Jean Bowen > Jean's Quotes

“I think I can understand that feeling about a housewife’s work being like that of Sisyphus (who was the stone rolling gentleman). But it is surely in reality the most important work in the world. What do ships, railways, miners, cars, government etc exist for except that people may be fed, warmed, and safe in their own homes? As Dr. Johnson said, “To be happy at home is the end of all human endeavour”. (1st to be happy to prepare for being happy in our own real home hereafter: 2nd in the meantime to be happy in our houses.) We wage war in order to have peace, we work in order to have leisure, we produce food in order to eat it. So your job is the one for which all others exist…”
― C.S. Lewis, Letters of C. S. Lewis

“If you have the soul of a gardener, not for anything would you work with gloves on.”
― Ruth Stout

“The more government takes in taxes, the less incentive people have to work. What coal miner or assembly-line worker jumps at the offer of overtime when he knows Uncle Sam is going to take sixty percent or more of his extra pay? . . . Any system that penalizes success and accomplishment is wrong. Any system that discourages work, discourages productivity, discourages economic progress, is wrong. If, on the other hand, you reduce tax rates and allow people to spend or save more of what they earn, they’ll be more industrious; they’ll have more incentive to work hard, and money they earn will add fuel to the great economic machine that energizes our national progress. The result: more prosperity for all—and more revenue for government.4”
― Donald Trump, Time to Get Tough: Make America Great Again!

“Now the wicked fairies will not be bound by the laws which the good fairies obey, and this always seems to give the bad advantage over the good, for they use means to gain their ends which others will not. But it is all of no consequence, for what they do never succeeds; Nay, in the end it brings about the very thing they are trying to prevent. So you see for all their cleverness, wicked fairies are dreadfully stupid, for, although from the beginning of the world they have really helped instead of thwarting the good fairies, not one of them is a bit wiser for it.”
― George MacDonald , At the Back of the North Wind

“Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn’t write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, a total experience of human nature at any time.

For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. The Christian novelist is distinguished from his pagan colleagues by recognizing sin as sin. According to his heritage, he sees it not as a sickness or an accident of the environment, but as a responsible choice of offense against God which involves his eternal future. Either one is serious about salvation or one is not. And it is well to realize that the maximum amount of seriousness admits the maximum amount of comedy.

Only if we are secure in our beliefs can we see the comical side of the universe. One reason a great deal of our contemporary fictions is humorless is because so many of these writers are relativists and have to be continually justifying the actions of their characters on a sliding scale of values.”
― Flannery O'Connor, Mystery and Manners: Occasional Prose

“Stand back. Forget what you read on the Internet. Attend to the tree before you. Observe the growth pattern of the tree. In Pruning, as in any good design, negative space plays an important role. Well-Pruned trees have an airy quality. Yuki Nara of the website Way of Maple says that a bird can fly through a well pruned Japanese maple- good standard for a fruit tree, too.”
― Ann Ralph, Grow a Little Fruit Tree: Simple Pruning Techniques for Small-Space, Easy-Harvest Fruit Trees

“What is originality in art? Perhaps it is easier to define what it is not and this may be done by saying that it is never a willful rejection of what has been accepted as the necessary laws of various forms of art. Thus in reasoning originality relies not in discarding the necessary laws of thought, but in using them to express new intellectual conceptions. In poetry originality consists not in discarding the necessary laws of rhythm but in finding new rhythms within the limits of those laws.”
― Edith Wharton, The Decoration Of Houses

“If you cannot walk more than a block in your shoes, they are not shoes; they are pretty sculptures that you happen to have attached to your feet. You could hang them from your wrists for all the good they are doing you in terms of locomotion. Better to put them on a shelf and admire them from afar.”
― Linda Przybyszewski, The Lost Art of Dress: The Women Who Once Made America Stylish

“To look to the past for culture and inspiration.

