Ashley Crenshaw > Ashley's Quotes

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  • #1
    Lloyd Alexander
    “We don't need to have just one favorite. We keep adding favorites. Our favorite book is always the book that speaks most directly to us at a particular stage in our lives. And our lives change. We have other favorites that give us what we most need at that particular time. But we never lose the old favorites. They're always with us. We just sort of accumulate them.”
    Lloyd Alexander

  • #2
    James Baldwin
    “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
    James Baldwin

  • #3
    Fyodor Dostoevsky
    “Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.”
    Fyodor Dostoevsky, Crime and Punishment

  • #4
    Tim O'Brien
    “They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.”
    Tim O'Brien, The Things They Carried

  • #5
    Terry Pratchett
    “All right," said Susan. "I'm not stupid. You're saying humans need... fantasies to make life bearable."

    REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE.

    "Tooth fairies? Hogfathers? Little—"

    YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES.

    "So we can believe the big ones?"

    YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING.

    "They're not the same at all!"

    YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED.

    "Yes, but people have got to believe that, or what's the point—"

    MY POINT EXACTLY.”
    Terry Pratchett, Hogfather

  • #6
    Terry Pratchett
    “The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started, and no-one will tell you the plot, so you have to work it out all yourself from the clues.”
    Terry Pratchett, Moving Pictures

  • #7
    Toni Morrison
    “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”
    Toni Morrison, Beloved

  • #8
    George Saunders
    “He came out of nothingness, took form, was loved, was always bound to return to nothingness. Only I did not think it would be so soon. Or that he would precede us. Two passing temporarinesses developed feelings for one another. Two puffs of smoke became mutually fond. I mistook him for a solidity, and now must pay. I am not stable and Mary not stable and the very buildings and monuments here not stable and the greater city not stable and the wide world not stable. All alter, are altering, in every instant. (Are you comforted?) No. (It”
    George Saunders, Lincoln in the Bardo

  • #9
    George Saunders
    “His mind was freshly inclined toward sorrow; toward the fact that the world was full of sorrow; that everyone labored under some burden of sorrow; that all were suffering; that whatever way one took in this world, one must try to remember that all were suffering (none content; all wronged, neglected, overlooked, misunderstood), and therefore one must do what one could to lighten the load of those with whom one came into contact; that his current state of sorrow was not uniquely his, not at all, but, rather, its like had been felt, would be felt, by scores of others, in all times, in every time, and must not be prolonged or exaggerated, because, in this state, he could be of no help to anyone and, given that his position in the world situated him to be either of great help, or great harm, it would not do to stay low, if he could help it.”
    George Saunders, Lincoln in the Bardo

  • #10
    George Saunders
    “Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and, in this way, brought them forth. And now we must lose them.”
    George Saunders, Lincoln in the Bardo

  • #11
    George Saunders
    “Only then (nearly out the door, so to speak) did I realize how unspeakably beautiful all of this was, how precisely engineered for our pleasure, and saw that I was on the brink of squandering a wondrous gift, the gift of being allowed, every day, to wander this vast sensual paradise, this grand marketplace lovingly stocked with every sublime thing.”
    George Saunders, Lincoln in the Bardo

  • #12
    Mahatma Gandhi
    “When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it--always.”
    Mahatma Gandhi

  • #13
    Tim O'Brien
    “Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.”
    Tim O'Brien, The Things They Carried

  • #14
    Emily St. John Mandel
    “The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it?”
    Emily St. John Mandel, Station Eleven

  • #15
    Emily St. John Mandel
    “Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.”
    Emily St. John Mandel, Station Eleven

  • #16
    Emily St. John Mandel
    “But these thoughts broke apart in his head and were replaced by strange fragments: This is my soul and the world unwinding, this is my heart in the still winter air.”
    Emily St. John Mandel, Station Eleven

  • #17
    Emily St. John Mandel
    “If you are the light, if your enemies are darkness, then there’s nothing that you cannot justify. There’s nothing you can’t survive, because there’s nothing that you will not do.”
    Emily St. John Mandel, Station Eleven

  • #18
    Emily St. John Mandel
    “We traveled so far and your friendship meant everything. It was very difficult, but there were moments of beauty. Everything ends. I am not afraid.”
    Emily St. John Mandel, Station Eleven

  • #19
    Emily St. John Mandel
    “The house is silent now and she feels like a stranger here. “This life was never ours,” she whispers to the dog, who has been following her from room to room, and Luli wags her tail and stares at Miranda with wet brown eyes. “We were only ever borrowing it.”
    Emily St. John Mandel, Station Eleven

  • #20
    Emily St. John Mandel
    “If there are again towns with streetlights, if there are symphonies and newspapers, then what else might this awakening world contain? Perhaps vessels are setting out even now, traveling toward or away from him, steered by sailors armed with maps and knowledge of the stars, driven by need or perhaps simply by curiosity: whatever became of the countries on the other side?”
    Emily St. John Mandel, Station Eleven

  • #21
    Emily St. John Mandel
    “I repent nothing. A line remembered from the fog of the Internet. I am heartless, she thinks, but she knows even through her guilt that this isn't true. She knows there are traps everywhere that can make her cry, she knows the way she dies a little every time someone asks her for change and she doesn't give it to them means that she's too soft for this world or perhaps just for this city, she feels so small here. There are tears in her eyes now. Miranda is a person with very few certainties, but one of them is that only the dishonorable leave when things get difficult.”
    Emily St. John Mandel, Station Eleven

  • #22
    Emily St. John Mandel
    “Hell is the absence of the people you long for”
    Emily St. John Mandel, Station Eleven

  • #23
    Min Jin Lee
    “History has failed us, but no matter.”
    Min Jin Lee, Pachinko

  • #24
    Min Jin Lee
    “There was consolation: The people you loved, they were always there with you, she had learned. Sometimes, she could be in front of a train kiosk or the window of a bookstore, and she could feel Noa's small hand when he was a boy, and she would close her eyes and think of his sweet grassy smell and remember that he had always tried his best. At those moments, it was good to be alone to hold on to him.”
    Min Jin Lee, Pachinko

  • #25
    William Maxwell
    “What we, or at any rate what I, refer to confidently as memory--meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion--is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.”
    William Maxwell, So Long, See You Tomorrow

  • #26
    William Maxwell
    “It seemed like a mistake. And mistakes ought to be rectified, only this one couldn't be. Between the way things used to be and the way they were now was a void that couldn't be crossed. I had to find an explanation other than the real one, which was that we were no more immune to misfortune than anybody else, and the idea that kept recurring to me...was that I had inadvertently walked through a door that I shouldn't have gone through and couldn't get back to the place I hadn't meant to leave. Actually, it was other way round: I hadn't gone anywhere and nothing was changed, so far as the roof over our heads was concerned, it was just that she was in the cemetery.”
    William Maxwell, So Long, See You Tomorrow
    tags: grief

  • #27
    Madeline Miller
    “So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself.

    “You have always been the worst of my children,” he said. “Be sure to not dishonor me.”

    “I have a better idea. I will do as I please, and when you count your children, leave me out.”
    Madeline Miller, Circe

  • #28
    Madeline Miller
    “I thought: I cannot bear this world a moment longer. Then, child, make another.”
    Madeline Miller, Circe

  • #29
    Madeline Miller
    “I would say, some people are like constellations that only touch the earth for a season.”
    Madeline Miller, Circe

  • #30
    Madeline Miller
    “It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness. If I had ever believed it, I no longer did.”
    Madeline Miller, Circe



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