Kamelia > Kamelia's Quotes

“The past is always tense, the future perfect.”
― Zadie Smith

“Stop worrying about your identity and concern yourself with the people you care about, ideas that matter to you, beliefs you can stand by, tickets you can run on. Intelligent humans make those choices with their brain and hearts and they make them alone. The world does not deliver meaning to you. You have to make it meaningful...and decide what you want and need and must do. It’s a tough, unimaginably lonely and complicated way to be in the world. But that’s the deal: you have to live; you can’t live by slogans, dead ideas, clichés, or national flags. Finding an identity is easy. It’s the easy way out.”
― Zadie Smith, On Beauty

“Nowadays I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.”
― Zadie Smith, Changing My Mind: Occasional Essays

“Please. Do me this one, great favor, Jones. If ever you hear anyone, when you are back home...if ever you hear anyone speak of the East," and here his voice plummeted a register, and the tone was full and sad, "hold your judgment. If you are told 'they are all this' or 'they do this' or 'their opinions are these,' withhold your judgment until all the facts are upon you. Because that land they call 'India' goes by a thousand names and is populated by millions, and if you think you have found two men the same among that multitude, then you are mistaken. It is merely a trick of the moonlight.”
― Zadie Smith, White Teeth

“I find it impossible to experience either pride or shame over accidents of genetics in which I had no active part. I'm not necessarily proud to be female. I am not even proud to be human—I only love to be so.”
― Zadie Smith

“When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin - well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That's how you get from your mother to your father, from talking to one set of folks who think you're not black enough to another who figure you insufficiently white.”
― Zadie Smith, Changing My Mind: Occasional Essays

“Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.”
― Czesław Miłosz, The Captive Mind

“For every man there are certain words that are as if closer and more intimate to him than any others. And often, unexpectedly, in some remote, forsaken backwater, some deserted desert, one meets a man whose warming conversation makes you forget the pathlessness of your paths, the homelessness of your nights, and the contemporary world full of people's stupidity, of deceptions for deceiving man. Forever and always an evening spent in this way will vividly remain with you, and all that was and that took place then will be retained by the faithful memory: who was there, and who stood where, and what he was holding--the walls, the corners, and every trifle.”
― Nikolai Gogol, Dead Souls

“And could a man sink to such triviality, such meanness, such nastiness? Could he change so much? And is it true to life? Yes, it is all true to life. All this can happen to a man. The ardent youth of today would start back in horror if you could show him his portrait in old age. As you pass from the soft years of youth into harsh, hardening manhood, be sure you take with you on the way all the humane emotions, do not leave them on the road: you will not pick them up again afterwards!”
― Nikolai Gogol, Dead Souls

“It's easy for the reader from his quiet vantage point high above the melee whence his eye sweeps over the whole horizon and he can see everything that is happening below--but a man down there can only see the subject nearest him. In the same way, in the world chronicle of mankind, there seem to be many centuries that could be crossed out and expunged as useless. There have been many errors committed in the world which we would not expect a child to commit today. What tortuous, blind, impassable, devious paths has mankind trodden in its search for eternal truth, while all the time, right before it, lay the straight road leading to the glittering edifice destined to be the palace of the ruler. This road is the clearest and the most beautiful of all, flooded by sunlight during the day and brightly illuminated at night, but the human throng flows past it in darkness. And how many times, even when inspired by God-given good sense, have men still managed to step back and turn away from it; succeeded again and again in losing themselves in back alleys in broad daylight; succeeded again and again in filling each others eyes with blinding smoke and trudging wearily after a mirage; again and again succeeded in coming to the very brink of the precipice, then asking each other, horrified, in which direction the road can be found. The present generation see all this clearly and is surprised at the erring and blundering of its ancestors, laughs at their folly. So it's not for nothing that mankind's chronicle is scarred out by heavenly flames, that each letter in it cries out, and that from every page a piercing finger is pointed at the present generation. But today's generation just laughs, sure of its strength and full of pride, and it starts off along a path of new errors over which its decedents in turn will pour their scorn.”
― Nikolai Gogol, Dead Souls

