Larissa > Larissa's Quotes

“I love myself when I am laughing. . . and then again when I am looking mean and impressive.”
― Zora Neale Hurston, I Love Myself When I Am Laughing And Then Again When I Am Looking Mean & Impressive

“It shook Therese in the profoundest part of her where no words were, no easy words like death or dying or killing Those words were somehow future, and this was present. An inarticulate anxiety, a desire to know, know anything for certain, had jammed itself in her throat for a moment she felt she could hardly breathe.”
― Patricia Highsmith, Carol

“Anticipation! It occurred to him that his anticipation was more pleasant to him than the experiencing.”
― Patricia Highsmith, The Talented Mr. Ripley

“But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain it as it’s happening, and then the moment is over.”
― Emily M. Danforth, The Miseducation of Cameron Post

“Feminism insists on methods of thought and action that urge us to think about things together that appear to be separate, and to disaggregate things that appear to naturally belong together.”
― Angela Y. Davis, Freedom is a Constant Struggle: Ferguson, Palestine and the Foundations of a Movement

“A man is whole only when he takes into account his shadow.”
― Djuna Barnes

“Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. ”
― Roland Barthes, A Lover's Discourse: Fragments

“So far as I can tell, most worthwhile pleasures on this earth slip between gratifying another and gratifying oneself. Some would call that an ethics.”
― Maggie Nelson, The Argonauts

“When you run into yourself, you run into feelings you never thought you had.”
― Emily M. Danforth, The Miseducation of Cameron Post

“But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.”
― Patricia Highsmith, Carol

“How was it possible to be afraid and in love... The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.”
― Patricia Highsmith, The Price of Salt

“Carol raised her hand slowly and brushed her hair back, once on either side, and Therese smiled because the gesture was Carol, and it was Carol she loved and would always love. Oh, in a different way now because she was a different person, and it was like meeting Carol all over again, but it was still Carol and no one else. It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell. Therese waited. Then as she was about to go to her, Carol saw her, seemed to stare at her incredulously a moment while Therese watched the slow smile growing, before her arm lifted suddenly, her hand waved a quick, eager greeting that Therese had never seen before. Therese walked toward her.”
― Patricia Highsmith, The Price of Salt

“You ask if I miss you. I think of your voice, your hands, and your eyes when you look straight into mine. I remember your courage that I hadn't suspected, and it gives me courage.”
― Patricia Highsmith, The Price of Salt

“Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.”
― Patricia Highsmith, The Price of Salt

“Empirically speaking, we are made of star stuff. Why aren’t we talking more about that?”
― Maggie Nelson, The Argonauts

“I feel I can give you everything without giving myself away, I whispered in your basement bed. If one does one's solitude right, this is the prize.”
― Maggie Nelson, The Argonauts

“I am not interested in a hermeneutics, or an erotics, or a metaphorics, of my anus. I am interested in ass-fucking. I am interested in the fact that the clitoris, disguised as a discrete button, sweeps over the entire area like a manta ray, impossible to tell where its eight thousand nerves begin and end. I am interested in the fact that the human anus is one of the most innervated parts of the body,”
― Maggie Nelson, The Argonauts

“To devote yourself to someone else’s pussy can be a means of devoting yourself to your own.”
― Maggie Nelson, The Argonauts

“We ought to say a feeling of and, a feeling of if, a feeling of but, and a feeling of by, quite as readily as we say a feeling of blue or a feeling of cold. We ought to, but we don’t—or at least, we don’t quite as readily. But the more you do, the more quickly you can recognize the feeling when it comes around again, and hopefully you won’t need to stare as long.”
― Maggie Nelson, The Argonauts

“You've punctured my solitude, I told you.”
― Maggie Nelson, The Argonauts

“I don't like to think of myself as an insincere person but if I say I love you and I don't mean it then what else am I? Will I cherish you, adore you, make way for you, make myself better for you, look at you and always see you, tell you the truth? And if love is not those things then what things?”
― Jeanette Winterson, Written on the Body

“He beat me like he beat the children. Cept he don't never hardly beat them. He say, Celie, git the belt. The children be outside the room peeking through the cracks. It all I can do not to cry. I make myself wood. I say to myself, Celie, you a tree. That's how come I know trees fear man.”
― Alice Walker, The Color Purple

“I try to teach my heart not to want nothing it can't have.”
― Alice Walker, The Color Purple

“I sat on a bench and did what, as a girl, I had done whenever I needed to calm myself: instead of pressing the button with the number 4 on it, I let myself go up to the sixth floor. That space had been empty and dark for many years, ever since the lawyer who had his office there had left, taking with him even the light bulb from the landing. When the elevator stopped, I let my breath glide into my stomach and then return slowly to my throat. As always, after a few seconds, the light in the elevator went out, too. I thought of reaching my hand out to one of the door handles: you had only to pull it and the light would return. But I didn't move and continued to send my breath deep into my body. The only sound was that of the woodworms eating into the panelled walls.

Just a few months earlier (five, six?), on a sudden impulse, I had revealed to my mother, during one of my brief visits, that as an adolescent I used to retreat to that secret place, and I brought her up there, to the top. Maybe I wanted to try to establish an intimacy that there had never been, maybe I wanted to let her know in some confused way that I had always been unhappy. But she seemed to me only amused by the fact that I had sat suspended in the void, in a dilapidated elevator.”
― Elena Ferrante, Troubling Love

“Being in Love means being willing to ruin yourself for the other person.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“It takes two to know one.”
― Gregory Bateson

“Of course my ex didn’t walk me home. Instead I wandered, drunk, from Main Street down to the railroad tracks, lay down there and listened to the quiet world. Smoked a cigarette on my back, feeling a part of the ground, one of night’s dark and lost creatures.
For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be “a man of the crowd,” or, conversely, alone with Nature or your God. To make your claim on public space even as you feel yourself disappearing into its largesse, into sublimity. To practice for death by feeling completely empty, but somehow still alive.
It’s a sensation that people have tried, in various times and places, to keep women from feeling.”
― Maggie Nelson, The Red Parts

“An inarticulate anxiety, a desire to know, know anything, for certain, had jammed itself in her throat so for a moment she felt she could hardly breathe. Do you think, do you think, it began. Do you think both of us will die violently someday, be suddenly shut off? But even that question wasn’t definite enough. Perhaps it was a statement after all: I don’t want to die yet without knowing you. Do you feel the same way, Carol? She could have uttered the last question, but she could not have said all that went before it.”
― Patricia Highsmith, The Price of Salt

“Sometimes one has to know something many times over. Sometimes one forgets, and then remembers. And then forgets, and then remembers. And then forgets again.”
― Maggie Nelson, The Argonauts

“We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.”
― Ursula K. LeGuin