Mimi > Mimi's Quotes

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  • #1
    Sylvia Plath
    “When they asked me what I wanted to be I said I didn’t know.
    "Oh, sure you know," the photographer said.
    "She wants," said Jay Cee wittily, "to be everything.”
    Sylvia Plath, The Bell Jar

  • #2
    Elif Batuman
    “I kept thinking about the uneven quality of time--the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. But then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back.”
    Elif Batuman, The Idiot
    tags: time

  • #3
    Dolly Alderton
    “Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.”
    Dolly Alderton, Everything I Know About Love

  • #4
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #5
    Elif Batuman
    “An amazing sight, someone you’re infatuated with trying to fish something out of a jeans pocket.”
    Elif Batuman, The Idiot

  • #6
    Sylvia Plath
    “There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.”
    Sylvia Plath, The Bell Jar

  • #7
    Elif Batuman
    “Near the beginning of “The Portrait of a Lady,” there was mention of an aunt who kept telling people that Isabel was writing a book. In fact, Henry James said, Isabel was not and never had been writing a book. She “had no desire to be an authoress,” “no talent for expression,” and “none of the consciousness of genius,” having only “a general idea that people were right when they treated her as if she were rather superior.” It was one of the few places where Henry James was mean about Isabel.

    Well, it made sense. If she could write a book, he would be out of a job. That’s why Madame Bovary had to be too dumb and banal to write “Madame Bovary.” But I wasn’t dumb or banal, and I lived in the future. Nobody was going to trick me into marrying some loser, and even if they did, I would write the goddamn book myself.”
    Elif Batuman, Either/Or

  • #8
    Emily Henry
    “Maybe it’s possible to have more than one home. Maybe it’s possible to belong in a hundred different ways to a hundred different people and places.”
    Emily Henry, Book Lovers

  • #9
    Elif Batuman
    “...real intimacy is a place where there are no mistakes, at least not in the sense you feel. You don't just blow everything with one wrong move. A friendship is a space where you're supposted and free to make mistakes.”
    Elif Batuman, The Idiot

  • #10
    Elif Batuman
    “Misty frozen rain was whirling around as I left the building and walked back to the shuttle stop. The shuttle was somewhat less overcrowded than usual. I didn't get a seat but I had enough room to take out my Walkman, and occasionally I could see between people's heads out the window, and this made me cheerful. It was weird what was enough to make you feel good or bad, even though your basic life circumstances were the same.”
    Elif Batuman, The Idiot

  • #11
    Eliza  Clark
    “You want to think you're not like other women, but you are, you know. You're still... that's still how the rest of the world, how men are going to see you. Like, I know you hate labels, but you like... You live in a woman's body. You're vulnerable. No matter what you think, you're vulnerable...”
    Eliza Clark, Boy Parts

  • #12
    Sally Rooney
    “I agree that it seems vulgar, decadent, even epistemically violent, to invest energy in the trivialities of sex and friendship when human civilization is facing collapse. But at the same time, that is what I do every day. We can wait, if you like, to ascend to some higher plane of being, at which point we’ll start directing all our mental and material resources toward existential questions and thinking nothing of our own families, friends and lovers and so on. But we’ll be waiting, in my opinion, a long time. And, in fact, we’ll die first. After all, when people are lying on their deathbeds, don’t they always start talking about their spouses and children? And isn’t death just the apocalypse in the first person? So, in that sense, there is nothing bigger than what you so derisively call “breaking up and staying together,” because at the end of our lives, when there is nothing left in front of us, it’s still the only thing we want to talk about. Maybe we’re just born to love and worry about the people we know and to go on loving and worrying, even when there are more important things we should be doing. And if that means the human species is going to die out, isn’t it -- in a way -- a nice reason to die out? The nicest reason you can imagine? Because when we should have been reorganizing the distribution of the world’s resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much, and found each other too interesting. And I love that about humanity. And in fact it’s the very reason I root for us to survive -- because we are so stupid about each other.”
    Sally Rooney, Beautiful World, Where Are You

  • #13
    Sally Rooney
    “I thought it would be the same as everything else in my life – difficult and sad – because I was a difficult and sad person. But that’s not what I am anymore, if I ever was. And life is more changeable than I thought. I mean a life can be miserable for a long time and then later happy. It’s not just one thing or another – it doesn’t get fixed into a groove called ‘personality’ and then run along that way until the end.”
    Sally Rooney, Beautiful World, Where Are You

  • #14
    Sally Rooney
    “I suppose I think that having a child is simply the most ordinary thing I can imagine doing. And I want that- to prove that the most ordinary thing about human beings is not violence or greed but love and care. To prove it to whom, I wonder. Myself, maybe.”
    Sally Rooney, Beautiful World, Where Are You

  • #15
    Rebecca Rukeyser
    “There are a couple of situations that are ideal for touring your memories: the quiet three minutes after takeoff on a commercial flight, and when you're trying to fall asleep. The first makes you keenly aware of the possibility of a quick death, and the other makes you aware of the likelihood of one that comes slowly.”
    Rebecca Rukeyser, The Seaplane on Final Approach

  • #16
    Rebecca Rukeyser
    “There are many men who have reminded me of Stu. It's a masculine asset to be the host, the mayor. The confident bonhomie is a kind of shorthand: it's short for having a big dick.
    Later, when I was teaching near Prague, I met a woman who liked to discuss Rasputin; she harbored a barely concealed lust for Rasputin and only dated men who had big wild eyes. She said, about Rasputin. "He had a great big dick." No, I thought, but in all likelihood he was an excellent host.”
    Rebecca Rukeyser, The Seaplane on Final Approach

  • #17
    Elif Batuman
    “Even though I had a deep conviction that I was good at writing, and that in some way I already was a writer, this conviction was completely independent of my having ever written anything, or being able to imagine ever writing anything, that I thought anyone would like to read.”
    Elif Batuman, The Idiot

  • #18
    Dolly Alderton
    “It is futile and knackering to try and make all your tiny choices representative of your moral compass then beat yourself up when this plan inevitably fails. Feminists can get waxed. Priests can swear. Vegetarians can wear leather shoes. Do as much good as you can. The weighty representation of the world cannot rest on every decision you make.”
    Dolly Alderton, Everything I Know About Love

  • #19
    Dolly Alderton
    “You’re too hard on yourself,’she said. ‘You can do long-term love. You’ve done it better than anyone I know.’
    ‘How? My longest relationship was two years and that was over when I was twenty-four.’
    ‘I’m talking about you and me, ’she said”
    Dolly Alderton, Everything I Know about Love: A Memoir

  • #20
    Dolly Alderton
    “Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.”
    Dolly Alderton, Everything I Know About Love

  • #21
    Dolly Alderton
    “It may seem that life is difficult at times but it’s really as simple as breathing in and out,” she read. “Rip open hearts with your fury and tear down egos with your modesty. Be the person you wish you could be, not the person you feel you are doomed to be. Let yourself run away with your feelings. You were made so that someone could love you. Let them love you.”
    Dolly Alderton, Everything I Know About Love

  • #22
    Dolly Alderton
    “It was at this time that I was reminded of the chain of support that keeps a sufferer afloat – the person at the core of a crisis needs the support of their family and best friends, while those people need support from their friends, partners and family. Then even those people twice removed might need to talk to someone about it too. It takes a village to mend a broken heart.”
    Dolly Alderton, Everything I Know About Love



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