“I've always thought of myself as a realist. I can remember fighting with my professors about it in grad school. The world that I live in consists of 250 advertisements a day and any number of unbelievably entertaining options, most of which are subsidized by corporations that want to sell me things. The whole way that the world acts on my nerve endings is bound up with stuff that the guys with the leather patches on their elbows would consider pop or trivial or ephemeral. I use a fair amount of pop stuff in my fiction, but what I mean by it is nothing different than what other people mean in writing about trees and parks and having to walk to the river to get water 100 years ago. It's just the texture of the world I live in.”
― David Foster Wallace, David Foster Wallace: The Last Interview and Other Conversations

“I have it in my mind that classification is a necessary condition of the working of the mental implement but that it is a departure from the objective truth of things, that classification is very serviceable for the practical purposes of life but a very doubtful preliminary to those fine penetrations the philosophical purpose, in its more arrogant moods, demands. All the peculiarities of my way of thinking derive from that.

I submit to you that syllogism is based on classification, that all hard logical reasoning tends to imply and is apt to imply a confidence in the objective reality of classification. Consequently in denying that I deny the absolute validity of logic. Classification and number, which in truth ignore the fine differences of objective realities, have in the past of human thought been imposed upon things. [...] The forceps of our minds are clumsy forceps, and crush the truth a little in taking hold of it.

It was about this difficulty that the mind of Plato played a little inconclusively all his life. For the most part he tended to regard the idea as the something behind reality, whereas it seems to me that the idea is the more proximate and less perfect thing, the thing by which the mind, by ignoring individual differences, attempts to comprehend an otherwise unmanageable number of unique realities.”
― H. G. Wells

“Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.”
― H. P. Lovecraft, The Complete Fiction of H.P. Lovecraft

“And when the elderly man refused to listen and mumbled on, an odd image came to his mind of a lighthouse besieged by the flying bodies of lost birds, who were dashed senseless, by the gale, against the glass. He had a strange sensation that he was both lighthouse and bird; he was steadfast and brilliant; and at the same time he was whirled, with all other things, senseless against the glass.”
― Virginia Woolf, Night and Day

“But she could not reduce her vision to words, since it was no single shape coloured upon the dark, but rather a general excitement, an atmosphere, which, when she tried to visualize it, took form as a wind scouring the flanks of the northern hills and flashing light upon cornfields and pools.”
― Virginia Woolf, Night and Day

“Ever since the dawn of civilization, people have not been content to see events as unconnected and inexplicable. They have craved an understanding of the underlying order in the world. Today we still yearn to know why we are here and where we came from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in.”
― Stephen Hawking, A Brief History of Time

“As we shall see, the concept of time has no meaning before the beginning of the universe. This was first pointed out by St. Augustine. When asked: "What did God do before he created the universe?" Augustine didn't reply: "He was preparing Hell for people who asked such questions.”
― Stephen Hawking, A Brief History of Time

“There was a young lady of Wight Who travelled much faster than light. She departed one day, In a relative way, And arrived on the previous night. The point is that the theory of relativity says that there is no unique measure of time that all observers will agree on.”
― Stephen Hawking, A Brief History of Time

“when another German scientist, Werner Heisenberg, formulated his famous uncertainty principle. In order to predict the future position and velocity of a particle, one has to be able to measure its present position and velocity accurately. The obvious way to do this is to shine light on the particle. Some of the waves of light will be scattered by the particle and this will indicate its position. However, one will not be able to determine the position of the particle more accurately than the distance between the wave crests of light, so one needs to use light of a short wavelength in order to measure the position of the particle precisely. Now, by Planck’s quantum hypothesis, one cannot use an arbitrarily small amount of light; one has to use at least one quantum. This quantum will disturb the particle and change its velocity in a way that cannot be predicted. Moreover, the more accurately one measures the position, the shorter the wavelength of the light that one needs and hence the higher the energy of a single quantum. So the velocity of the particle will be disturbed by a larger amount. In other words, the more accurately you try to measure the position of the particle, the less accurately you can measure its speed, and vice versa.”
― Stephen Hawking, A Brief History of Time

