay the present onto the past. We look back through the lens of what we know now, so we're not seeing it as the people we were, we're seeing it as the people we are, and that means the past has been radically altered.”
    Ann Patchett, The Dutch House

  • #16
    “We had made a fetish out of our misfortune, fallen in love with it.”
    Ann Patchett, The Dutch House



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