Kati > Kati's Quotes

Showing 1-30 of 338
« previous 1 3 4 5 6 7 8 9 10 11 12
sort by

  • #1
    Rick Riordan
    “So you can't live in Manhattan?' she asked.
    Amos's brow furrowed as he looked across at the Empire State Building. 'Manhattan has other problems. Other gods. It's best we stay separate.”
    Rick Riordan

  • #2
    Rick Riordan
    “I looked across the river to Manhattan. It was a great view. When Sadie and I had first arrived at Brooklyn House, Amos had told us that magicians tried to stay out of Manhattan. He said Manhattan had other problems--whatever that meant. And sometimes when I looked across the water, I could swear I was seeing things. Sadie laughed about it, but once I thought I saw a flying horse. Probably just the mansion's magic barriers causing optical illusions, but still, it was weird.”
    Rick Riordan, The Throne of Fire

  • #3
    Rick Riordan
    “Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.

    Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"

    Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.

    "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"

    All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.

    "You dropped this," he said, totally poker-faced.”
    rick riordan, The Mark of Athena

  • #4
    “The best fiction is often how we interpret our own lives and what we see as our common due. It is created usually as a means of avoiding reality which, if seriously considered, might negate our ability to strive for what might seem impossible.”
    Anne Edwards, Ever After: Diana and the Life She Led

  • #5
    E.M. Forster
    “Was Mrs. Wilcox one of the unsatisfactory people- there are many of them- who dangle intimacy and then withdraw it? They evoke our interests and affections, and keep the life of the spirit dawdling around them. Then they withdraw. When physical passion is involved, there is a definite name for such behaviour- flirting- and if carried far enough, it is punishable by law. But no law- not public opinion, even- punishes those who coquette with friendship, though the dull ache that they inflict, the sense of misdirected effort and exhaustion, may be as intolerable. Was she one of these?”
    E.M. Forster, Howards End

  • #6
    E.M. Forster
    “Culture had worked in her own case, but during the last few weeks she had doubted whether it humanized the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it.”
    E.M. Forster, Howards End

  • #7
    E.M. Forster
    “A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.”
    E.M. Forster, Howards End

  • #8
    E.M. Forster
    “Pity, if one can generalize, is at the bottom of woman. When men like us, it is for our better qualities, and however tender their liking, we dare not be unworthy of it, or they will quietly let us go. But unworthiness stimulates woman. It brings out her deeper nature, for good or for evil.”
    E.M. Forster, Howards End
    tags: women

  • #9
    E.M. Forster
    “Oh, hang it all! what's the good—I mean, the good of living in a room for ever? There one goes on day after day, same old game, same up and down to town, until you forget there is any other game. You ought to see once in a way what's going on outside, if it's only nothing particular after all.”
    E.M. Forster, Howards End

  • #10
    E.M. Forster
    “Not even to herself dare she blame Helen. She could not assess her trespass by any moral code; it was everything or nothing. Morality can tell us that murder is worse than stealing, and group most sins in an order all must approve, but it cannot group Helen. The surer its pronouncements on this point, the surer may we be that morality is not speaking. Christ was evasive when they questioned Him. It is those that cannot connect who hasten to cast the first stone.”
    E.M. Forster

  • #11
    E.M. Forster
    “Because a thing is going strong now, it need not go strong for ever,' she said. 'This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won't be a movement, because it will rest on the earth. All the signs are against it now, but I can't help hoping.”
    E.M. Forster, Howards End

  • #12
    Jane Yolen
    “What makes a good book?

    Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.”
    Jane Yolen

  • #13
    Cynthia Rylant
    “And I love being a writer because I want to leave something here on earth to make it better, prettier, stronger. I want to do something important in my life, and I think that adding beauty to the world with books like The Relatives Came or Waiting to Waltz or Henry and Mudge and the Forever Sea really is important. Every person is able to add beauty, whether by growing flowers, or singing, or cooking luscious meals, or raising sweet pets. Every part of life can be art. I am so grateful to be a writer. I hope every child grows up and finds something to do that will seem important and that will seem precious. Happy living and, especially, happy playing.”
    Cynthia Rylant

  • #14
    Rick Riordan
    “Which meant his only assets were one whiny imprisoned goddess, one sort-of-girlfriend with a dagger, and Leo, who apparently thought he could defeat the armies of darkness with breath mints.”
    Rick Riordan, The Lost Hero

  • #15
    J.R.R. Tolkien
    “And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.”
    J.R.R. Tolkien, The Silmarillion

  • #16
    Oscar Wilde
    “There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet.”
    Oscar Wilde, The Picture of Dorian Gray

  • #17
    Henry James
    “She had always been fond of history, and here [in Rome] was history in the stones of the street and the atoms of the sunshine.”
    Henry James The Portrait of A Lady

  • #18
    Henry James
    “If he was not personally loud, however, he was deep, and during these closing days of the Roman May he knew a complacency that matched with slow irregular walks under the pines of the Villa Borghese, among the small sweet meadow-flowers and the mossy marbles.”
    Henry James, The Portrait of a Lady

  • #19
    R.L. LaFevers
    “His divine spark lives within me, a presence that will never leave. And I am but one of many tools He has at His disposal. If I cannot act - if I refuse to act - that is a choice I am allowed to make. He has given me life, and all I must do to serve Him is to live. Fully and with my whole heart. With this knowledge comes a true understanding of all the gifts He has given me.”
    Robin LaFevers, Grave Mercy

  • #20
    Cassandra Clare
    “Fresh is better. But you've never drunk fresh blood. Have you?"
    Simon raised his eyebrow in response.
    "Well, aside from mine of course," Jace said. "And I'm pretty sure my blood is fan-tastic.”
    Cassandra Clare, City of Glass

  • #21
    Rick Riordan
    “Son of Poseidon? East asked. I nodded. Took a dip in the Styx? Hudson asked. Yep. They made digusted sounds. Well that's perfect East said. Now how do we kille him?”
    Rick Riordan, The Last Olympian

  • #22
    Edith Wharton
    “She sang, of course, "M'ama!" and not "he loves me," since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”
    Edith Wharton, The Age of Innocence

  • #23
    Suzanne Collins
    “No. Now, shut up and eat your pears.”
    Suzanne Collins, The Hunger Games

  • #24
    Veronica Roth
    “I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.”
    Veronica Roth, Allegiant

  • #25
    Oscar Wilde
    “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
    Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

  • #26
    Jennifer Donnelly
    “The rain comes down harder, darkness falls. We don't care. Together in our house, in the firelight, we are the world made small.”
    Jennifer Donnelly, Revolution

  • #27
    Rick Riordan
    “What the Romans would have done left to their own devices, Nico didn't know.

    But he hadn't counted on the Greeks.”
    Rick Riordan, The Blood of Olympus

  • #28
    John Green
    “Hazel Grace, do you have four dollars?" asked Gus.
    "Um," I said. "Yes?"
    "Excellent. You'll find my leg under the coffee table.”
    John Green, The Fault in Our Stars

  • #29
    Mark Helprin
    “The abandoned stars were hers for the many rich hours of sparkling winter nights, and, unattended, she took them in like lovers.”
    Mark Helprin, Winter's Tale

  • #30
    Diane Setterfield
    “There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.”
    Diane Setterfield, The Thirteenth Tale



Rss
« previous 1 3 4 5 6 7 8 9 10 11 12