Alice > Alice's Quotes

“At first of course everybody had been quiet, fearful. The funeral procession snaked its way through the drab, slushy little city in dead silence. The only sound was the slap-slap-slap of thousands of sockless shoes on the silver-wet road that led to the Mazar-e-Shohadda. Young men carried seventeen coffins on their shoulders. Seventeen plus one, that is, for the re-murdered Usman Abdullah, who obviously could not be entered twice in the books. So, seventeen-plus-one tin coffins wove through the streets, winking back at the winter sun. To someone looking down at the city from the ring of high mountains that surrounded it, the procession would have looked like a column of brown ants carrying seventeen-plus-one sugar crystals to their anthill to feed their queen. Perhaps to a student of history and human conflict, in relative terms that's all the little procession amounted to: a column of ants making off with some crumbs that had fallen from the high table. As wars go, this was only a small one. Nobody paid much attention. So it went on and on. So it folded and unfolded over decades, gathering people into its unhinged embrace. Its cruelties became as natural as the changing seasons, each came with its own unique range of scent and blossom, its own cycle of loss and renewal, disruption and normalcy, uprisings and elections.

Of all the sugar crystals carried by the ants that winter morning, the smallest crystal of course went by the name of Miss Jebeen.”
― Arundhati Roy, The Ministry of Utmost Happiness

“It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs.”
― Thomas Hardy, Far From the Madding Crowd

“I always thought they were fabulous monsters!" said the Unicorn. "Is it alive?"
"It can talk," said Haigha, solemnly.
The Unicorn looked dreamily at Alice, and said, "Talk, child."
Alice could not help her lips curling up into a smile as she began: "Do you know, I always thought Unicorns were fabulous monsters, too! I never saw one alive before!"
"Well, now that we have seen each other," said the Unicorn, "if you'll believe in me, I'll believe in you. Is that a bargain?”
― Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

“When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing.”
― Virginia Woolf, The Waves

“Dear little Bog-Face,
Why are you so cold?
And why do you lie with your eyes shut?--
You are not very old.

I am a Child of this World
And a Child of Grace,
And Mother, I shall be glad when it is over,
I am Bog-Face.”
― Stevie Smith

“But human beings must suffer, and must make suffering for themselves, and beat themselves up into spiritual frenzies, and oh death and desolation, and oh night space and horror, and oh keep my dream from me. And how very splendid it is that we can do all this to ourselves and have such a splendid and really ingenious gift for inflicting suffering upon ourselves. For suffering and strain are the gauge of life, and who wishes to live like a vegetable?
But sometimes suffering measures life and ends it. And then it is not good at all. And between two people without knowing it a love may grow up, and a link may form, and no one knows or guesses.”
― Stevie Smith, Novel on Yellow Paper

“Really I don't like human nature unless all candied over with art”
― Virginia Woolf, The Diary of Virginia Woolf, Volume Four: 1931-1935

“The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain.”
― Virginia Woolf, A Writer's Diary

“I am I: and I must follow that furrow, not copy another. That is the only justification for my writing, living.”
― Virginia Woolf, A Writer's Diary

“What sort of diary should I like mine to be? Something loose-knit and yet not slovenly, so elastic that it will embrace anything, solemn, slight or beautiful, that comes into my mind. I should like it to resemble some deep old desk or capacious hold-all, in which one flings a mass of odds and ends without looking them through. I should like to come back, after a year or two, and find that the collection had sorted itself and refined itself and coalesced, as such deposits so mysteriously do, into a mould, transparent enough to reflect the light of our life, and yet steady, tranquil compounds with the aloofness of a work of art. The main requisite, I think, on reading my old volumes, is not to play the part of a censor, but to write as the mood comes or of anything whatever; since I was curious to find how I went for things put in haphazard, and found the significance to lie where I never saw it at the time.”
― Virginia Woolf

“I've always thought that love thrives on a certain kind of distance, that it requires an awed separateness to continue. Without that necessary remove, the physical minutiae of the other person grows ugly in its magnification.”
― Siri Hustvedt, What I Loved

“Do you remember when you told me I had beautiful knees? I never like my knees. In fact, I thought they were ugly. But your eyes have rehabilitated them. Whether I see you again or not, I'm going to live out my life with these two beautiful knees.”
― Siri Hustvedt, What I Loved

“I don't know why you are better and more beautiful than anybody else.”
― Siri Hustvedt, What I Loved

“Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.”
― bell hooks

“When we face pain in relationships our first response is often to sever bonds rather than to maintain commitment.
”
― bell hooks, All About Love: New Visions

“We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother’s birth canal and we howl. Then the world starts in on us.”
― Anthony Doerr, All the Light We Cannot See

“What mazes there are in this world. The branches of trees, the filigree of roots, the matrix of crystals, the streets her father recreated in his models... None more complicated than the human brain, Etienne would say, what may be the most complex object in existence; one wet kilogram within which spin universes.”
― Anthony Doerr, All the Light We Cannot See

“To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.”
― Anthony Doerr, All the Light We Cannot See

“Radio: it ties a million ears to a single mouth.”
― Anthony Doerr, All the Light We Cannot See

“I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.”
― Julie Delpy, Before Sunrise & Before Sunset: Two Screenplays

“I don't know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes- it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, 'Well, if I'd known better I'd have done better,' that's all. So you say to people who you think you may have injured, 'I'm sorry,' and then you say to yourself, 'I'm sorry.' If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self. I think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that's rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don't have that we never grow, we never learn, and sure as hell we should never teach.”
― Maya Angelou

“When I dare to be powerful, to use my strength in the service of my vision, then it becomes less and less important whether I am afraid.”
― Audre Lorde