Patrick > Patrick's Quotes

“The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form - all symbolizations, all divinities: a realization of the ineluctable void.”
― Joseph Campbell, The Hero With a Thousand Faces

“Perhaps some of us have to go through dark and devious ways before we can find the river of peace or the highroad to the soul's destination.”
― Joseph Campbell, The Hero With a Thousand Faces

“The usual hero adventure begins with someone from whom something has been taken, or who feels there is something lacking in the normal experience available or permitted to the members of society. The person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. It's usually a cycle, a coming and a returning.”
― Joseph Campbell, The Hero With a Thousand Faces

“As Freud has shown, blunders are not the merest chance. They are the result of suppressed desires and conflicts. They are ripples on the surface of life, produced by unsuspected springs. And these may be very deep - as deep as the soul itself. The blunder may amount to the opening of a destiny.”
― Joseph Campbell, The Hero With a Thousand Faces

“Full circle, from to tomb of the womb to the womb of the tomb, we come”
― Joseph Campbell, The Hero With a Thousand Faces

“A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: The hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”
― Joseph Campbell, The Hero With a Thousand Faces

“The hero of yesterday becomes the tyrant of tomorrow, unless he crucifies himself today.”
― Joseph Campbell, The Hero With a Thousand Faces

“The psychological dangers through which earlier generations were guided by the symbols and spiritual exercises of their mythological and religious inheritance, we today (in so far as we are unbelievers, or, if believers, in so far as our inherited beliefs fail to represent the real problems of contemporary life) must face alone, or, at best with only tentative, impromptu, and not often very effective guidance. This is our problem as modern, "enlightened" individuals, for whom all gods and devils have been rationalized out of existence.”
― Joseph Campbell, The Hero With a Thousand Faces

“Those who know, not only that the Everlasting lives in them, but that what they, and all things, really are is the Everlasting, dwell in the groves of the wish-fulfilling trees, drink the brew of immortality, and listen everywhere to the unheard music of eternal concord. These are the immortals.”
― Joseph Campbell, The Hero With a Thousand Faces

“And so every one of us shares the supreme ordeal —carries the cross of the redeemer— not in the bright moments of his tribe's great victories, but in the silences of his personal despair.”
― Joseph Campbell, The Hero With a Thousand Faces

“The problem of the hero is to pierce himself (and therewith his world) precisely through that point; to shatter and annihilate that key knot of his limited existence.”
― Joseph Campbell, The Hero With a Thousand Faces

“The problem of the theologian is to keep his symbol translucent, so that it may not block out the very light it is supposed to convey.”
― Joseph Campbell, The Hero With a Thousand Faces

“Atonement (at-one-ment) consists in no more than the abandonment of the self-generated double monster-the dragon thought to be God (superego) and the dragon thought to be Sin (repressed id). But this requires an abandonment of the attachment to ego itself, and that is what is difficult.”
― Joseph Campbell, The Hero With a Thousand Faces

“The hero whose attachment to ego is already annihilate passes back and forth across the horizons of the world, in and out of the dragon, as readily as a king through all the rooms of his house. And therein lies his power to save; for his passing and returning demonstrate that through all the contraries of phenomenality the Un-create- Imperishable remains, and there is nothing to fear (93).”
― Joseph Campbell, The Hero With a Thousand Faces

“Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; and where we had thought to be alone, we shall be with all the world.”
― Joseph Campbell, The Hero With a Thousand Faces

“The encounter and separation, for all its wildness, is typical of the sufferings of love. For when a heart insists on its destiny, resisting the general blandishment, then the agony is great; so too the danger. Forces, however, will have been set in motion beyond the reckoning of the senses. Sequences of events from the corners of the world will draw gradually together, and miracles of coincidence bring the inevitable to pass.”
― Joseph Campbell, The Hero With a Thousand Faces

“Willed introversion, in fact, is one of the classic implements of creative genius and can be employed as a deliberate device. It drives the psychic energies into depth and activates the lost continent of unconscious infantile and archetypal images. The result, of course, may be a disintegration of consciousness more or less complete (neurosis, psychosis: the plight of spellbound Daphne); but on the other hand, if the personality is able to absorb and integrate the new forces, there will be experienced an almost superhuman degree of self-consciousness and masterful control. This is a basic principle of the Indian disciplines of yoga. It has been the way, also, of many creative spirits in the West.25 It cannot be described, quite, as an answer to any specific call. Rather, it is a deliberate, terrific refusal to respond to anything but the deepest, highest, richest answer to the as yet unknown demand of some waiting void within: a kind of total strike, or rejection of the offered terms of life, as a result of which some power of transformation carries the problem to a plane of new magnitudes, where it is suddenly and finally resolved.”
― Joseph Campbell, The Hero With a Thousand Faces

