Michelle > Michelle's Quotes

Showing 1-30 of 86
« previous 1 3
sort by

  • #1
    Maureen Daly
    “When I eat, everything tastes so good I can't get all the taste out of it; when I look at something-say, the lake-the waves are so green and the foam so white that it seems I can't look at it hard enough; there seems to be something there that I can't get at. And even when I'm with you, I can't seem to be with you...enough.”
    Maureen Daly, Seventeenth Summer

  • #2
    Richard Bach
    “Right at the beginning, before the pianist could get her wheels up and fly into that storm, she was hit with a con brio, which I figured meant she had to play either with brightness, with coldness, or with cheese.”
    Richard Bach, The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy

  • #3
    William Goldman
    “The Queen's Pride was his ship, and he loved her. (That was the way his sentences always went: It is raining today and I love you. My cold is better and I love you. Say hello to Horse and I love you. Like that.)”
    William Goldman, The Princess Bride

  • #4
    William Goldman
    “Life isn't fair, it's just fairer than death, that's all.”
    William Goldman, The Princess Bride

  • #5
    J.K. Rowling
    “Do you remember me telling you we are practicing non-verbal spells, Potter?"
    "Yes," said Harry stiffly.
    "Yes, sir."
    "There's no need to call me "sir" Professor."
    The words had escaped him before he knew what he was saying.”
    J.K. Rowling, Harry Potter and the Half-Blood Prince

  • #6
    Louis Sachar
    “If only, if only," the woodpecker sighs,
    "The bark on the tree was as soft as the skies."
    While the wolf waits below, hungry and lonely,
    Crying to the moo-oo-oon,
    "If only, If only.”
    Louis Sachar, Holes

  • #7
    Richard Bach
    “From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.”
    Richard Bach, The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy

  • #8
    Never trust anyone who has not brought a book with them.
    “Never trust anyone who has not brought a book with them.”
    Lemony Snicket, Horseradish: Bitter Truths You Can't Avoid

  • #9
    William Goldman
    “Since the invention of the kiss, there have only been five kisses that were rated the most passionate, the most pure. This one left them all behind.”
    William Goldman, The Princess Bride Screenplay

  • #10
    Bill Hicks
    “Today a young man on acid realized that all matter is merely energy condensed to a slow vibration, that we are all one consciousness experiencing itself subjectively, there is no such thing as death, life is only a dream, and we are the imagination of ourselves. Heres Tom with the Weather.”
    Bill Hicks

  • #11
    Edna St. Vincent Millay
    “Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell.”
    Edna St. Vincent Millay

  • #12
    Jonathan Safran Foer
    “I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #13
    Augusten Burroughs
    “I'm lonely. And I'm lonely in some horribly deep way and for a flash of an instant, I can see just how lonely, and how deep this feeling runs. And it scares the shit out of me to be this lonely because it seems catastrophic.”
    Augusten Burroughs, Dry

  • #14
    George R.R. Martin
    “When the snows fall and the white winds blow, the lone wolf dies but the pack survives.”
    George R.R. Martin, A Game of Thrones

  • #15
    Simone de Beauvoir
    “I am awfully greedy; I want everything from life. I want to be a woman and to be a man, to have many friends and to have loneliness, to work much and write good books, to travel and enjoy myself, to be selfish and to be unselfish… You see, it is difficult to get all which I want. And then when I do not succeed I get mad with anger.”
    Simone de Beauvoir

  • #16
    Cassandra Clare
    “Will’s voice dropped. “Everyone makes mistakes, Jem.”
    “Yes,” said Jem. “You just make more of them than most people.”
    “I —”
    “You hurt everyone,” said Jem. “Everyone whose life you touch.”
    “Not you,” Will whispered. “I hurt everyone but you. I never meant to
    hurt you.”
    Jem put his hands up, pressing his palms against his eyes. “Will —”
    “You can’t never forgive me,” Will said in disbelief, hearing the
    panic tinging his own voice. “I’d be —”
    “Alone?” Jem lowered his hand, but he was smiling now, crookedly. “And
    whose fault is that?”
    Cassandra Clare, Clockwork Prince

  • #17
    W.S. Merwin
    “Separation

    Your absence has gone through me
    Like thread through a needle.
    Everything I do is stitched with its color.”
    W.S. Merwin

  • #18
    Haruki Murakami
    “I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.”
    Haruki Murakami, 1Q84

  • #19
    Clementine von Radics
    “I wonder if you know yet that you’ll leave me. That you are a child playing with matches and I have a paper body. You will meet a girl with a softer voice and stronger arms and she will not have violent secrets or an affection for red wine or eyes that never stay dry. You will fall into her bed and I’ll go back to spending Friday nights with boys who never learn my last name. ”
    Clementine von Radics

