Angefatal > Angefatal's Quotes

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  • #1
    Jean-Paul Sartre
    “I am alone in the midst of these happy, reasonable voices. All these creatures spend their time explaining, realizing happily that they agree with each other. In Heaven's name, why is it so important to think the same things all together. ”
    Jean-Paul Sartre, Nausea

  • #2
    Jean-Paul Sartre
    “I want to leave, to go somewhere where I should be really in my place, where I would fit in . . . but my place is nowhere; I am unwanted.”
    Jean-Paul Sartre, Nausea

  • #3
    Jean-Paul Sartre
    “My thought is me: that's why I can't stop. I exist because I think… and I can't stop myself from thinking. At this very moment - it's frightful - if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire.”
    Jean-Paul Sartre, Nausea

  • #4
    Jean-Paul Sartre
    “Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.”
    Jean-Paul Sartre, Nausea

  • #5
    Jean-Paul Sartre
    “I felt myself in a solitude so frightful that I contemplated suicide. What held me back was the idea that no one, absolutely no one, would be moved by my death, that I would be even more alone in death than in life.”
    Jean Paul Sartre, Nausea

  • #6
    Jean-Paul Sartre
    “Nothing happens while you live. The scenery changes, people come in and go out, that's all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition.”
    Jean-Paul Sartre, Nausea

  • #7
    Jean-Paul Sartre
    “People who live in society have learnt how to see themselves, in mirrors, as they appear to their friends. I have no friends: is that why my flesh is so naked?”
    Jean-Paul Sartre, Nausea

  • #8
    Jean-Paul Sartre
    “I jump up: it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: "I have to fi. . . I ex. . . Dead . . . M. de Roll is dead . . . I am not ... I ex. . ." It goes, it goes . . . and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I. The body lives by itself once it has begun. But though I am the one who continues it, unrolls it. I exist. How serpentine is this feeling of existing, I unwind it, slowly. ... If I could keep myself from thinking! I try, and succeed: my head seems to fill with smoke . . . and then it starts again: "Smoke . . . not to think . . . don't want to think ... I think I don't want to think. I mustn't think that I don't want to think. Because that's still a thought." Will there never be an end to it?
    My thought is me: that's why I can't stop. I exist because I think . . . and I can't stop myself from thinking. At this very moment, it's frightful, if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as many ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my head ... if I yield, they're going to come round in front of me, between my eyes, and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.”
    Jean Paul Satre, Nausea

  • #9
    Jean-Paul Sartre
    “Little flashes of sun on the surface of a cold, dark sea.”
    Jean-Paul Sartre, Nausea

  • #10
    Jean-Paul Sartre
    “But I must finally realize that I am subject to these sudden transformations. The thing is that I rarely think; a crowd of small metamorphoses accumulate in me without my noticing it, and then, one fine day, a veritable revolution takes place.”
    Jean-Paul Sartre, Nausea

  • #11
    Franz Kafka
    “Many a book is like a key to unknown chambers within the castle of one’s own self.”
    Franz Kafka

  • #12
    Franz Kafka
    “A book must be the axe for the frozen sea within us.”
    Franz Kafka

  • #13
    Franz Kafka
    “Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”
    Franz Kafka

  • #14
    Franz Kafka
    “I write differently from what I speak, I speak differently from what I think, I think differently from the way I ought to think, and so it all proceeds into deepest darkness.”
    Franz Kafka

  • #15
    Franz Kafka
    “I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”
    Franz Kafka

  • #16
    Franz Kafka
    “You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.”
    Franz Kafka

  • #17
    Franz Kafka
    “By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired.”
    Franz Kafka

  • #18
    Franz Kafka
    “I can’t think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there’s no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.”
    Franz Kafka, Franz Kafka's The Castle

  • #19
    Franz Kafka
    “Writing is utter solitude, the descent into the cold abyss of oneself.”
    Franz Kafka

  • #20
    Franz Kafka
    “Love is, that you are the knife which I plunge into myself.”
    Kafka, Franzv

  • #21
    Franz Kafka
    “I never wish to be easily defined. I’d rather float over other people’s minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person.”
    Franz Kafka

  • #22
    Franz Kafka
    “This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.”
    Kafka Franz, Diaries, 1910-1923

  • #23
    Franz Kafka
    “I miss you deeply, unfathomably, senselessly, terribly.”
    Franz Kafka, Letters to Milena

  • #24
    Franz Kafka
    “Most men are not wicked... They are sleep-walkers, not evil evildoers.”
    Franz Kafka

  • #25
    Franz Kafka
    “Kill me, or you are a murderer.”
    Franz Kafka

  • #26
    Franz Kafka
    “April 27. Incapable of living with people, of speaking. Complete immersion in myself, thinking of myself. Apathetic, witless, fearful. I have nothing to say to anyone - never.”
    Franz Kafka, Diaries, 1910-1923

  • #27
    Franz Kafka
    “People label themselves with all sorts of adjectives. I can only pronounce myself as 'nauseatingly miserable beyond repair'.”
    Franz Kafka, Diaries, 1910-1923

  • #28
    Franz Kafka
    “Was he an animal, that music could move him so? He felt as if the way to the unknown nourishment he longed for were coming to light.”
    Franz Kafka, Metamorphosis

  • #29
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #30
    Franz Kafka
    “Yours

    (now I'm even losing my name - it was getting shorter and shorter all the time and is now: Yours)”
    Franz Kafka, Letters to Milena



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