[When asked what message she would like to send to all children?]”
― Pauline Baynes

“Political correctness is communist propaganda writ small. In my study of communist societies, I came to the conclusion that the purpose of communist propaganda was not to persuade or convince, not to inform, but to humiliate; and therefore, the less it corresponded to reality the better. When people are forced to remain silent when they are being told the most obvious lies, or even worse when they are forced to repeat the lies themselves, they lose once and for all their sense of probity. To assent to obvious lies is in some small way to become evil oneself. One's standing to resist anything is thus eroded, and even destroyed. A society of emasculated liars is easy to control. I think if you examine political correctness, it has the same effect and is intended to.”
― Theodore Dalrymple

“Be steady and well-ordered in your life so that you can be fierce and original in your work.”
― Gustave Flaubert

“God know that a mother need fortitude and courage and tolerance and flexibility and patience and firmness and nearly every other brave aspect of the human soul.”
― Phyllis McGinley

“This is a worrying recipe. Young bears (cubs will need about two and a half hours of cooking) might well still be attended by their mothers, who are notoriously irritable when anything threatens their offspring. Choose, rather, an old friendless bear and double the cooking time.”
― Alice Thomas Ellis, Fish, Flesh And Good Red Herring

“I read quickly, flitting and sipping, skipping the boring bits and seizing on the oddities and inconsistencies which are often ignored by the scholars since they interfere with the measured and coherent approach to the matter at hand.”
― Alice Thomas Ellis, Fish, Flesh And Good Red Herring

“It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable. To perceive it at all is to be haunted by it; some sound, some tone, becomes a torment- the poem embodying that sound seems to exist somewhere already finished. It's like a lighthouse, except that, as one swims toward it, it backs away.
That's my sense of the poem's beginning. What follows is a period of more concentrated work, so called because as long as one is working the thing itself is wrong or unfinished: a failure. Still, this engagement is absorbing as nothing else I have ever in my life known. And then the poem is finished, and at the moment, instantly detached: it becomes what it was first perceived to be, a thing always in existence. No record exists of the poet's agency. And the poet, from that point, isn't a poet anymore, simple someone who wishes to be one.”
― Louise Glück, Proofs & Theories: Essays on Poetry

“In my generation, most of the poets I admire are interested in length they want to write long lines, long stanzas, long poems, poems which cover an extended sequence of events. To all this I feel an instant objection, whose sources I'm not confident I know.”
― Louise Glück, Proofs & Theories: Essays on Poetry

“I'm attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. It is analogous to the unseen; for example, to the power of ruins, to works of art either damaged or incomplete. Such works inevitably allude to larger contexts they haunt because they are not whole, though wholeness is implied. . .”
― Louise Glück, Proofs & Theories: Essays on Poetry

“It seems to me what that what is wanted, in art, is to harness the power of the unfinished. All earthly experience is partial. Not simply because it is subjective, but because that which we do not know, of the universe, of mortality, is so much more vast than that which we do know. What is unfinished or has been destroyed participates in these mysterious. The problem is to make a whole that does not foreit this power.”
― Louise Glück, Proofs & Theories: Essays on Poetry

“Wifehood, the house, a family they are woman's traditional concern and each in its way represents one of the other great three- faith, hope, charity - which St. Paul sets down as the virtues of earth. (For how can one rear a family without faith? Or build a roof without hope? Or remain a proper wife without charity?) They are life's most vital elements and no ordered world can endure without them.”
― Phyllis McGinley, Sixpence in Her Shoe

“What can one do with beauty after the eye of the camera has clicked?”
― Isobel English, Every Eye

“In an age in which the media broadcast countless pieces of foolishness, the educated man is defined not by what he knows, but by what he doesn't know.”
― Nicolas Gomez Davila

“When the children were very small I spent weeks alone with them high up in the Welsh hills and I used to lose the power of speech. I would return to London bereft of all vocabulary, communicating in grunts and diddums talk. You feel a fool asking, for instance, Professor Sir Alfred Ayer if he would care for an icky bitty more soup in his ickle bowl.”
― Alice Thomas Ellis, Home Life One

“Flow is something the reader experiences, not the writer.”
― Verlyn Klinkenborg

“People who prefer e-books...think that books merely take up space. This is true, but so do your children and Prague and the Sistine Chapel.”
― Joe Queenan, One for the Books