“What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?”
― Gustave Flaubert, Madame Bovary

“Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be – tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.”
― Gustave Flaubert, Madame Bovary

“[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”
― Gustave Flaubert, Madame Bovary

“Podczas rozmowy kwalifikacyjnej zapytal mnie,czy mowie po japonsku. Wyjasnilam, ze pochodze z Gardeny, na co odparl: "Och, jestes nisei," jakby to slowo oznaczalo, ze cos wie na moj temat. "Zapomniala pani o swoich korzeniach, chociaz nalezy pani dopiero do pierwszego pokolenia urodzonego na amerykanskiej ziemi. Pani rodzice, issei, pielegnowali dziedzictwo swojej kultury. Nie chce pani uczyc sie japonskiego? Nie chce pani odwiedzic kraju przodkow?" Dlugo meczyly mnie wyrzuty sumienia i zastanawialam sie, dlaczego jeszcze nie mowie po japonsku i dlaczego wole leciec do Paryza, Stambulu czy Barcelony zamiast do Tokio. Ale potem pomyslalam, kogo to obchodzi? Pytal ktos Kennedy'ego, czy mowi po gaelicku i odwiedzil Dublin albo czy codziennie jada ziemniaki na kolacje i zbiera obrazy przedstawiajace iralandzkie skrzaty? Wiec dlaczego my mielibysmy pamietac o swoich korzeniach? Czy nie jest mi blizsza kultura tego kraju, w ktorym sie urodzilam?”
― Viet Thanh Nguyen, The Sympathizer

“Each and every one of us has been born into a given historical reality, ruled by particular norms and values, and managed by a unique economic and political system. We take this reality for granted, thinking it is natural, inevitable and immutable. We forget that our world was created by an accidental chain of events, and that history shaped not only our technology, politics and society, but also our thoughts, fears and dreams. The cold hand of the past emerges from the grave of our ancestors, grips us by the neck and directs our gaze towards a single future. We have felt that grip from the moment we were born, so we assume that it is a natural and inescapable part of who we are. Therefore we seldom try to shake ourselves free, and envision alternative futures.”
― Yuval Noah Harari, Homo Deus: A Brief History of Tomorrow

“I have no fear of God, and yet fear keeps me awake at night,fear of the devil. And if I believe in the devil, I must believe in God. And if evil is abhorrent to me, I must be a saint.

Henry, save me from beatification, from the horrors of static perfection. Precipitate me into the inferno.”
― Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

“Our talks are wonderful, interplays, not duels but swift illuminations of one another. I can make his tentative thoughts click. He enlarges mine. I fire him. He makes me flow. There is always movement between us. And he is grasping. He takes hold of me like a prey.”
― Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

“we would be together and have our books and at night be warm in bed together with the windows open and the stars bright.”
― Ernest Hemingway, A Moveable Feast

“They say the seeds of what we will do are in all of us, but it always seemed to me that in those who make jokes in life the seeds are covered with better soil and with a higher grade of manure.”
― Ernest Hemingway, A Moveable Feast

“To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you. You could take your treasure with you when you traveled too, and in the mountains where we lived in Switzerland and Italy, until we found Schruns in the high valley in the Vorarlberg in Austria, there were always the books, so that you lived in the new world you had found, the snow and the forests and the glaciers and their winter problems and your high shelter in the Hotel Taube in the village in the day time, and at night you could live in the other wonderful world the Russian writers were giving you.”
― Ernest Hemingway, A Moveable Feast

“This is what people call a view. And you knew that from below you wouldn't look nearly so high overhead. You see now how high overhead you are. You knew from down there no one could tell . . . There's been time this whole time. You can't kill time with your heart. Everything takes time. Bees have to move very fast to stay still.”
― David Foster Wallace, Brief Interviews with Hideous Men