Chloe Williams > Chloe's Quotes

“Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.”
― Kenneth Grahame, The Wind in the Willows

“All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.”
― Kenneth Grahame, The Wind in the Willows

“But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties.”
― Kenneth Grahame, The Wind in the Willows

“Home! That was what they meant, those caressing appeals, Those soft touches wafted through the air, those invisible little hands pulling and tugging, all one way.”
― Kenneth Grahame, The Wind in the Willows

“He saw clearly how plain and simple - how narrow, even - it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one's existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.”
― Kenneth Grahame, The Wind in the Willows

“All these soft, warm nights going to waste when I ought to be lying in your arms under the moon - the dearest arms in all the world - darling arms that I love to feel around me - How much longer - before they’ll be there to stay? When I do get home again, you’ll certainly have a most awful time ever moving me one inch from you.”
― Zelda Fitzgerald, Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald

“I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us. I also know that if we are to live ourselves there comes a point at which we must relinquish the dead, let them go, keep them dead. ”
― Joan Didion, The Year of Magical Thinking

“We are not idealized wild things.
We are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all.”
― Joan Didion, The Year of Magical Thinking

“It occurs to me that we allow ourselves to imagine only such messages as we need to survive.”
― Joan Didion, The Year of Magical Thinking

“We imagined we knew everything the other thought, even when we did not necessarily want to know it, but in fact, I have come to see, we knew not the smallest fraction of what there was to know.”
― Joan Didion, The Year of Magical Thinking

“I've lived in New York long enough to understand why some people hate it here: the crowds, the noise, the traffic, the expense, the rents; the messed-up sidewalks and pothole-pocked streets; the weather that brings hurricanes named after girls that break your heart and take away everything.
It requires a certain kind of unconditional love to love living here. But New York repays you in time in memorable encounters, at the very least. Just remember: ask first, don't grab, be fair, say please and thank you- even if you don't get something back right away. You will.”
― Bill Hayes, Insomniac City: New York, Oliver, and Me

“Look at me. I put this war paint on, but underneath I’m scarred and scared and horny and tired and love you.”
― Lisa Taddeo, Three Women

“Sometimes there’s nothing better on earth than someone asking you a question.”
― Lisa Taddeo, Three Women

“And yet I love him. I love him so much and so dearly, that when I sometimes think my life may be but a weary one, I am proud of it and glad of it. I am proud and glad to suffer something for him, even though it is of no service to him, and he will never know of it or care for it.”
― Charles Dickens, Our Mutual Friend

“You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.”
― Norton Juster, The Phantom Tollbooth

“What if I forgave myself? I thought. What if I forgave myself even though I'd done something I shouldn't have? What if I was a liar and a cheat and there was no excuse for what I'd done other than because it was what I wanted and needed to do? What if I was sorry, but if I could go back in time I wouldn't do anything differently than I had done? What if I'd actually wanted to fuck every one of those men? What if heroin taught me something? What if yes was the right answer instead of no? What if what made me do all those things everyone thought I shouldn't have done was what also had got me here? What if I was never redeemed? What if I already was?”
― Cheryl Strayed, Wild: From Lost to Found on the Pacific Crest Trail

“I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

32. I think I could turn and live with animals, they're so placid and self-contained,
I stand and look at them and long.

They do not sweat and whine about their condition.
They do not lie awake in the dark and weep for their sins.
They do not make me sick discussiong their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the earth.

52. The spotted hawk swoops by and accuses me, he complains of my gab and loitering.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric YAWP over the roofs of the world.”
― Walt Whitman, Song of Myself

“...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.”
― Joan Didion, Slouching Towards Bethlehem

“Can you evade the dying of the brightness?
Or do you evade only its warning?
Where are you left if you miss the message the blue nights bring?”
― Joan Didion, Blue Nights

“[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.”
― John Steinbeck, Cannery Row

“It is the hour of pearl—the interval between day and night when time stops and examines itself.”
― John Steinbeck, Cannery Row

“Being at ease with himself put him at ease with the world.”
― John Steinbeck, Cannery Row

“It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.”
― John Steinbeck, Cannery Row

“Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.”
― John Steinbeck, Cannery Row

“I don't know then that one day I won't be seventeen. I don't know that youth doesn't last, that it's only a moment, and then it disappears and by the time you finally realize it, it's too late. It's finished, vanished, lost. There are some around me who can sense it; the adults repeat it constantly but I don't listen. Their words roll over me but don't stick. Like water off the feathers of a duck's back. I'm an idiot. An easygoing idiot.”
― Philippe Besson, Lie With Me

“You can’t substitute material things for love or for gentleness or for tenderness or for a sense of comradeship. Money is not a substitute for tenderness, and power is not a substitute for tenderness.”
― Mitch Albom, Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson

“We carry the lives we've imagined as we carry the lives we have, and sometimes a reckoning comes of all the lives we have lost.”
― Helen Macdonald, H is for Hawk

“In England Have My Bones White wrote one of the saddest sentences I have ever read: ‘Falling in love is a desolating experience, but not when it is with a countryside.’ He could not imagine a human love returned. He had to displace his desires onto the landscape, that great, blank green field that cannot love you back, but cannot hurt you either.”
― Helen Macdonald, H is for Hawk

“I once asked my friends if they'd ever held things that gave them a spooky sense of history. Ancient pots with three-thousand-year-old thumbprints in the clay, said one. Antique keys, another. Clay pipes. Dancing shoes from WWII. Roman coins I found in a field. Old bus tickets in second-hand books. Everyone agreed that what these small things did was strangely intimate; they gave them the sense, as they picked them up and turned them in their fingers, of another person, an unknown person a long time ago, who had held that object in their hands. You don't know anything about them, but you feel the other person's there, one friend told me. It's like all the years between you and them disappear. Like you become them, somehow.”
― Helen Macdonald, H is for Hawk

“There is a time in life when you expect the world to be always full of new things. And then comes a day when you realise that is not how it will be at all. You see that life will become a thing made of holes. Absences. Losses. Things that were there and are no longer. And you realise, too, that you have to grow around and between the gaps, [...]”
― Helen Macdonald, H is for Hawk