Lynne > Lynne's Quotes

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  • #1
    Jane Austen
    “In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”
    Jane Austen, Pride And Prejudice

  • #2
    George Eliot
    “It is never too late to be what you might have been.”
    George Eliot

  • #3
    Matthew Quick
    “There will always be a part of me that is dirty and sloppy, but I like that, just like all the other parts of myself.”
    Matthew Quick, The Silver Linings Playbook

  • #4
    Harper Lee
    “You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.”
    Harper Lee, To Kill a Mockingbird

  • #5
    Matthew Quick
    “The world will break your heart ten ways to Sunday, that’s guaranteed.
    And I can’t begin to explain that- or the craziness inside myself and everybdy else,but guess what? Sunday is my fav day again”
    Matthew Quick, The Silver Linings Playbook

  • #6
    Vladimir Nabokov
    “Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradise - a paradise whose skies were the color of hell-flames - but still a paradise.”
    Vladimir Nabokov, Lolita

  • #7
    Nicholas Sparks
    “Just when you think it can't get any worse, it can. And just when you think it can't get any better, it can.”
    Nicholas Sparks, At First Sight

  • #8
    Kate Chopin
    “but whatever came, she had resolved never again to belong to another than herself.”
    Kate Chopin, The Awakening

  • #9
    Kate Chopin
    “I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me.”
    Kate Chopin, The Awakening

  • #10
    Kate Chopin
    “It was not despair, but it seemed to her as if life were passing by, leaving its promises broken and unfulfilled. Yet there were other days when she listened, was led on and deceived by fresh promises which her youth had held out to her.”
    Kate Chopin, The Awakening

  • #11
    Elizabeth Gilbert
    “What’s your favorite flavor of shit sandwich?” What Manson means is that every single pursuit—no matter how wonderful and exciting and glamorous it may initially seem—comes with its own brand of shit sandwich, its own lousy side effects. As Manson writes with profound wisdom: “Everything sucks, some of the time.” You just have to decide what sort of suckage you’re willing to deal with. So the question is not so much “What are you passionate about?” The question is “What are you passionate enough about that you can endure the most disagreeable aspects of the work?” Manson explains it this way: “If you want to be a professional artist, but you aren’t willing to see your work rejected hundreds, if not thousands, of times, then you’re done before you start. If you want to be a hotshot court lawyer, but can’t stand the eighty-hour workweeks, then I’ve got bad news for you.” Because if you love and want something enough—whatever it is—then you don’t really mind eating the shit sandwich that comes with it.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #12
    Elizabeth Gilbert
    “Basically, your fear is like a mall cop who thinks he’s a Navy SEAL: He hasn’t slept in days, he’s all hopped up on Red Bull, and he’s liable to shoot at his own shadow in an absurd effort to keep everyone “safe.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #13
    Elizabeth Gilbert
    “Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
    Elizabeth Gilbert, Big Magic: How to Live a Creative Life, and Let Go of Your Fear

  • #14
    Elizabeth Gilbert
    “Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #15
    Elizabeth Gilbert
    “Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #16
    Elizabeth Gilbert
    “Be the weirdo who dares to enjoy.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #17
    Brené Brown
    “True belonging doesn't require you to change who you are; it requires you to be who you are.”
    Brené Brown, Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone

  • #18
    Brené Brown
    “If I get to be me, I belong. If I have to be like you, I fit in.”
    Brené Brown, Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone

  • #19
    Rebecca   Campbell
    “Be committed to creating a life’s work, not a season. If you get overexcited and rush everything for fear of missing out, you run the risk of being a flash in the pan and fading away fast. Have the stamina to stay in the game. To do it for the devotion and pleasure alone. Create your art for life and your life for your art. Withstand the winds of time. Sustain the changing trends. Leave a legacy.”
    Rebecca Campbell, Rise Sister Rise: A Guide to Unleashing the Wise, Wild Woman Within

  • #20
    Elizabeth Gilbert
    “Anyhow, the older I get, the less impressed I become with originality. These days, I’m far more moved by authenticity. Attempts at originality can often feel forced and precious, but authenticity has quiet resonance that never fails to stir me.”
    Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear

  • #21
    Sanober  Khan
    “Once in a while i am struck
    all over again... by just how blue
    the sky appears .. on wind-played
    autumn mornings, blue enough

    to bruise a heart.”
    Sanober Khan

  • #22
    Mary Oliver
    “You do not have to be good.
    You do not have to walk on your knees
    for a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting –
    over and over announcing your place
    in the family of things.”
    Mary Oliver

  • #23
    Barbara Kingsolver
    “The wonder is that you could start life with nothing, end with nothing, and lose so much in between.”
    Barbara Kingsolver, Demon Copperhead



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