  • #20
    Criss Jami
    “If you build the guts to do something, anything, then you better save enough to face the consequences.”
    Criss Jami, Killosophy

  • #21
    Leigh Bardugo
    “How do you get your information, Mister Brekker?"
    "You might say I'm a lockpick."
    "You must be a very gifted one."
    "I am indeed." Kaz leaned back slightly. "You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute's way, but I prefer a gentler approach - the right pressure applied at the right moment, in the right place. It's a delicate thing."
    "Do you always speak in metaphors, Mister Brekker?"
    Kaz smiled. "It's not a metaphor."
    He was out of his chair before his chains hit the ground.”
    Leigh Bardugo, Six of Crows

  • #22
    Leigh Bardugo
    “Where do you think the money went?” he repeated.
    “Guns?” asked Jesper.
    “Ships?” queried Inej.
    “Bombs?” suggested Wylan.
    “Political bribes?” offered Nina. They all looked at Matthias. “This is where you tell us how awful we are,” she whispered.
    He shrugged. “They all seem like practical choices.”
    Leigh Bardugo, Crooked Kingdom

  • #23
    Leigh Bardugo
    “Jesper: “If Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
    Kaz: “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
    Matthias: “My ghost won’t associate with your ghost.”
    Leigh Bardugo, Six of Crows

  • #24
    Jodi Picoult
    “[I] don't think I was trying to kill myself. I just wanted to hurt, and understand exactly whay I was hurting. This made sense: you cut, you felt pain, period.”
    Jodi Picoult, Handle with Care

  • #25
    Andrea Gibson
    “The nutritionist said I should eat root vegetables.
    Said if I could get down thirteen turnips a day
    I would be grounded, rooted.
    Said my head would not keep flying away
    to where the darkness lives.

    The psychic told me my heart carries too much weight.
    Said for twenty dollars she’d tell me what to do.
    I handed her the twenty. She said, “Stop worrying, darling.
    You will find a good man soon.”

    The first psycho therapist told me to spend
    three hours each day sitting in a dark closet
    with my eyes closed and ears plugged.
    I tried it once but couldn’t stop thinking
    about how gay it was to be sitting in the closet.

    The yogi told me to stretch everything but the truth.
    Said to focus on the out breath. Said everyone finds happiness
    when they care more about what they give
    than what they get.

    The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.”

    The doctor said an anti-psychotic might help me
    forget what the trauma said.

    The trauma said, “Don’t write these poems.
    Nobody wants to hear you cry
    about the grief inside your bones.”

    But my bones said, “Tyler Clementi jumped
    from the George Washington Bridge
    into the Hudson River convinced
    he was entirely alone.”

    My bones said, “Write the poems.”
    Andrea Gibson, The Madness Vase

  • #26
    Caitlyn Siehl
    “Start by pulling him out of the fire and
    hoping that he will forget the smell.
    He was supposed to be an angel but they took him
    from that light and turned him into something hungry,
    something that forgets what his hands are for when they
    aren’t shaking.
    He will lose so much, and you will watch it all happen
    because you had him first, and you would let the world
    break its own neck if it means keeping him.
    Start by wiping the blood off of his chin and
    pretending to understand.
    Repeat to yourself
    “I won’t leave you, I won’t leave you”
    until you fall asleep and dream of the place
    where nothing is red.
    When is a monster not a monster?
    Oh, when you love it.
    Oh, when you used to sing it to sleep.
    Here are your upturned hands.
    Give them to him and watch how he prays
    like he is learning his first words.
    Start by pulling him out of another fire,
    and putting him back together with the pieces
    you find on the floor.
    There is so much to forgive, but you do not
    know how to forget.
    When is a monster not a monster?
    Oh, when you are the reason it has become so mangled.
    Here is your humble offering,
    obliterated and broken in the mouth
    of this abandoned church.
    He has come back to stop the world
    from turning itself inside out, and you love him, you do,
    so you won’t let him.
    Tell him that you will never know any better.”
    Caitlyn Siehl

  • #27
    Lord Byron
    “Now hatred is by far the longest pleasure;
    Men love in haste, but they detest at leisure.”
    George Gordon Byron

  • #28
    Hermann Hesse
    “For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

    Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

    A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

    A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

    When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

    A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

    So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
    Herman Hesse, Bäume: Betrachtungen und Gedichte

  • #29
    Beryl Markham
    “I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.”
    Beryl Markham, West with the Night

  • #30
    Richard Bach
    “Интересно, как себя чувствует тот, – сказала она, – кто покончил с собой, а потом понял, что его родная душа все еще живет на земле и ждет его?”
    Richard Bach, The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy



Rss
« previous 1 3