“There must always remain, however, from the standpoint of normal waking consciousness, a certain baffling inconsistency between the wisdom brought forth from the deep, and the prudence usually found to be effective in the light world. Hence the common divorce of opportunism from virtue and the resultant degeneration of human existence. Martyrdom is for saints, but the common people have their institutions, and these cannot be left to grow like lilies of the field; Peter keeps drawing his sword, as in the garden, to defend the creator and sustainer of the world. The boon brought from the transcendent deep becomes quickly rationalized into nonentity, and the need becomes great for another hero to refresh the word. How teach again, however, what has been taught correctly and incorrectly learned a thousand thousand times, throughout the millenniums of mankind’s prudent folly? That is the hero’s ultimate difficult task. How render back into light-world language the speech-defying pronouncements of the dark? How represent on a two-dimensional surface a three-dimensional form, or in a three-dimensional image a multi-dimensional meaning? How translate into terms of “yes” and “no” revelations that shatter into meaninglessness every attempt to define the pairs of opposites? How communicate to people who insist on the exclusive evidence of their senses the message of the all-generating void?”
― Joseph Campbell, The Hero With a Thousand Faces

“The function of ritual and myth is to make possible, and then to facilitate, the jump—by analogy. Forms and conceptions that the mind and its senses can comprehend are presented and arranged in such a way as to suggest a truth or openness beyond. And then, the conditions for meditation having been provided, the individual is left alone. Myth is but the penultimate; the ultimate is openness—that void, or being, beyond the categories —into which the mind must plunge alone and be dissolved. Therefore, God and the gods are only convenient means—themselves of the nature of the world of names and forms, though eloquent of, and ultimately conducive to, the ineffable. They are mere symbols to move and awaken the mind, and to call it past themselves.”
― Joseph Campbell, The Hero With a Thousand Faces

“The song of Lúthien before Mandos was the song most fair that ever in words was woven, and the song most sorrowful that ever the world shall hear. Unchanged, imperishable, it is sung still in Valinor beyond the hearing of the world, and listening the Valar are grieved. For Lúthien wove two themes of words, of the sorrow of the Eldar and the grief of Men, of the Two Kindreds that were made by Ilúvatar to dwell in Arda, the Kingdom of Earth amid the innumerable stars. And as she knelt before him her tears fell upon his feet like rain upon stones; and Mandos was moved to pity, who never before was so moved, nor has been since.”
― J.R.R. Tolkien, The Silmarillion

“As the light upon the leaves of trees, as the voice of clear waters, as the stars above the mists of the world, such was her glory and her loveliness; and in her face was a shining light.”
― J.R.R. Tolkien, The Silmarillion

“Love children especially, for they too are sinless like the angels; they live to soften and purify our hearts and, as it were, to guide us.”
― Fyodor Dostoevsky, The Brothers Karamazov

“You sensed that you should be following a different path, a more ambitious one, you felt that you were destined for other things but you had no idea how to achieve them and in your misery you began to hate everything around you.”
― Fyodor Dostoyevsky, Netochka Nezvanova

“And so I ask myself: 'Where are your dreams?' And I shake my head and mutter: 'How the years go by!' And I ask myself again: 'What have you done with those years? Where have you buried your best moments? Have you really lived? Look,' I say to myself, 'how cold it is becoming all over the world!' And more years will pass and behind them will creep grim isolation. Tottering senility will come hobbling, leaning on a crutch, and behind these will come unrelieved boredom and despair. The world of fancies will fade, dreams will wilt and die and fall like autumn leaves from the trees. . . .”
― Fyodor Dostoevsky, White Nights

“Do you know I've been sitting here thinking to myself: that if I didn't believe in life, if I lost faith in the woman I love, lost faith in the order of things, were convinced in fact that everything is a disorderly, damnable, and perhaps devil-ridden chaos, if I were struck by every horror of man's disillusionment -- still I should want to live. Having once tasted of the cup, I would not turn away from it till I had drained it! At thirty though, I shall be sure to leave the cup even if I've not emptied it, and turn away -- where I don't know. But till I am thirty I know that my youth will triumph over everything -- every disillusionment, every disgust with life. I've asked myself many times whether there is in the world any despair that could overcome this frantic thirst for life. And I've come to the conclusion that there isn't, that is until I am thirty.”
― Fyodor Dostoyevsky, The Brothers Karamazov

“To love someone means to see them as God intended them.”
― Fyodor Dostoyevsky

“Much unhappiness has come into the world because of bewilderment and things left unsaid.”
― Fyodor Dostoevsky

“Nothing in this world is harder than speaking the truth, nothing easier than flattery.”
― Fyodor Dostoevsky

“The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man.”
― Fyodor Dostoevsky, The Brothers Karamazov

“Pain and suffering are always inevitable for a large intelligence and a deep heart.”
― Fyodor Dostoyevsky, Crime and Punishment