Durre > Durre's Quotes

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  • #1
    Arundhati Roy
    “Must we behave like some damn godforsaken tribe that's just been discovered?”
    Arundhati Roy, The God of Small Things

  • #2
    John Berger
    “The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. Consequently, the modern poor are not pitied...but written off as trash. The twentieth-century consumer economy has produced the first culture for which a beggar is a reminder of nothing.”
    John Berger, Keeping a Rendezvous: Essays

  • #3
    G. Willow Wilson
    “They will wake up one morning and realize their civilization has been pulled out from under them, inch by inch, dollar by dollar, just as ours was. They will know what it is to have been asleep for the most important century of their history.”
    G. Willow Wilson, Alif the Unseen

  • #4
    Joseph Campbell
    “We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is... joyful participation in the sorrows and everything changes.”
    Joseph Campbell, Sukhavati:Place of Bliss

  • #5
    Martin Luther King Jr.
    “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”
    Martin Luther King Jr., A Testament of Hope: The Essential Writings and Speeches

  • #6
    Mahatma Gandhi
    “An eye for an eye will only make the whole world blind.”
    Mahatma Gandhi

  • #7
    Michael Cunningham
    “You cannot find peace by avoiding life.”
    Michael Cunningham, The Hours

  • #8
    Bill Watterson
    “Dad, how do soldiers killing each other solve the world's problems?”
    Bill Watterson, Calvin and Hobbes: Sunday Pages, 1985-1995: An Exhibition Catalogue

  • #9
    Maya Angelou
    “When Great Trees Fall

    When great trees fall,
    rocks on distant hills shudder,
    lions hunker down
    in tall grasses,
    and even elephants
    lumber after safety.

    When great trees fall
    in forests,
    small things recoil into silence,
    their senses
    eroded beyond fear.

    When great souls die,
    the air around us becomes
    light, rare, sterile.
    We breathe, briefly.
    Our eyes, briefly,
    see with
    a hurtful clarity.
    Our memory, suddenly sharpened,
    examines,
    gnaws on kind words
    unsaid,
    promised walks
    never taken.

    Great souls die and
    our reality, bound to
    them, takes leave of us.
    Our souls,
    dependent upon their
    nurture,
    now shrink, wizened.
    Our minds, formed
    and informed by their
    radiance,
    fall away.
    We are not so much maddened
    as reduced to the unutterable ignorance
    of dark, cold
    caves.

    And when great souls die,
    after a period peace blooms,
    slowly and always
    irregularly. Spaces fill
    with a kind of
    soothing electric vibration.
    Our senses, restored, never
    to be the same, whisper to us.
    They existed. They existed.
    We can be. Be and be
    better. For they existed.”
    Maya Angelou

  • #10
    Dalai Lama XIV
    “World peace must develop from inner peace. Peace is not just mere absence of violence. Peace is, I think, the manifestation of human compassion.”
    Dalai Lama XIV

  • #11
    Kurt Vonnegut Jr.
    “Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #12
    Kurt Vonnegut Jr.
    “Everything was beautiful and nothing hurt.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #13
    Kurt Vonnegut Jr.
    “And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #14
    Kurt Vonnegut Jr.
    “America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.

    Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #15
    Kurt Vonnegut Jr.
    “Trout, incidentally, had written a book about a money tree. It had twenty-dollar bills for leaves. Its flowers were government bonds. Its fruit was diamonds. It attracted human beings who killed each other around the roots and made very good fertilizer.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #16
    Kurt Vonnegut Jr.
    “It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

    The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new.

    When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #17
    Kurt Vonnegut Jr.
    “There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.”
    Kurt Vonnegut, Slaughterhouse-five

  • #18
    Kurt Vonnegut Jr.
    “How nice -- to feel nothing, and still get full credit for being alive.”
    Kurt Vonnegut, Slaughterhouse-Five

  • #19
    Jim Morrison
    “That's what real love amounts to - letting a person be what he really is. Most people love you for who you pretend to be. To keep their love, you keep pretending - performing. You get to love your pretence. It's true, we're locked in an image, an act - and the sad thing is, people get so used to their image, they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it, they feel like you're trying to steal their most precious possession.”
    Jim Morrison

  • #20
    Jim Morrison
    “I think of myself as an intelligent, sensitive human being with the soul of a clown which always forces me to blow it at the most important moments.”
    Jim Morrison

  • #21
    Jim Morrison
    “There are things known
    and there are things unknown
    and in between are the doors.”
    Jim Morrison, Letters from Joe

  • #22
    Jim Morrison
    “Between childhood, boyhood, adolescence and manhood (maturity) there should be sharp lines drawn with tests, deaths, feats, rites, stories, songs, and judgments.”
    Jim Morrison

  • #23
    Jim Morrison
    “You live you die and death not ends it.”
    MORRISON, JIM (JAMES DOUGLAS)

  • #24
    Gabriel García Márquez
    “He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #25
    Gabriel García Márquez
    “There is always something left to love.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #26
    Clarissa Pinkola Estés
    “While much psychology emphasizes the familial causes of angst in humans, the cultural component carries as much weight, for culture is the family of the family. If the family of the family has various sicknesses, then all families within that culture will have to struggle with the same malaises. There is a saying cultura cura, culture cures. If the culture is a healer, the families learn how to heal; they will struggle less, be more reparative, far less wounding, far more graceful and loving. In a culture where the predator rules, all new life needing to be born, all old life needing to be gone, is unable to move and the soul-lives of its citizenry are frozen with both fear and spiritual famine.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #27
    Kurt Vonnegut Jr.
    “When everything was beautiful and nothing hurt...”
    Kurt Vonnegut, Slaughterhouse-Five

  • #28
    Fyodor Dostoevsky
    “The world says: "You have needs -- satisfy them. You have as much right as the rich and the mighty. Don't hesitate to satisfy your needs; indeed, expand your needs and demand more." This is the worldly doctrine of today. And they believe that this is freedom. The result for the rich is isolation and suicide, for the poor, envy and murder.”
    Fyodor Dostoyevsky, The Brothers Karamazov

  • #29
    Natalie Angier
    “Scientists have discovered that the small brave act of cooperating with another person, of choosing trust over cynicism, generosity over selfishness, makes the brain light up with quiet joy.”
    Natalie Angier

  • #30
    Ingmar Bergman
    “I'll tell you something banal.We're emotional illiterates.And not only you and I-practically everybody,that's the depressing thing.We're taught everything about the body and about agriculture in Madagascar and about the square root of pi, or whatever the hell it's called,but not a word about the soul.We're abysmally ignorant,about both ourselves and others.There's a lot of loose talk nowadays to the effect that children should be brought up to know all about brotherhood and understanding and coexistence and equality and everything else that's all the rage just now.But it doesn't dawn on anyone that we must first learn something about ourselves and our own feelings.Our own fear and loneliness and anger.We're left without a chance,ignorant and remorseful among the ruins of our ambitions.To make a child aware of it's soul is something almost indecent.You're regarded as a dirty old man.How can you understand other people if you don't know anything about yourself?Now you're yawning,so that's the end of the lecture.”
    Ingmar Bergman



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