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  • #1
    Taylor Jenkins Reid
    “I have been married seven times, and never once has it felt half as right as this. I think that loving you has been the truest thing about me”
    Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo

  • #2
    “I don’t like knowing people in the context of things. "Oh, that’s the person I work out with. That’s the person I’m in a book club with. That’s the person I did that show with." Because once the context ends, so does the friendship”
    Jennette McCurdy, I'm Glad My Mom Died

  • #3
    “Why do we romanticize the dead? Why can't we be honest about them? Especially moms. They're the most romanticized of anyone.

    Moms are saints, angels by merely existing. NO ONE could possibly understand what it's like to be a mom. Men will never understand. Women with no children will never understand. No one buts moms know the hardship of motherhood, and we non-moms must heap nothing but praise upon moms because we lowly, pitiful non-moms are mere peasants compared to the goddesses we call mothers.”
    Jennette McCurdy, I'm Glad My Mom Died

  • #4
    Kate Elizabeth Russell
    “I can’t lose the thing I’ve held onto for so long, you know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story, you know? I really, really need it to be that.”
    “I know,” she says.
    “Because if it isn’t a love story, then what is it”? I look to her glassy eyes, her face of wide open empathy. “It’s my life,” I say. “This has been my whole life.”
    Kate Elizabeth Russell, My Dark Vanessa

  • #5
    S.A. Chakraborty
    “For while the pious claim money doesn’t buy happiness, I can attest from personal experience that poverty buys nothing.”
    S.A. Chakraborty, The Adventures of Amina Al-Sirafi

  • #6
    “Both my grandfather and father had impressed upon me from an early age that we shared the sea with countless other peoples; if God had not meant for such diversity, he would have made us all alike.”
    Shannon Chakraborty, The Adventures of Amina al-Sirafi

  • #7
    Coco Mellors
    “I think you're the opposite of insufferable, I suffer you gladly.”
    Coco Mellors, Blue Sisters

  • #8
    Coco Mellors
    “But what they don’t know is this: As long as you are alive, it is never too late to be found.”
    Coco Mellors, Blue Sisters

  • #9
    Coco Mellors
    “It was easy to love someone in the beginnings and endings; it was all the time in between that was so hard.”
    Coco Mellors, Blue Sisters

  • #10
    Coco Mellors
    “believe in nothing but a woman’s capacity to survive disappointment”
    Coco Mellors, Blue Sisters

  • #11
    Coco Mellors
    “You are not that important.”
    Coco Mellors, Blue Sisters

  • #12
    Coco Mellors
    “They say you don’t know your principles until they become inconvenient to you,”
    Coco Mellors, Blue Sisters

  • #13
    Coco Mellors
    “Could you fall out of love with life if you were never in love with it?”
    Coco Mellors, Blue Sisters

  • #14
    Hanya Yanagihara
    “And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #15
    Hanya Yanagihara
    “...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.”
    Hanya Yanagihara, A Little Life

  • #16
    Hanya Yanagihara
    “Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified.”
    Hanya Yanagihara, A Little Life

  • #17
    Hanya Yanagihara
    “What he knew, he knew from books, and books lied, they made things prettier.”
    Hanya Yanagihara, A Little Life

  • #18
    Hanya Yanagihara
    “Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?”
    And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
    “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
    “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way.
    “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
    “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again.
    “You were treated horribly. You came out on the other end. You were always you.”
    Hanya Yanagihara, A Little Life

  • #19
    Hanya Yanagihara
    “Who am I? Who am I?”
    “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.”

    "And who are you?"
    "I'm Willem Ragnarsson. And I will never let you go.”
    Hanya Yanagihara, A Little Life

  • #20
    Hanya Yanagihara
    “The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.

    But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.”
    Hanya Yanagihara, A Little Life

  • #21
    Hanya Yanagihara
    “None of them really wanted to listen to someone else’s story anyway; they only wanted to tell their own.”
    Hanya Yanagihara, A Little Life

  • #22
    Hanya Yanagihara
    “It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #23
    Hanya Yanagihara
    “Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops.”
    Hanya Yanagihara, A Little Life

  • #24
    Hanya Yanagihara
    “And he cries and cries, cries for everything he has been, for everything he might have been, for every old hurt, for every old happiness, cries for the shame and joy of finally getting to be a child, with all of a child's whims and wants and insecurities, for the privilege of behaving badly and being forgiven, for the luxury of tenderness, of fondness, of being served a meal and being made to eat it, for the ability, at last, at last, of believing a parent's reassurances, of believing that to someone he is special despite all his mistakes and hatefulness, because of all his mistakes and hatefulness.”
    Hanya Yanagihara, A Little Life

  • #25
    Hanya Yanagihara
    “You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.”
    Hanya Yanagihara, A Little Life

  • #26
    Hanya Yanagihara
    “It was precisely these scenes he missed the most from his own life with Willem, the forgettable, in-between moments in which nothing seemed to be happening but whose absence was singularly unfillable.”
    Hanya Yanagihara, A Little Life

  • #27
    Hanya Yanagihara
    “I know my life's meaningful because" - and here he stopped, and looked shy, and was silent for a moment before he continued - " because I'm a good friend. I love my friends, and I care about them, and I think I make them happy.”
    Hanya Yanagihara, A Little Life

  • #28
    Julie Berry
    “If music stops, and art ceases, and beauty fades, what have we then?”
    Julie Berry, Lovely War

  • #29
    Julie Berry
    “The most ordinary mortal bodies are housed by spectacular souls.”
    Julie Berry, Lovely War

  • #30
    Julie Berry
    “Let them start their dreadful wars, let destruction rain down, and let plague sweep through, but I will still be here, doing my work, holding humankind together with love like this.”
    Julie Berry, Lovely War



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